Summer Rain

youth, sex,searches of life's sense, stories from the Franco's Spain, classic recipes about expectations, relation with family, love and need to escape. far to be a bad film, it seems have a specific public. the beauty of images, the atmosphere of Malaga, the references to American films about the same subject saves it to be only a movie by Antonio Banderas. because, more than an adaptation, it preserves and shows the spirit of a period. that is its basic virtue. and the remind of universal values. a beautiful film. not great, not impressive, only beautiful. and that could be enough. because it reminds more than presents.

I approached my viewing of this film with trepidation. The preview description I had read filled with me little confidence that I would enjoy it as I was expecting something quite sentimental. Also, films directed by actors often disappoint as their focus is usually on the acting performances and not the appearance of the film. But, to my surprise, what was most impressive about Summer Rain was the strong visual style of the director Antonio Banderas. His use of vibrant colours, striking vistas, dream scapes and powerful, haunting imagery made the film a true delight. Based on a prize winning Spanish novel and set in Banderas' home town, Malaga, it is apparent that the novel resonated deeply with Banderas. His passion for the work is evident in every scene. The cinematography is superb and the use of the widescreen aspect ratio contributes significantly to the rendering of what must have been rich source material. I now long for an English translation of the novel. Based on what I've seen Banderas attempt to do in this film, it seems that the book must have been a challenging adaptation. Voice-over is something I don't care for normally, but the elusive nature of the voice-over text in Summer Rain was a major factor in making this film such a pleasure. Rather than explain actions and motives, the periodic comments by the narrator (called Throat) heightened the atmospherics of the film. The choice of actors was excellent and all turn in performances that serve the themes of the film. Special mention has to go to Victoria Abril, who has played opposite Banderas before so many years ago. She is marvellous and lights up the screen with her evocation of the alluring older woman. I hope Antonio Banderas can find more projects to immerse himself in. His passionate rendering of Summer Rain suggests that he is a director to watch out for.

We were delighted to be able to see this at Sundance 2007. Antonio Banderas came to the screening and introduced the film, which was very nice. He was very gracious and we were happy to hear what he had to say about his film. However, the film itself was hard to follow. There were too many characters and it was hard to keep them straight. The main character has a serious illness, which added to the many plot devices. I had a hard time understanding why the title of the film was "Summer Rain" while the Spanish title was "The English Road". I guess maybe they both make sense, but "The English Road" seems to be a little more descriptive.Perhaps it doesn't translate well.This film was just all over the place and a bit too artsy for the "normal" film-goer. I can't see this film attracting a wide audience,sorry to say. The acting was top notch, however! Unfortunately, that wouldn't be enough to recommend this to anyone.

i was thinking that maybe Antonio Banderas has spent a career in commercial movies to be able later on to develop his own projects. who knows maybe it's like this. yes, this movie was not made by an fine director, the pace is uneven, there are a lot of scene that could have been removed improving, not hurting , the movie. but the movie is not entirely pointless, it seems to have a sincere desire to say something to the viewer, especially with a very well mixed balance of music and images, those seem to be the most powerful moments of the movies. the plot , the story is to a certain degree irrelevant , this is a movie of powerful images, of details, of obsessions. The love scenes are a very small part of the movie, yet they are incredible details, nearly as in a soft porn movie, but this is not a limitation of this movie, but one of features. the bodies of the characters are explained in details, a flat stomach, a leg, a hand, a scar , eyes, aging hands. the movie is poetry and as poetry it refuses to be confined in the structures of novel, this is a movie of images and music, it's like the work of an Impressionist painter, maybe there are autobiographical elements, let's not forget that AB was born in Malaga in 1960, so he more or less would have been the age of the characters at the same time. All in all it's a good movie and it was worth watching it, I hope who reads this has enjoyed it already or will in the future.

I tried really hard to like this film, I promise. I enjoyed Crazy in Alabama and I like Banderas as a person. He is an interesting character. However, this film is a failure. Either that or I didn't get the point at all. Two hours of movie that feel like four, a disjointed script, some supposedly poetic images without any meaning and a bunch of wasted talented actors. It begins decently but as the plot unfolds it drifts away into a hopeless nonsense. I used to think that if I didn't understand a film it was my fault and I had to watch it again making an effort to really comprehend what it meant. Nowadays, I simply believe that if I don't get the point of the movie is just because the director didn't explain it correctly. Sorry, Antonio, try harder next time.