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Prête-moi ta main

  • 2006
  • Tous publics
  • 1h 30m
IMDb RATING
6.7/10
6.8K
YOUR RATING
Charlotte Gainsbourg and Alain Chabat in Prête-moi ta main (2006)
ComedyRomance

Luis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands.... Read allLuis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands. They find candi/dates. He hires a "fiancée".Luis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands. They find candi/dates. He hires a "fiancée".

  • Director
    • Éric Lartigau
  • Writers
    • Alain Chabat
    • Philippe Mechelen
    • Laurent Tirard
  • Stars
    • Alain Chabat
    • Charlotte Gainsbourg
    • Bernadette Lafont
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    6.8K
    YOUR RATING
    • Director
      • Éric Lartigau
    • Writers
      • Alain Chabat
      • Philippe Mechelen
      • Laurent Tirard
    • Stars
      • Alain Chabat
      • Charlotte Gainsbourg
      • Bernadette Lafont
    • 17User reviews
    • 20Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win & 4 nominations total

    Photos7

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    Top cast51

    Edit
    Alain Chabat
    Alain Chabat
    • Luis Costa
    Charlotte Gainsbourg
    Charlotte Gainsbourg
    • Emma
    Bernadette Lafont
    Bernadette Lafont
    • Geneviève Costa
    Wladimir Yordanoff
    Wladimir Yordanoff
    • Francis Bertoff
    Grégoire Oestermann
    Grégoire Oestermann
    • Pierre-Yves
    Véronique Barrault
    • Catherine
    Marie-Armelle Deguy
    • Axelle
    Katia Lewkowicz
    • Carole
    Louise Monot
    Louise Monot
    • Maxine
    Luce Mouchel
    • Marie
    Christiane Millet
    Christiane Millet
    • Françoise Messier-Lalande
    Aïssa Maïga
    Aïssa Maïga
    • Kirsten Hansen
    Tatiana Gousseff
    Tatiana Gousseff
    • Francine Lebrun
    Alix de Konopka
    Alix de Konopka
    • Sandrine Philippi ex-Bourrague
    Eric Debrosse
    Eric Debrosse
    • Beau-frère 1
    Fred Bianconi
    Fred Bianconi
    • Beau-frère 2
    Christophe Kourotchkine
    • Gaël
    Virginie Bordes
    Virginie Bordes
    • Annick, la serveuse
    • Director
      • Éric Lartigau
    • Writers
      • Alain Chabat
      • Philippe Mechelen
      • Laurent Tirard
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    6.76.8K
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    Featured reviews

    6richard_sleboe

    Horse and carriage

    Behold the mighty off-screen presence of singer-actor Luis Mariano, the emerging patron saint of French comedy: Jaco van Dormael's touching "The Eighth Day" came first, then Djamel Bensalah's hilarious "Homeboys at the Beach", and now "How to Get Married". This one is more predictable than the other two, but it will keep lovers of happy endings satisfied without too much of a guilty conscience. If you are, however, like me and think romantic comedy is essentially a cuss word, this old-school vaudeville piece may be your one chance at reconciliation. Charlotte Gainsbourg, super-charming as usual, and Alain Chabat click as comedians and also make a very handsome couple. Oh, and *do* watch out for Virginie Bordes as Annick, the spicy waitress.
    6Balthazar-5

    Gainsbourg grates

    I love romantic comedies. I love French cinema. Charlotte Gainsbourg was fine in Claude Miller's La Petite Voleuse. But since then, her charmless personality seems to be the death-knell for everything she touches.

    This is a theoretically fun movie, in which a middle-aged guy tries to get one over on his domineering family. And, being a romantic comedy, we know the way it's going to go. But Gainsbourg seems so affected as the hired-in fiancée, and so emotionally wooden, that even if she had the 'nichons' that her partner would have preferred (as I would), it is doubtful that she would have saved this forlorn if not totally lost film.
    krismtucker

    A Comedy With Potential

    I love love. I'm a sucker for romantic comedies and as of late, I've been on a foreign film binge. Enter stage left: I Do. While undeniably predictable, the film has its charms and throws in some obstacles I didn't expect and found myself smiling as I watched it unfold.

    However, my main concern was the lack of chemistry between Luis and Emma. There were no looks of intrigue, scarcely any playful banter between the two - for the most part, their interaction seemed to be simply what Luis intended it to be - a business interaction. Perhaps I'm terribly picky, but I found the leap between the conspirers' platonic relationship to romance to be a sudden leap rather than one with a bit of a build up. In that case alone, I was mildly disappointed.

    But with that aspect aside, the actors do do a good job with the script they're given. Luis's family, although somewhat irritating, are simultaneously charming and overbearing and I warmed up to them in the end. I really think the men need a bit more screen time as they were hardly in it and my favorite scene (the scene with the M6) happened to be one of their few. The wedding comes too quickly for my taste, but with a few more scenes to build character relationships, this film would've been a knock out. So not bad, but not exactly the best film either.
    8missmarmite

    Hilarious

    There wasn't a dry eye amongst the audience yesterday afternoon after I left the cinema, having seen this gem of a film in a sold-out house as part of this year's Hamburg Film Festival. And the tears shed were all of laughter. This film was hilarious, there's no other way of saying this. There wasn't one boring bit in it, I laughed right through it and with me everyone else of us three hundred lovers of French cinéma.

    Alain Chabat was absolutely terrific. A great clown if needs be and serious if the situation calls for it. The performance was of course completely over the top, but this was exactly what the story needed and what made it work so well. Equally great was Charlotte Gainsbourg who I love to see a lot, and the mother was also a very strong performance. The sisters could have been a bit more detailed in character script-wise, but apart from that there is nothing to moan about. I had a great afternoon seeing this film while Hamburg was drowning in rain outside, and I wish films like this from France would get a regular release in Germany. But the distributors is this country don't seem to understand that the French make good films. I at least can't wait to find a DVD which offers subtitles (Hello Australia? Please?) because that film I need at home to watch several more times!
    7wonjoomin

    A Pleasant Surprise in Waiting

    Didn't know anything about the movie before watching and I think it was the "no expectation" factor that helped me endure at first and later like it more than I anticipated.

    The setting was interesting, strange but interesting. The storyline had gaps/jumps that I think throws the audience off a bit. There's no great soundtrack playing in the background, creating the "romantic" ambiance. BUT they all didn't matter.

    The chemistry between Emma and Luis was simply exquisite. There was some inexplicable strange chemistry that I couldn't resist; I fell in love with it and here I am, writing this review. The subtle love portrayal by the two actors was superb, and I believe, that is the core of this movie.

    This movie is not an everyday romantic comedy; in fact, not all of us will appreciate it. I had to sit a while and then slowly began to comprehend the little things I didn't catch at first. I cannot guarantee everyone will like it, but I hope YOU do.

    Storyline

    Edit

    Did you know

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    • Goofs
      In the scene where Emmanuelle is in the kitchen with Luis' sisters cutting the coriander, one of them corrects the way she is wearing her dress. They adjust it so it becomes off the shoulder on one side. The scene cuts to Luis and as soon as it cuts back her dress is back to being on both shoulders.
    • Connections
      Referenced in La femme invisible, d'après une histoire vraie (2009)
    • Soundtracks
      Gimme Gimme Gimme (A Man After Midnight)
      Written by Benny Andersson and Björn Ulvaeus

      Performed by ABBA

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    FAQ17

    • How long is I Do: How to Get Married and Stay Single?Powered by Alexa

    Details

    Edit
    • Release date
      • November 1, 2006 (France)
    • Country of origin
      • France
    • Official site
      • Mars Distribution (France)
    • Language
      • French
    • Also known as
      • L'amour est un bouquet de violettes
    • Filming locations
      • Pantin, Seine-Saint-Denis, France
    • Production companies
      • Chez Wam
      • StudioCanal
      • Script Associés
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €8,900,000 (estimated)
    • Gross worldwide
      • $30,178,449
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 30m(90 min)
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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