Vol 93

The terrorists prepare themselves and on September 11, 2001, they board United Airlines Flight 93 departing from Newark to San Francisco. As they prepare to take off, planes are being hijacked. Chaos break out in air traffic control. Once in the air, the first plane crashes into the World Trade Center. Four hijackers take over United 93 as confusion spreads. The passengers calling from the plane surmise the hijackers' plan and try to retake the aircraft.

I saw it in a theater back in the day. Honestly, I couldn't stop shaking as I left. I had to take a few seconds before I start the car. It's almost ten years since then. 9/11 grows further into the distant past. Watching it again, I thought some of its power may have dissipated. I got a little blasé about it initially and then the terrorists break into the cockpit. The intensity comes flooding back. I'm shaking once again. I think the growing distance from the actual event has diminished the anxiety but it may always be there. Director Paul Greengrass is able to bring all of it out onto the surface.

I saw this at a special screening. I have not stopped thinking about it since. A emotional and powerful film that I will remember forever. I can't fault anyone who doesn't want to see this film. But please put to rest any fears that this film was made purely to turn a profit and serves no purpose.

For all those who were afraid that this film would be exploitive, propaganda filled Hollywood schlock, I'm sorry to say that could not be farther from the truth.

Though for the most part I'm still at a loss for words I'll do my best to give you a short and sweet overview.

Paul Greengrass has done the seemingly impossible by making a Hollywood film about this subject everyone is afraid to touch, but made it in such a way that it's hard to find fault, despite everyone's initial misgivings. No 'rah rah' patriotism. No veiled political stances. No cartoonish villains. No making the enemy sympathetic. Just a brilliantly executed look at what did happen and what 'might' have happened on that fateful day.

What makes it more effective is that all throughout you don't recognize any of the actors. They may as well be "real people". You're never thinking to yourself, 'oh that's Nicolas Cage', conscious of the fact that it's acting. And come to find out, many of the air traffic controllers and military personnel are playing themselves! This makes it all the more real and draws you in and takes you back to that day.

And when the passengers decide to fight back? There's no swelling of violins or slow motion shots. They don't have a rallying cry or 'lets do it for Uncle Sam' type speech to motivate everyone. No, these passengers were reacting spontaneously to the situation as it played out and were acting on their survival instinct. You can't help but think how you would react in that situation and makes it all the more compelling and powerful.

I won't say this film is for everyone. It IS hard to watch at times. But I'm so glad I did see it. Very cathartic in a way. And trust me, this film couldn't have been done in a more professional, classy way. This feels genuine; of course they are going to 'profit' off it, but you get the sense that the filmmakers and everyone involved poured their hearts into this project and did this to tell a story. A more dignified and heroic story I don't think I've ever seen.

I was one of the people who said I wouldn't go see this movie because I felt they were capitalizing on a national tragedy and the trailer gave me nightmares. But, my curiosity got the best of me when I read several positive quotes by numerous critics outside the US. So, I picked up a ticket for the 2:00 show.

There truly are no words to describe the power of this film. The cinematography is excellent, albeit a little unsteady with the shaky lens thing going on. I found that the film very much followed the reports in the 9/11 Commission's book, as well as numerous others. They stuck to the facts and didn't add in any glorified scenes that weren't warranted. You saw the mass confusion as the various air traffic control centers tried to make sense of what was going on. You saw the events on the plane unfold as we think they did that morning. You saw ordinary Americans, scared and frightened, band together and try and keep that plane from hitting another target.

Do we know exactly what was said between people on the planes? No. But there are survivors who had messages from loved ones on their answering machines and people who talked to them that day. The film is a little violent for my tastes, but no more so than any 'Blockbuster' fictional hit out there right now, and this is reality as we know it. Any discrepancies are not for me or you to decide, as those secrets are buried in Pennsylvania.

When it ended, I've never seen a more still theater. You could hear people breathing as they pulled themselves together. This is something that happened to our nation, and while it shouldn't take a movie to make people remember, maybe it does. Maybe we have forgotten or chosen to ignore what happened that day, falling to politics and quick to accuse people who didn't prevent it. Maybe we are against this movie because it makes us uncomfortable, as all meaningful things should. Who knows? Not I.

But, I do know that United 93 was done in a tasteful, respectful manner, and many of the families affected on 9/11 supported its release. Who are we to say otherwise? See the movie and then make your judgment call. You may find yourself surprised, just as I did.

A most cathartic experience came over me when I viewed the much publicized "United 93". At once speculative and realistic, the 111-minute film will surely bring back the pall of fatalistic inevitability one feels about 9/11, but its more defining characteristic is revealing the untapped heroism and humanism of people caught in the most malevolent of circumstances. Masterfully written and directed by Paul Greengrass, this relentlessly intense movie covers that fateful morning when United Airlines Flight 93 departed Newark for San Francisco with 33 passengers and seven crew members on board.

As it turns out, Greengrass's heavy background in documentaries turns out to be a blessing in this treatment, as he tracks the subsequent events in real time and uses either under-the-radar actors or actual aviation personnel to play the real-life characters. Instead of focusing on the higher profile passengers to provide an emotional locus, which a more commercial filmmaker would have done, he encompasses all the passengers within the emotional purview of the film, including the four hijackers who killed the pilots and took control of the plane. The key dramatic difference is that we get to know not the people but the situation at hand. Consequently, we get a more realistic sense of the scale of the events that may have occurred on that flight. That's not to say it is any less devastating. In fact, the last half-hour is harrowing in the most personal sense as the inevitable becomes reality.

The power of the film comes from its surprisingly apolitical perspective and the inclusion of the ground personnel trying to comprehend the scope of all the redirected planes that day, in particular, Ben Sliney who effectively plays himself that day, the just-promoted supervisor of the National Air Traffic Control Center in Herndon, Va. None of the actors stand out because the film cumulatively achieves a verisimilitude that simply knocks me out. The film also does not pretend to be the definitive version of what happened on the last few moments of the flight. In an emotional sense, it is rather moot as we are talking about degrees of detail at that point. This is truly essential viewing.

On September 11, 2001, a group of terrorists hijacked four commercial airliners on the American East Coast. They crashed two of the planes into the World Trade Center in New York, destroying it completely. Then the third plane hit Pentagon, the US defense headquarters in Arlington, Virginia. "United 93" is a film about what happened to the fourth airplane and its passengers.

This eerie docudrama was written and directed by Paul Greengrass, a young Englishman certainly well suited for the task. For several years, Greengrass had successfully dramatized historical events for British television. His international breakthrough came with the film "Bloody Sunday" - a story of the "troubles" in Northern Ireland that won the Golden Bear at the Berlin Film Festival in 2002.

"United 93" was the first feature that directly depicted what happened during the 9/11 attacks. So, for Greengrass, it was essential to achieve the highest possible realism. The passengers were therefore played by unknown actors. But that came at a price. During the difficult shoot, some of them were injured, so the blood visible on their faces as they attacked the terrorists is authentic.

Filming took place during the fall of 2005, onboard an old Boing 757 outside London. The location was chosen to shield the people in the movie team from the public scrutiny they might have received in the United States. And as usual Paul Greengrass shot the action scenes with a hand-held camera to create a higher sense of immediacy.

"United 93" had its world premiere at the Tribeca Film Festival in New York City. To Paul Greengrass' relief, it received a positive reception from most critics. But above all, the director was happy that so many family members of the United 93's passengers attended the screening to show their support for his movie.