The Wig

In Seoul, Su-Hyeon (Min-seo Chae) is terminal with leukemia, and bold due the treatment of chemotherapy. Her sister Ji-Hyeon (Seon Yu) buys a long-haired wig, but she does not disclose the truth about Su-Hyeon's health condition to her beloved sister. While wearing the wig, Su-Hyeon recovers her health and hits Ji-Hyeon's former boyfriend Ki-Seok, changing her behavior and relationship with her sister. When Ji-Hyeon discovers that the wig is possessed by a fiend, she finds that it was manufactured using hair of a cadaver and a dark secret about Ki-Seok's sentimental life.

"Gabal" has a promising beginning, with the dramatic story of the two sisters, one of them having a terminal cancer. The intriguing mystery about the wig is also interesting. However, the secret behind the haunted wig is ridiculous and the conclusion is too tragic. I love Asian horror movies, but I found "Gabal" very unpleasant and not scary. The disappointing tragedy in the end is actually awful. My vote is five.

Title (Brazil): "Possuída Pelo Mal" ("Possessed by Evil")

The introduction of "The Wig" sets the tone which is dark and mysterious! Apart from a few creepy scenes this movie never gets scary! The idea of this evil wig has quite a potential in fantastic sense (It is interesting to see how the wig was created and why the wig does what it does) and on a psychological level (The effects of wearing a wig can be quite substantial especially on people who have lost their hair because of an illness! It could have some impact on their personality)! But sadly nothing is done with the far more interesting psychological aspects! At least not in the way I hoped for! Except for the brilliant plot twist this movie misses the mark completely! The fact that "The Wig" takes itself too seriously doesn't help much! When the ambiance is this serious you expect to be scared! The problem is that this never happens! It is very difficult to get scared when the wig moves around like it is some sort of pet! It looks so ridiculous that it is painful to watch! It is difficult to say why this movie doesn't work! But it doesn't help that the actors are average,that there are too many plot holes and that the director didn't know what he was doing!

I had high hopes for The Wig, after-all, South Korean horror is often as entertaining as it is spooky. It is true, this particular feature does have a number of great jump scares, for we are rarely able to predict what we are soon to encounter, and though the title may influence viewers to suspect the malevolent presence is tied directly to a collection of hair, this isn't always the case. Seeing the wig moving on its own accord, though peculiar, offers a further layer of disturbance, the film's opening setting the tone for both the oddness of the film, and the spontaneity of the spooky moments. Though very character oriented, and despite the adept acting talents of the leads, what unfortunately forbids The Wig from being comparatively great to other genre films, is the narrative.

The lacking chronological order is not what nefariously affects the film so much, as it is the handling. Rarely is warning given when a precursor to the film's back-story is shown, and initially I experienced difficulty trying to ascertain where the past concluded and the present began. Moreover, on many an occasion, prior events occur in quick flashes that neither assist in developing or contextualizing characters and the plot, significantly more depth being needed to accentuate these pivotal explanations.

This aside, the audience is able to exhibit an emotional reaction towards the two female leads, who are equally sympathetic characters, themes of hardship, infidelity and betrayal heightening our feelings. Ji-Hyun (Yoo-Sun) is a young woman, who, after a traumatic accident, suffers considerably, her heartless former paramour Ki-Suk (Bang Joong-Hyun) regarding her with considerable disdain. Though emotionally fragile, and largely alone, Ji-Hyun dedicates much of her strength to helping her recently discharged sister, Soo-Hyun (Chae Min-Seo), who, despite chemotherapy, is inevitably on the verge of losing her battle with leukemia.

To help ensure her sister's final week is spent in happiness, Ji-Hyun purchases her a wig, the originally sickly Soo-Hyun immediately exhibiting a positive physical transformation, alongside the admittance she feels remarkably better. However, Soo-Hyun's initially sweet, familial personality begins to adversely change, the vindictive, possessive persona that begins manifesting itself being tied to the apparition, whose hair was used in the construction of the wig.

Though the ambiance throughout the feature efficaciously coincides with the genre, one of the film's scariest moments is when Ji-Hyun's search for answers leads her to the abandoned factory where the wig was made, the shadowy corners, body-less heads of mannequins, and large quantities of jet black hair, making for a genuinely unique and creepy environment. The unsettling atmosphere however is marred by plot-holes. Towards the end, without explanation, characters are miraculously transferred from one location to another, while the inclusion of repetitive scenarios takes away from the originality and entertainment. Though there are some violent images, a couple of which employing a significant amount of blood, the feature also possesses mature themes, including suicide and homosexuality, these potent social ideas being refused the generous screen-time they deserved.

Finally, the film's ending is guaranteed to shock, heightening the feature's capacity to emotionally draw viewer's into the story, though the still lacking answers from the remainder of the film, alongside unanswered questions instigated by the conclusion, will undoubtedly leave viewers with a desire for more.

The Wig is a well made, creepy horror drama from South Korea. I can see why many people might find it slow or hard to follow, but if you do - god forbid - pay attention, the complex plot does work. There are also many scenes that pack a wallop. It is beautifully shot, well acted and has an effective score. There is one shocking scene in a traffic tunnel that is particularly well done. If you stay with it, it comes together. It is sad, scary and creepy and some of the shocks and gore are exceptional. The two lead actresses are lovely and give terrific performances. And yes, long black hair is scary. You may never go in a wig store again!!! :)

The movie pamphlets, posters and TV commercials for ''The Wig" (Scary Hair), a horror film centered around a demonic hairpiece,'' do not do this psychological shock-horror movie justice.

Although there are underlying sexual politics at work in Director Won Shin-Yeon feature film debut, they did not warrant billing the film as just a common variety summer sex tease. Someone should have told the promotion team that shock-horror also sells, and ''The Wig'' delivers with several frightening instances. Though the deeper psychological elements were weakly executed by the novice director, he can be excused considering he had but one demonic wig to work with.

That demonic wig is not just scary-looking, it moves, too -- even flies. Some of the movie's more startling moments derive from the animated hairpiece leaping out at our moody heroines. The long dark coiffure goes from spooky, to haunting to, at length, murderous...

The wig is a gift that Chi-hyon (Yu Son), who later has her vocal chords ripped from the back of her throat in a automobile accident, gives to her younger sister Su-Hyon (Chae Min-So), who loses her hair via chemotherapy. The wig is possessed, fabricated from the hair of several dead women, the audience is only belatedly informed, that is why the wig revitalizes her cancer-ridden body, and soon takes over her mind.

The movie should do better than expected. Despite the anemic air-conditioning at a theater in downtown Jaffna on a sultry evening, the teenagers in the audience laughed and screamed with the characters on the screen, giving the impression that the film may overcome its bad marketing.

Won first received artistic recognition for his grand prize-winning film short ''Puppy for President.''