Question à 10 points

I really really enjoyed this film. No, it wasn't an in-depth "gritty" drama, probing the dark side of the mundane, nor did it hold any strong political or social message. But this is a sweet, touching and, most of all, funny film.

Starter for Ten relies heavily on the charm and comedy of the characters in the film to carry it over a fairly weak plot, but seeing as the outcome is such a cheerful and good natured film, i have no complaints! My own favourite character was Patrick, the oh-so serious leader of the team, but all of the cast were strong and the characters all likable in their own ways.

S.for.Ten left me with a big smile on my face- a silly, feel good British comedy which doesn't take itself too seriously. Enjoy!

"Starter for 10" is a 2006 British film set in 1985 about a working class young man, Brian Jackson (James McAvoy) who attends Bristol University on scholarship and is accepted on the team of "University Challenge," a televised college quiz show. He's crazy for a hot blonde on the team, Alice (Alice Eve). After a disastrous post-Christmas visit to her house when his penchant for movie quotes gets him in trouble, he spends New Year's Eve with another girl, the more grounded and politically active Rebecca Epstein (Rebecca Hall) -- but when he wishes her Happy New Year, he calls her Alice. He has a habit of blowing it, and the best is yet to come.

I actually sought out this film because I am a huge fan of Benedict Cumberbatch. Here, Cumberbatch plays the fastidious nerdy head of the College Quiz team (even though they keep losing), and he's hilarious. When he gets into a fight with one of Brian's friends from home, the guy punches him, and Cumberbatch's response is to start flapping his hands on him as if he's shaking out a dishtowel.

The acting in this film is very good, and it's interesting to see that all these young people have come up together. Cumberbatch and Eve are in the upcoming Star Trek; Rebecca Hall and Cumberbatch starred in the miniseries "Parade's End," and McAvoy, of course, has had a marvelous career, making a splash in films right around the time this film was released. The supporting cast is led by the wonderful Lindsay Duncan and Charles Dance as Alice's parents, and Catherine Tate as Brian's mother.

While "Starter for 10" is a little predictable, it has a nice quality about it and gives one a feel for university life, leaving home, meeting new people, and the adjustments that need to be made.

Starter for 10 is directed by Tom Vaughan and adapted to screenplay by David Nicholls from his own novel of the same name. It stars James McAvoy, Alice Eve, Rebecca Hall, Dominic Cooper, Benedict Cumberbatch, Catherine Tate and Elaine Tan. Music is by Blake Neely and cinematography by Ashley Rowe.

Set in 1985 England, working-class student Brian Jackson (McAvoy) navigates his first year at Bristol University - which lends him the opportunity to feature on his favourite ever TV Quiz Show - University Challenge.

I have never read the book so have no frame of reference there, thus the complaints from devotees of the written source are null and void to me. For I absolutely loved this film, a fresh and breezy coming of age comedy that's tinted with dramatic intelligence. How nice to have a pic of this genre ilk that's not built around trying to lose one's virginity, or standing up to bullies etc. For sure there's a whole load of angst on show, a bit of class distinction dichotomy, the perils of formative fumbling romances, and of course whimsy. Yet the framework of education, the thirst for knowledge and an understanding of the problems evident in the world at time of pic's setting, all make this a smarter than your average bear British rites of passage piece.

Cast are on splendid form to make the multidimensional characters work (each main character moves away from being mere caricatures). McAvoy is splendidly affable as Brian, who is still nursing the loss of his father years previously, and then has to watch as his mother (Tate) takes a lover - the local ice-cream man (John Henshaw). It's no easier at University, where he lusts after the blonde bomber (Eve) when in fact he obviously should cop on to the fact that the girl for him is bleeding heart socialist Rebecca Epstein (Hall) - but she isn't the quiz type! McAvoy has a good comedy way about him, gawkish but lovable and perfect when portraying Brian out of his depth in certain scenarios.

Of the others it's Cumberbatch who steals the show as Patrick Watts, an absolute toff, an upper class twit who has no comprehension of the working class system and the perils within that structure. He is burned by his miserable failure on University Challenge the previous year, his inadequacies and stubborness blinding him to the benefits that others around him can afford him. The facial expressions, the posh vocab speak and the need to be in charge are brought vividly to comic life by Cumberbatch. Eve smoulders as Alice, but deftly plays her vulnerabilities, Hall has her character down pat, while Cooper, Tate and James Corden leave favourable marks. As do Charles Dance and Lindsay Duncan in unforgettable scenes as Alice's parents.

The whole play is covered over with an 80s soundtrack, mixing student favourites with punky pop tunes, while the period detail for Brian's home life prior to going to University (Southend-On-Sea) has been given great nostalgic thought. A lot of the humour is sure to be too British for none UK folk, more so those not familiar with what the mid 1980s were like in Britain, while it has to be acknowledged that where the story ends up holds no surprises. Yet this holds many pleasures for the right audience, so fingers on the button and see if you get this starter for 10.

I just seen this film at a surprise screening in Glasgow and I would recommend it to all. For one it features the amazing talents of James macavoy who doesn't disappoint in this slightly coming of age, slightly romance, slightly comedy drama which turns the world of relationships inside education upside down from deep crushes to background influences. The main appeal of this film was its ability to assault the viewer with pieces of hilarious wit that seemingly come from nowhere and features an amazing 80's soundtrack including the cure, undertones and new order. Its main downers however is a host of other actors that don't really get the attention they deserve such as the room mates that seemed to be quite interesting characters and even the female lead was given less of a personality and more of a distant "that girl you view from afar who you may or may not get at the end of the movie" and she wasn't necessarily poorly acted I just felt there could have been more development to her. But other than that the film was filled with witty and somewhat realistic situations that you could compare with to some extent which added to that air of authenticity that the good ol' British movie is good for. 8 stars for acting, writing, great soundtrack and well shot. -2 stars for less character development and being somewhat predictable near the climax.

Tom Hanks knows what he's doing when he puts his ha'penny's worth in as an executive producer - this has had sleeper hit written all over it from day one.

Lovingly made, with a nicely observed, but still sweet, story of social and socialist morals in the Eighties, it is evocative and rings (mostly) true. The performances are solid, the director gets the era right; but, and here it scores great points: it also has some real soul, and though in places an exercise in capturing its time it has a real wit, and intelligence as well as deprecating humour that serve it well.

Funny, intelligent, and definitely deeply romantic - it is also an amazing nostalgia trip for those of us who were around in Britain at that time. The production design has obviously been at great odds to make this work; from the posters in the student bedsit to the clothing it is very well thought through. Aided by a very competent script, that is just too worked through and lacks some real teeth to be really outstanding - it is much better than most American romantic comedies as it is so much more than boy meets (two) girls (and well you know the rest)...it actually touches a much wider world, and questions some values that are worth remembering. Moreover, even at its most manipulative it still somehow has real heart, and just carries you along.

It would have been great to have balanced the many laughs with some more complex dilemmas - but this is a surprisingly rounded comedy - a definite must for those who remember Britain in 1985 - without bashing at the politics endlessly - but it is just as enjoyable as a great romantic drama-comedy in its right... the Wedding Singer with much bigger brains...

Overall, impressive for its evocation of a lost age - before brands and spending took over the world - and it is guaranteed to make you grin - especially if you were there - and to sing - along. The theme of University Challenge alone will reduce a whole generation to wobbly nostalgic has beens. Excellent stuff, and one to be simply enjoyed.