Question à 10 points

Surveying the wreckage of numerous other such films - burdened at their outset with flimsy premises, one-dimensional characters, stale gimmicks that coast on the fumes of pop cultural trends, and implausible "meet-cute" situations - which could not be sustained even with big-name talent, inestimable budgets, and plague-like advertising campaigns, I was understandably sceptical as to how the "romantic comedy" aspect of this film might play out when I first sat down to watch it. In retrospect, I honestly couldn't have been more pleased. Rare indeed is the occasion when I have walked out of a theatre feeling unambiguously good about what I saw, believing that it was well worth the time and money I spent to watch it.

The story forming the basis of "Starter for 10" is handled with a great deal of humour, sensitivity, and intelligence. At no time did any part of it feel forced or contrived, nor was it condescending. Testament to this film's openness and accessibility, the emotional connection that I formed with the primary character (James MacEvoy - may he have a long and distinguished career ahead of him) was subtly cultivated throughout, reinforced by simple - yet heartachingly truthful - moments of confusion, awkwardness, uncertainty, and disappointment of the kind anyone might experience (and probably has) in similar circumstances. "Starter for 10" masterfully captures the spirit of that time in one's life wherein a person fully enters the world and begins to establish her- or himself as an individual.

So often, and unfortunately, it is the case that I see people on the screen with whom I cannot identify, in situations to which I cannot relate (this is typically due in part to the performers' overblown celebrity status and the general "Hollywood" gloss that is spread thickly over the top of everything). Not so where "Starter for 10" is concerned.

Perhaps it's no coincidence that "Starter for 10" references "The Graduate," since I believe it shall, in time, prove itself a worthy descendant of that film's legacy and subsequently receive the higher profile that it deserves.

Starter For Ten (three stars)

Director Tom Vaughan Writer David Nicholls Stars Ian Bonar, Alice Eve, Rebecca Hall, Catherine Tate Certificate 12A Running time 96 minutes Country UK / USA Year 2006

Don't let the pathetically weak opening scene - a flashback of a university applicant as a boy, watching University Challenge and guessing the answers - put you off. Starter For Ten actually manages to get better. Although nominally about qualifying to be on the TV famous game show, the film is really a light-hearted coming-of-age drama set in the 80s. It has convincing performances and a lovingly recreated period of Thatcher Britain, when corduroy was cool and Kate Bush was for intellectuals.

Working class Brian was not born clever - he has to work at it. Gaining entry to a posh university, he meanders through undergraduate days with a classic dilemma: do you fall in love with the intellectually attractive brunette or the blonde goddess? Karl Marx, Freud and John Lennon, like smoking hash and learning how to do blowbacks, are all part of the social landscape of what is trendy and what isn't. Half way in, the film subject matter allows plenty of social commentary on the irksome British class divisions that penetrate romance, friendship and the University Challenge team.

Versatile Catherine Tate puts in an amiable performance as Brian's ever supportive and cooing mother: she's having an affair with the ice-cream van man ("you can hear him coming"). This enjoyable no-brainer of a movie is aided and abetted by a blistering 80s soundtrack with bands such as The Cure, Psychedelic Furs, Buzzcocks, Yazoo, The Smiths, Tears for Fears, The Undertones - and Kate Bush.

Starter for Ten is not searing drama, but it does make a pleasant and worthwhile trip down nostalgia lane. The characters are ones we can love and care about and the movie mostly avoids predictability and cheese. If "the most important questions in life are the ones we already know the answer to," and are not exactly rocket science, the subject matter of Starter For Ten is a welcome and unpretentious antidote to the plethora of similar American teen comedies. If you like the music, it's worth going for that alone.

"Starter for 10" is a 2006 British film set in 1985 about a working class young man, Brian Jackson (James McAvoy) who attends Bristol University on scholarship and is accepted on the team of "University Challenge," a televised college quiz show. He's crazy for a hot blonde on the team, Alice (Alice Eve). After a disastrous post-Christmas visit to her house when his penchant for movie quotes gets him in trouble, he spends New Year's Eve with another girl, the more grounded and politically active Rebecca Epstein (Rebecca Hall) -- but when he wishes her Happy New Year, he calls her Alice. He has a habit of blowing it, and the best is yet to come.

I actually sought out this film because I am a huge fan of Benedict Cumberbatch. Here, Cumberbatch plays the fastidious nerdy head of the College Quiz team (even though they keep losing), and he's hilarious. When he gets into a fight with one of Brian's friends from home, the guy punches him, and Cumberbatch's response is to start flapping his hands on him as if he's shaking out a dishtowel.

The acting in this film is very good, and it's interesting to see that all these young people have come up together. Cumberbatch and Eve are in the upcoming Star Trek; Rebecca Hall and Cumberbatch starred in the miniseries "Parade's End," and McAvoy, of course, has had a marvelous career, making a splash in films right around the time this film was released. The supporting cast is led by the wonderful Lindsay Duncan and Charles Dance as Alice's parents, and Catherine Tate as Brian's mother.

While "Starter for 10" is a little predictable, it has a nice quality about it and gives one a feel for university life, leaving home, meeting new people, and the adjustments that need to be made.

This film has to be one of my favourites since I was forced to watch it by cultural people. Luckily I was not disappointed.

The general story is of a Brian (McAvoy), an intelligent and clever young man who after going to university in Bristol, joins the University Challenge team. During this time, he falls for an attractive blonde on the team called Alice (Eve) while being completely oblivious to the affections of the beautiful intellectual, Rebecca Epstein (Hall).

The film has a great cast and some good comedy moments. A great cast, and some good dialogue. There's not much else to say about it, but that if you ever feel unhappy and depressed, watch this gem, it will not disappoint in cheering you up.

Tom Hanks knows what he's doing when he puts his ha'penny's worth in as an executive producer - this has had sleeper hit written all over it from day one.

Lovingly made, with a nicely observed, but still sweet, story of social and socialist morals in the Eighties, it is evocative and rings (mostly) true. The performances are solid, the director gets the era right; but, and here it scores great points: it also has some real soul, and though in places an exercise in capturing its time it has a real wit, and intelligence as well as deprecating humour that serve it well.

Funny, intelligent, and definitely deeply romantic - it is also an amazing nostalgia trip for those of us who were around in Britain at that time. The production design has obviously been at great odds to make this work; from the posters in the student bedsit to the clothing it is very well thought through. Aided by a very competent script, that is just too worked through and lacks some real teeth to be really outstanding - it is much better than most American romantic comedies as it is so much more than boy meets (two) girls (and well you know the rest)...it actually touches a much wider world, and questions some values that are worth remembering. Moreover, even at its most manipulative it still somehow has real heart, and just carries you along.

It would have been great to have balanced the many laughs with some more complex dilemmas - but this is a surprisingly rounded comedy - a definite must for those who remember Britain in 1985 - without bashing at the politics endlessly - but it is just as enjoyable as a great romantic drama-comedy in its right... the Wedding Singer with much bigger brains...

Overall, impressive for its evocation of a lost age - before brands and spending took over the world - and it is guaranteed to make you grin - especially if you were there - and to sing - along. The theme of University Challenge alone will reduce a whole generation to wobbly nostalgic has beens. Excellent stuff, and one to be simply enjoyed.