13 Tzameti

Good but somewhat disappointing with very very little storyline. Basically, from the teaser trailer which just showed a scene from the part in the movie where they play the "game", I could make up this entire film. Besides the main concept, there is nothing new or original in the movie which was disappointing. We don't get to know any of the characters, and the game gets repetitive when they add nothing new to change it up. They also throw in a storyline with the police to try to put some meat on the storyline but it doesn't do much. On the flipside, this movie is quite well-filmed and despite its severe (and I really mean that) lack of tension, it still remained somewhat intriguing all the way through, with a very bleak atmosphere enhanced by the stark black and white look of the film. The first part up to the game worked well and would've worked even better had I known nothing about this movie. Essentially, I think this could've been one of the best 15-20 minute short films I'd ever seen. Instead, it is a diluted/flawed but passable feature film.

I know that having made that comment, it is obviously difficult for me to then expect you to read this. But bear with me here. This really is an excellent film and I went to see it having seen a very good trailer for it. The problem is that for the first half of the film I was wondering how we got to the bit I'd seen in the trailer (it's also in promotional stills and the poster). Although this is natural and happens with many films, it is not such a key element of the plot usually as it is in this film. From a very mundane beginning this film develops into the 'thriller' which it is billed as. But the true strength of this film lies in following the journey of the lead character who doesn't know what is going until it is too late. To get the full effect of this film you really ought to see it 'blind'. Even if you know something about it I'd still definitely recommend it. Filmed in black and white and focused very much on the lead character it tells a chilling story very well indeed.

This remarkable first movie by a young France filmmaker really impressed me and without any doubt it had been one of the most beautiful screening in the Festival of Venice.

It's a black and white sadistic journey through the misery of men. The protagonist, an immigrant twenty year old guy, struggles to survive and works fixing a roof, when the owner of the house he's working at dies of overdose he gets to know that he's not going to be paid and decides to replace the man in a mysterious job outside town. He finds himself involved in a whirl of violence that will take away from him any form of innocence.

I strongly recommend it

The idea is simple and easy to follow without many ploys or elaborate schemes.

The quality of the film comes from the build up of tension throughout, the camera work involves a lot of close ups on peoples faces and this gives us a real view of their fear and desperation.

Babluani does a great job in the lead as an ordinary man who is out of his depth and has no alternative except to play along.

There are a few twists in the tale to keeping you guessing and the ending is good with the atmosphere remaining taut right to the end.

No clichés or other silliness just good directing and acting.

The film begins with a roofer working at a home of a man who seems to be a hard-core drug addict living out his final days. Several times during the first 1/3 of the film the guy looks like death warmed over and eventually he does die from an overdose. Just before he dies, a letter arrives that somehow means the potential for BIG money--but exactly what it is and how he was to have earned it is unclear. The roofer, on a lark, steals the letter. Later, it turns out there are instructions for where to go as well as a train ticket--but what this big money-making opportunity is is never clear--though you can safely assume it will be dangerous and illegal. After all, why else would anyone offer a dying addict this opportunity?! I really don't want to say more, but this film is amazingly intelligent in its writing but will most likely turn the stomachs or cause very negative reactions in many viewers. Be advised that you may want to bow out midway through the film--that's okay. Too bad the roofer couldn't.

As Ricky Ricardo was fond of saying to Lucy "You got some 'splaining to do" when it comes to my summary. How could the movie earn an 8 and yet be a film I hated watching?! On the surface, this doesn't make any sense. Well here's why--I don't particularly like violent movies and this is one of the most violent and upsetting films I have seen in a long, long time. Now the violence isn't like a John Woo or Sylvester Stallone film--where you have tons of explosions and gunfire. Instead, it's very up close and very personal--and frankly this made it very disturbing. By comparison, it was much more disturbing and difficult to watch than SWEENEY TODD. Exactly how and why it was so disturbing I really don't want to say, as it really would hinder the suspense--just take my word for it that this is NOT a film for kids or even teens to watch and most adults would also flinch at the extreme violence. Now this isn't to say it was gratuitous--the film makers used black and white film and really underplayed the blood but it still made be turn my head from time to time--but the violence was still THAT intense.