Trapped Ashes

Remember all those British-produced anthology horror films that sometimes made it to US theaters back in the 70s, but were more often screened on Saturday late night or Sunday afternoon television? Stuff like THE VAULT OF HORROR or TORTURE GARDEN or FROM BEYOND THE GRAVE (or TALES FROM THE CRYPT or TALES THAT WITNESS MADNESS and on and on)? TRAPPED ASHES is a heartfelt and enthusiastic (and largely successful) attempt to revisit that kind of sometimes-serious, sometimes-funny, sometimes-trashy scare flick.

Encompassing four short episodes and a wrap-around set in a deserted Hollywood studio tour's "haunted house," TRAPPED ASHES explores vampiric breast implants, horny spirits of suicidal Japanese monks, tapeworm twins, and the soul-sucking girlfriend of Stanley Kubrick. Some of the episodes are more successful than others, with the most confident probably being the "Stanley's Girlfriend" one, directed by the most decidedly NON-genre vet Monte Hellman. It's a really touching, elegiac little piece, full of imagination and a genuine love for the world of film. The other three stories - and the wraparound - are more traditionally horrific, but also very inspired in their mixture of sex, horror and a warped approach to the genre. The Ken Russell segment in particular, "The Girl with the Golden Breasts," had the audience in Toronto alternately laughing with glee or squirming in discomfort, leading to three audience casualties!

TRAPPED ASHES will appeal most to horror fans who are looking for a sometimes familiar, but definitely unique and twisted type of anthology genre film. Full of breasts, blood, great special effects, appearances by older actors like Henry Gibson, John Saxon, and a cool, "blink and you'll miss him!" cameo by none other than Dick Miller, it's a wonderful horror-movie debut for screenwriter Dennis Bartok and a great turn by all the veteran directors (and new director/vet f/x guy John Gaeta).

Highly recommended for a fun and old-fashioned-style scary time at the movies.

I saw this one at the Midnight Madness screening in Toronto and I have to say I was thoroughly entertained. Before the film the producer mentioned he wanted to bring back an Amicus-style anthology film, which it definitely captures the feeling of, however with a very distinctively Japanese feel (most notably in Sean Cunningham's episode) as well as a twinge of Cronenberg-style body horror.

It's great to see Ken Russell back shooting films for the big screen where he belongs and his episode is complete and total obsessive madness where you can tell that he had as much fun making it as I had watching it. Cannibalistic breasts may not be the subtlest of images, but if you go with it you'll have a blast.

The next episode is what might possible be the best and most experimental Sean Cunningham film ever made. Combining animation with some rather shocking scenes of necrophilia and traditional Japanese horror imagery, the episode is both surprising and creepy. It's quite bold and radical, entirely different from anything Cunningham has done before.

The Monte Hellman episode, that was lauded at Cannes, is a cool change of pace for the film, displaying a deep love of cinema history as well as adding a haunting twist to the mythology of the moving image.

And finally, the last episode from newcomer John Gaeta is an extremely well made body horror story that's based on a semi-true story (as we learned from the Midnight Madness Q+A) about a woman's fraternal link with her mother's tapeworm. This is one of the most original and interesting stories of the movie that features great concepts and imagery.

The Joe Dante directed wrap around segments are suitably amusing (even get a Dick Miller cameo) and it's fantastic as always to see John Saxon do his thing.

Writer and producer Dennis Bartok has been able to round up some of cinema's heroes and give them an opportunity to do something different. His screenplay is very consistent however in retaining a singular and entertaining voice between the different personalities of the directors.

This is the kind of film you should just sit back, relax and enjoy as a sometimes subversive, but always quirky trip into the genre. It seethes with pure adoration for the movies, without falling into forced reference-laden in-jokes.

I, for one, had a blast watching it.

A group gets trapped in a movie set and the tour guide (Henry Gibson) suggests they tell real-life horror stories and they may be let go.

In the first segment, Phoebe (Rachel Veltri) can't get any parts and figures she needs a boob job. She gets boob implants from a cadaver and gets sci-fi parts immediately. But, those boobs have a mind of their own. In a twist on Teeth, there are teeth in the nipples! In segment two, Julia (Lara Harris) goes on a trip to Japan with her husband Henry (Scott Lowell). Sean S. Cunningham (Friday the 13th) directs this segment which combines art, animation and reality in a really creepy ghost story. Henry was hoping to put some spark back in their sex life, but it was Julia that got the spark in this tale of necrophilia.

Monte Hellman, who shot some of the footage seen in the US in A Fistful of Dollars, directed the third segment, which focused on movies. John Saxon (From Dusk Till Dawn, Beverly Hills Cop III) becomes friends with Stanley (Tygh Runyan), and things went well until Nina (Amelia Cooke) shows up. This story has an interesting twist, but that comes at the end.

Visual effects supervisor John Gaeta gets his first directing job in the fourth segment. It was really a grotesque tale about a girl (Michèle-Barbara Pelletier) who was born with a worm. They couldn't kill the tapeworm in her mother without killing her also, so they grew inside together. Thing is, the worm never died, and it helped her when she needed it most - it was her twin after all.

Really great stories, but the ending was weird.

I went to see this solely on the basis that it was an anthology horror film. The best I can say about it is that if you are looking for a movie that will make you writhe in discomfort for a couple hours (which is what I was hoping for), this will probably do the trick. The first two stories have the combined effect of making you never want to have sex again. The fourth attempts (less successfully) to put you off both sex and food. The third is a bit of breather in that it has none of the grisly horror of the others and feels like a decent, thoughtful movie that was mistakenly put in the reel. The central narrative, unfortunately, is pretty dull. All of the stories together, while varying in tone, can be boiled down to one basic message: women should be feared. The movie on the whole is an admirable effort and there are certain images that will stay with you for all time either for their grossness or coolness (the breast surgery and the womb-cam in particular), but it does feel like it could have achieved a lot more.

I give this 3 stars mostly because of the acting. I truly did think the acting was great in this movie. Making people forget those Vincent Price anthologies or Tales from the Crypt shows, is not going to happen. These stories were written by a horny drunkard or so it seems. They were absolutely ridiculous. No imagination went into this. This was basically one of those stupid late cable sex programs with a tinge of Freddy Krueger infused. I did manage to sit thru the whole thing , hoping for at least one good story. The best part of this movie was the interaction of the 'trapped' , before and in between the horror stories. Way too goth for me, but if thats your thing you may like this film. Articulate acting - Yes, good movie- No!