John & Jane

We wanted to see this in Toronto in Sept. 2005, but it was sold out. So we saw it at the DC Filmfest April 23, 2006. Some people will see it as rather boring and uninvolving. However, I thought it was impressive on several levels. As you go through the six sketches about the call center workers, it takes a while to realize that once you've left a character, that's it, you're not going back to see what happened to them. Enough is shown about each character to show you the essence of what makes them tick, but not enough to get you too emotionally involved. No matter what attitude you bring into the movie (mine was "the call centers are probably exploiting these people and overworking them"), your attitude will change during the movie. Certainly the first character, Glen, summed up what my feelings would probably be--trapped, hates the job, but see no way to escape. But that's Glen. As you go on, you see that the others really love their jobs and their lives, and that their lives have been transformed at a much deeper level by the job and the environment. I think for the real meaning of the movie you have to go back to the opening narration--it's a virtual life, with real people trapped in it. Some of them begin to see this virtual life as reality. Whether that's good or bad, I'm not sure--is it better to see the world completely realistically? Wouldn't you just commit suicide?--but to some extent we are all in the same boat, and that's what makes this movie much more than a documentary about a call center in Bombay.

I got to grab the last two tickets to a sold-out show of "John & Jane" at the Toronto Film Festival. This film is absolutely brilliant! At first, you aren't sure what the film IS really about...yes, of course, we are told it is a documentary about Indians who work at night answering American 1-800 calls, but beyond that you keep asking yourself "what is the point? where is this heading?" - some people I spoke to just didn't get it at all and felt "let down" by the lack of a conventional structure or storyline…which is EXACTLY what I'm getting to… About 30 minutes into the film, after you have spent time with two call centre workers who (understandably) hate their jobs, you get a character who goes by the telephone alias "Osmond" - he tells you that, in fact, he quite likes the job and is on his way to becoming a billionaire! Osmond is followed by a mysterious girl called "Niki Cooper" who loves the job even more than he does, explaining that the call centre is like her family and that she loves all her callers! This film f**ks with your head… Slowly, a picture of transformation emerges. No, there is no straight story line here, but each character builds on the character that precedes it…until you arrive at the near-cyborg "Naomi" – who looks American but is clearly Indian. Her face is bleached white and hair is synthetic blond. Yes, then the "story" is clear as day – the Indian has "become" a sort of virtual American, physically, mentally and emotionally! Mind you, this is not science fiction or fantasy. It is a "documentary" although the film subtly destroys many documentary conventions. It is actually a piece of experimental film-making in the guise of a pop-doc, which is why viewers looking for a film on outsourcing may be disappointed. "John & Jane" uses outsourcing issue as a way to bring viewers in – but the film is clearly about the idea of "America" as a utopia for so many people in the world.

If you are looking for a straight-up BBC film on call centres, STAY AWAY. On the other hand, if you have an open mind and are adventurous about new kinds of film-making, "John & Jane" may be just the thing for you.

Foolish, poorly thought-out review this... seems as though you are close to answering your own questions, but somehow you don't exert yourself enough.

Paterfam001 asks "Why would you put the sequence featuring the most rebellious, anarchic, foul-mouthed characters first?" ANSWER: for the simple reason that it is the OBVIOUS point of view to have...to HATE this crappy job. But the film doesn't fall into obvious traps - it starts with the guys who hate the job (a POV that, as audiences, we relate to) ... and slowly brings us to understand those who obsessively LOVE that very same job. There is nothing random or unclear about this decision - in fact, it is a strategy central to the way this film operates. The film twists our expectations... it doesn't preach to the preached, but flips things "the wrong way round", unlike a typical documentary that feeds us what we already know. We are rarely used to being attacked as so-called "liberal" viewers and that is precisely what this film does... to know this is to understand what lies at the heart of "John & Jane" and perhaps why it makes spoon-fed audiences uneasy. Films like Von Trier's Dogville and Manderlay could also be seen to operate in this way.

I may suggest, Paterfam001, that you stick to the comfort of TV - more specifically, Animal Planet, where whales continue to swim the virgin waters in a simple, happy world.

Unfortunately, the world I occupy in is not that simple, linear, idiotic. It is a mysterious, unfair, strange & complex place, and a film that lives up to the challenge of these difficult times is rare indeed.

This excellent new film from India is showing for the first time in Europe at the Berlin Film Festival. After great reviews at Toronto, I expected a very stupid film like Super Size Me... no, this turned out quite surreal - what a scary, weird and odd world this film shows us. And it is all real - our strange 21st world!

The film was voted one of the best undistributed films of the year in the US by both The Village Voice and Indiewire, who have their pulse on new independent cinema.

"In vast, fluorescent rooms, thousands of ambitious young Indians talk to people in Kentucky, California or Idaho. Bridging continents by telephone, they pitch products and soothe frayed consumer nerves. As they troubleshoot, they dream of America. As they dream, they change. What is it like to transport yourself to a remote land you've never even seen? How does it feel to live so far outside your own body? Welcome to the world of offshore call centers. John & Jane is an astonishing look at the souls of the outsourced. Shot on 35mm and composed with unsettling grace, this documentary finds an entirely original and fitting language to express the eerie dislocation of virtual work. The lives it depicts are real, but the film's approach gives those lives the scope of speculative fiction."

The music is really beautiful, too - very ambient and chilling - with electronic musicians from all over contributing to the score, including Germany's Thomas Brinkmann and Japan's Minamo.

For anyone who likes films that don't leave you easily - this is a must see!

Such a relevant theme in John & Jane which is still so timely. Dark web of technology, capitalism and globalization depicted in such a stylish manner.