Madeinusa

I can safely say that it was pretty difficult to follow the movie in the beginning, but man that ending was UNEXPECTED. Our main star MadeInUSA is a clever genius. MadeinUSA is a girl that got hurt by everyone. From her father to her sister. She tried to reach for HELP from Salvador, who REFUSED to help her when he could... So she made her way OUT from this hellhole, after being dug in for so long...

However, i do have some negatives with this movie: i don't think the singing scenes should of been as long as they were. Pretty sure we could of made that a bit shorter seems prolonged.

I see people calling this movie Racist; because our main star does not like its people that much. Can you blame her? Her father is an abusive monster, that is the major of the whole city, and nobody has done anything to help her.

For whatever reason this movie reminds me of the classic THE DEVILS. God has to watch us all the time.

A brilliant absurdist fantasy about a Peruvian village that takes the gap between Christ's death and resurrection as the focal point of Holy Week. This directorial debut of Claudia Llosa stays on the real side of Magical Realism, but that movement's influence is seen throughout this film. When "God is dead" (and not watching) people can do some very wrong things. If you are easily outraged or offended maybe this film is not for you, may I recommend some classics with Doris Day or Pat Boone? I enjoyed how it took that sensibility that one finds in people of remote villages anywhere in the world and let its reasoning loose on the essence of of Easter. A very entertaining film, watch it as fantasy not an indictment of anything or anyone.

Claudia Llosa explained many times why she made this film (It doesn't matter if she IS Peruvian or not... anyway, she IS.

It's not a documentary. It's not a mockumentary. It's not a portrayal of reality. It's not a film to raise racial prejudices. It's not a film abusive of the people portrayed on it.

It's this crazy idea (a script idea that came out of a "dream") of what would it be like if a town (BTW: Manayaycuna actually means the place no-one-can-enter and is non-existent) believed that during three days there's no sin, since "God is dead".

Better approach it with the motto of "it's just a film, it's just a film"

It's a difficult film to watch, but, nonetheless, a work of fiction, so don't take it so personal. Some filmmakers in the world, and some writers -as I do, have found this film remarkable in many aspects.

When I read a comment calling names to whoever chooses to watch this film just for that decision... well, that person shouldn't be allowed to post here!

We have seen so many documentary films concerning Peru and it's people, that it is hard to realize that this is NOT a documentary and is a fictional piece of work, and has to be taken as such. It is not a mirror of reality. There are people, however, who do take it as reality, usually those people have deep racial complexes, and who can use the film as a way of saying, "I told you so", are regards the behaviour and customs of the villagers, as shown fictionally in the film. Of course, the film has taken it's main ideas from real customs, but have dressed them up, exploited them and blown them out of proportion. But that is what art is all about, and the film has to be taken as such, pure art.

I'm a Peruvian citizen living in Spain; but I must say this is an awful movie when it comes to make a portrait of rural Peru: probably the director intended to impress pseudo-intellectual European film critics (as in Malaga Festival) but definitely if you try to reflect the harness of some realities you should put a bit of humanity (and some realism) into it. Start, by the way, watching some Fernando León films, Claudia Llosa!! It's a pity there are so very few interesting Peruvian films anyhow, but the least we need is another non-resident high-class Peruvian spreading around a kitsch and misinformed view of our land. So: I think it's not worth the money, and it's also deeply disgusting.