At a posh urban hotel, the love lives and whims of its wealthy guests are attended to by hard-working staff who have their own troubles with love.At a posh urban hotel, the love lives and whims of its wealthy guests are attended to by hard-working staff who have their own troubles with love.At a posh urban hotel, the love lives and whims of its wealthy guests are attended to by hard-working staff who have their own troubles with love.
- Nominated for 1 BAFTA Award
- 2 nominations total
Featured reviews
The characters have a depth rarely seen on any prime time show. They are sexy, charismatic and appealing to everyone. The humour is black, yet subtle, and I love the way the camera work glides here and there-- it is very "Lock, Stock and Two Smoking Barrels" in style.
Speaking of "Lock, Stock", Dexter Fletcher plays the savvy concierge Tony, clearly the most appealing character. The others each add their own to the show, however, it is the individual guests that bring out the best in the regular characters.
I'll be watching this for a while, or at least until the syndicates take it off to be replaced with some other piece of crap show. I give it 4.5 out of 5.
As the series went along though, two problems became increasingly apparent. One, the hotel crew are always up to something, some sort of cover-up or switcheroo, whether in the name of their clientele or themselves or both in some instances, which may in reality be part of the territory but they come off as a kind of a deceitful, slapdash bunch, hardly as all knowing, professional and savvy as they're made out to be, all ultimately deserving the sack. Secondly, the characters generally do not come off as likable or honourable, more obsessed with making a buck. There is one episode where the Raymond Coulthard character cheats in a wine-tasting competition, going up against an old rival. One could have empathy for him if he was dealing with some n'er-do-well who deserves comeuppance, but Coulthard's catty character is merely desperate and out of his depth, compromising a colleague to aid in the deceit. Do we like this guy? Nope. We're not given enough character development to think otherwise. Ditto for the self-absorbed lobby receptionist, who's petty, venal and superficial. True, people like this can be found in any workplace, but watching them week after week minus any other redeeming traits gets a bit tiresome.
I realize these are picky complaints but if our protagonists were bit more rounded or at least made empathetic or charming in spite of their foibles, then the series might have had some resonance and depth, raising it beyond the trifle that is, dissipating from the mind as quickly as a wafer disappearing from the tongue. Nothing lasting beyond the initial sensation.
This is another show on the BBC that just fills me with joy! For so long I have been deeply depressed at the state of UK TV. Channel4 came up with "Big Brother", and suddenly it was reality TV on every channel. Now it may be just me, but I get enough reality watching the News channels and getting depressed. I have craved good drama for years now. Drama should be a little escape from reality, a break from the news, an hour to 'switch off' and immerse yourself in another World, like a long hot bath! Drama on UK TV has been very poor of late. The soaps are being run almost nightly, and I felt that these almost daily showings are leaving the writing teams really pushed for more desperate ideas. We have had a couple of gems now and again ("Queer as Folk" for example). So you cannot imagine my delight when I heard the BBC were resurrecting "Dr Who". Russell T Davis at the helm (a writer I have worshiped since I watched Children's TV!) and a cast and crew that should be envied the World over I was excited. Sure enough, "Dr Who" was a sensation! Suddenly there seems to be a resurgence in drama on UK TV. No offense to my American buddies (responsible for 24, QaF, Sex and the City, 6Feet Under et. all), but it is great to see UK Drama coming back with the quality and care the US throws at a lot of it's Dramas. I must at this point, thank HBO for all they do for drama in the US :) So, onto "Hotel Babylon".
This show is a wonderful creation, and another great commission by the BBC. A collection of individual stories that can be watched independently of each other and enjoyed. However, the Hotel staff are a great excuse for building a story arc as the series develops and you become attached to them emotionally. The stories contain humour, and moral conflict that makes you think. This is not 'brain death TV' but something and some people you become involved with. This cannot be praised highly enough.
The cast are superb, totally superb. The writing is clever and wonderfully woven, and the editing makes the show a beautiful thing to watch. The sets are lavish and totally believable, the lighting is perfect, the sound track (VO and music) is wonderful. This is a show that I hope has been filmed in HD, so we can really appreciate the work done by both crew and cast in this wonderful format even more on DVD (HD or Blu-Ray, I don't care!) release.
Please give this show a try, and I truly believe you will not be disappointed. Do not expect "Fawlty Towers". Expect a lavish well made Drama, that will excite and engage. I thank the whole team for such a great job.
With a growing portfolio, "Hotel Babylon", "Doctor Who", and "Sea of Souls" to name but three, I am quietly hopeful the BBC has passed it's 90's "Reality" phase, and now are back into GREAT Drama.
Did you know
- TriviaMax Beesley (Charlie) played the drums during the music montage of the hotel's nighttime sequence.
- Quotes
Rebecca Mitchell: [about Tanya who has a black eye, due to a run in with a guest] Good God what happened to her?
Charlie Edwards: One of the guests attacked her
Rebecca Mitchell: Which guest?
[long pause]
Rebecca Mitchell: Was there anything broken?
Charlie Edwards: Maybe her jaw.
Rebecca Mitchell: No I mean fixtures and fittings, do we have a viable insurance claim?
[Tanya starts speaking Serbo Croat]
Rebecca Mitchell: Do we need a translator for this? My Serbo Croat isn't very strong.
Charlie Edwards: [to Tanya] In English.
Tanya Mihajlov: I do nothing she attack me!
Charlie Edwards: Ok Tanya, from the beginning.
Tanya Mihajlov: I go into room to turn down beds, I knock first, no talkback I go in and she, Bitch is putting the powder over her face.
Rebecca Mitchell: Over her face? You mean applying makeup.
Tanya Mihajlov: No the powder
[mimics sniffing cocaine up her nose]
Tanya Mihajlov: like a vacuum cleaner, Silly cow drop it on the floor and she go Vin Diesel on me!
Rebecca Mitchell: Yes thank you Tanya I think we've got the picture now
[Tanya leaves the room, still speaking Serbo Croat]
- ConnectionsFeatured in Screenwipe: Episode #3.4 (2007)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Готель Вавилон
- Filming locations
- Buckinghamshire, England, UK(Studio)
- Production companies
- See more company credits at IMDbPro