Shinobi

In Shinobi, ninja Romeo and Juliet have to fight each other because the great Tokugawa ordered it. What will it happen? This is a movie that is based , apparently, on a Futaro Yamada novel, called Kouga Ninpu Chou. Both Ninja Scroll and Basilisk anime are based on it. I haven't yet seen Basilisk, but the beginning of the first episode is identical to the beginning of this movie. It might be better to watch Basilisk first to really understand the film.

For me, the more deep meaning of the film was that people are ants, and as long as there is some bigger ant that a lot of smaller ants listen to, individual skills are useless. In the end, Tokugawa justifies his actions by the eternal "you are not really human". Well, isn't that the cherry on the cake? Every war ever fought was based on the idea that your enemy is not human or at least very different. So much for the bringer of peace in Japan.

The action is good, though, you meet interesting ninjas with great skills, then they die. So much training for just one silly moment. I was expecting the two villages to unite and kick some bureaucratic ass, but that was not to be. Alas, in the modern world, the bureaucrats always win.

===== Update =====

I couldn't find the IMDb entry for the animation series Basilisk, so I will just comment on it here:

Oh my God, they killed Taizen! You bastards! :)

It makes sense to continue the comment here, as the plot is almost identical both in the series and the film. The anime has 24 episodes, the idea of each being how different ninjas fight with their special abilities. The characters are a bit different, but mostly the same powers they have in the film they have in the movie. Taizen is really annoying in the series, as well as Oboro, while some of the chicks are drawn really well :) The ending is slightly different, but essentially, if you've seen the movie, there is a high probability you will get bored watching the anime. Watching the anime first, though, would make the film seem rather silly. Anyway, good anime, but not amongst the best.

"Shinobi" presents us with an epic tale of love, hate, political manipulation and the plight of the underdog against an overwhelming foe, be it a tangible foe or fate itself. The coolest part about this movie is the background and super power of each character, each one being original, fascinating and deeply layered as we learn in bits and pieces. The worst part about this movie is that it falls back on a few clichés that may annoy you in this otherwise unusual spin on the classic "love in the time of hate" story.

First the cool stuff. The plot centers around a fight to the death between 2 teams with 5 warriors on each team. Here's the thing: each warrior has a unique power which isn't spelled out for us. We need to piece it together what their power is and how they got it. These aren't just a bunch of sword swingers running through the forest; they each have a very specialized skill that they stick to (often not even involving weaponry).

For example, one character is a woman who was raised on poison, and so she has literally the kiss of death. But it goes deeper than that. Having the kiss of death means that she can never know true love because all her lovers would die, and so she leads a tragic life, existing only for the sake of killing though she years to know what love is. How cool is that!

Other characters possess similarly complex powers which lead to deep conflicts in life, and you realize that even the most ruthless ones have an unspoken human side.

The main story focuses on two lovers who, you guessed it, end up on opposite teams. Here is where the Shakespearean question of fate plays heavily. One of them believes that they can somehow beat their tragic fate while the other is resigned to a hopeless ending. What I loved about this movie (at first) is that it doesn't waste time with waffling sensibility: right off the bat, the lovers refuse to fight and they make their peaceful intentions known. But slowly they start getting dragged into the inevitable violence.

But unfortunately the film later falls back on a few clichés which we've seen dozens of times before in other tales of love and war, and that's where I dock Shinobi a few points. With its original setup, I was hoping it was going to stay in that vein and avoid what so many other films have done. It does stay unique, but one or two critical plot elements were pure cookie cutter. Making matters worse, these plot elements were not in line with the characters' personalities. It's like the clichés were thrown in just because the film had to have them.

It's not a fatal flaw, and you may not even notice unless like me you've watched dozens of epic love/war stories like this. Who knows, maybe the whole thing will be fresh and new for you. But I just wanted to temper your expectations a bit. Although Shinobi is a good movie, it's not quite awesome. Still worth your time, though.

Movies in this genre which I *do* consider awesome are the Yimou Zhang films "Hero" (2002) and "House of Flying Daggers" (2004). While "Shinobi" is a great effort, I think you should check out those others first to get a taste of cinematic perfection.

After more than four hundred years of war between the Shinobi warriors of the Manjidani Koga and Tsubagakure Iga clans, the Lord Hattori Hanzou decrees that they must live in peace. Both clans live hidden in the woods and mountain without confrontation and without training ninjas in the shadow art of Shinobi. In 1614, the Lord of the Lords is convinced that the clans are dangerous threats for keeping peace in his lands, and his adviser plots a Machiavellian plan to destroy their best warriors in a contest. Meanwhile, the young Iga Oboro (Yukie Nakama) and Koga Gennesuke (Joe Odagiri) fall in love for each other. When Oboro's grandmother and leader of Iga clan Ogen (Riri) and Gennesuke's father and leader of the Koga clan Danjo (Minoru Terada) kill each other, Oboro and Gannesuke must lead their warriors in the ultimate battle of the Shinobi clans.

"Shonobi" is a wonderful and tragic romance, with drama, action and fantasy. The story slightly recalls Romeo and Juliet, with the impossible love of Oboro and Gennesuke that belong to enemy clans, and X-men, with the dark powers of the Shinobi warriors. The cinematography, the choreography of the fights and the state-of-art special effects are awesome, and the story is engaging and shows an adequate pace. The beauties of Yukie Nakama, Tomoka Kurotani and Erika Sawajiri are amazing, but the romance of Oboro and Gannesuke should have been better explored to increase the intensity of their final act. My vote is eight.

Title (Brazil): "Shinobi – A Batalha" ("Shinobi – The Battle")

I'll be honest - I did not have much expectations for this film. After sitting through movies such as Azumi, Azumi 2, and Princess Blade...I somewhat lost hope for Japanese ninja movies. However I was pleasantly surprised by "Shinobi". Sure, there is the cheese factor in the film, but hey, you can't help it with this types of movies. I found "Shinobi" to be far superior to "Azumi" and "Azumi 2" in all aspects. Acting is much more bearable. Plot is existent. Character design is interesting. Action is far, far more exciting.

I give it 8 out of 10 stars. I'd definitely recommend to give this movie a chance.

Actually, 8.5 - a extra for the hotness factor of Yukie Nakama (Oboro) and Tomoka Kurotani (Kagero). ^_^

If we are looking for elaborated Japanese story, this movie is not as elaborated as (for example) Kurosawa's Samurai trilogy. If we are looking for the actions, the movie does not offer much too. This movie is a bit of everything: romance, action, etc.

However, what I really like in this movie is the eastern philosophy. Something like "love is not everything, above love there is honor (of the clan) and the obligation (towards the government)". And also about submitting to fate; like the immortal one who choose to die by inhaling the poison, simply because he accepts that "Our time has passed".

Furthermore, this movie help me to empathically see how difficult it is to be a leader; to change the vision of the members, when the members are not ready to leave the old vision. Gennosuke fails to convince his 4 warriors about the importance of avoiding the fight; I can only imagine how hard it is for a leader to convince millions of citizens to do something different.