Be with Me

This Singaporean movie consist of 3 different stories, but there's a moment when the stories be connected (4 example like Love Actually). The ultimate story is "Meant To Be", a--narrative biographical--story about Theresa Chan, a single almost old lady who is deaf and blind. She conditionally made relation with an old cooker-man who is miserable since the death of her wive. The second, "Finding Love" is about a fat security guard who adore an elegant woman and try to get her. "So in Love", the 3rd one is about love story between 2 girls (lesbian), Jackie and Sam. The idea of the stories are so realistic and touching.I'm an Asian too, and have to admit that this is one of the greatest modern Singapore movie. This movie is lack of luxurious miser en scene or montage, contrary, it's so smooth and soft with it's minimum dialog between the characters and melancholic original score, and sentimental cinematography, make this movie so sacred and live.

"The cinematic spectacle has its rules, its reliable methods for producing satisfactory products. But the reality that must be taken as a point of departure is dissatisfaction. The function of the cinema, whether dramatic or documentary, is to present a false and isolated coherence as a substitute for a communication and activity that are absent." Guy Debord Critique de la séparation (1961)

Eric Khoo's "Be With Me" will divide its audiences. For some, weaned on slick Hollywood mega productions and blockbusters, the film's deliberate measured pacing is likely to exasperate, while others, plugged into the hype from the Cannes Festival, are likely to ignore its flaws and sing its praises.

The truth probably lies somewhere in between.

Interwoven among its three vignettes on love/lost/yearning, "Finding Love", "Meant To Be" and "So In Love" is also the semi documentary – on Theresa Chan. Told largely through subtitles, the story on how she had managed to overcome life injustices after being deaf and blind will strike a chord with many viewers. The segment does however come across as being rather detached, causing some of the other segments to be less developed.

Ironically, the poignancy of the film is corroborated by its Singapore setting, where the denizens are constantly admonished to be productive and efficient, and its humanity for the most part, relegated to mega TV charity fund raising programs. That "Be With Me" was able to speak to the heart of the ordinary, the downtrodden, the destitute and the minorities there, may perhaps then be the best accolade one can accord the film.

There are no memorable quotes in this film as it is mostly silent. It plays like a symphony with glances and expressions doing the talking.

It is about love: love lost, unrequited love, love despite the odds being against it.

Theresa Poh Lin Chan was deaf and blind. She did not sit idly by in misery, but became an accomplished women despite her handicaps. She is real. This story is about three fictional characters that crossed in her path, some only peripherally.

A man who lost his wife and sunk into the depths of despair until his son, a social worker, started taking his cooking to Teresa; a lesbian who found love on the Internet, and then lost it without explanation, and whose suicide attempt brought about the meeting with the man and Teresa; and a security guard who was hopelessly in love with a beautiful executive and passed by the man on the way to deliver a letter to his love - a letter that never made it because of the suicide attempt.

The strange twists of love are looked at languidly and with strong emotion. It is a beautiful film.

A rewarding experience, albeit one that seems at least 30 minutes longer than it actually is. The slow buildup is for the most part careful foundation building for the second half of the film, a rarity in Singaporean film and a testament to Khoo's ever-growing maturity as a filmmaker and controller of pace, although when that second half comes, it feels like a jarring switch not unlike the one pulled by David Lynch in the middle of his 1997 film, Lost Highway. The signs are present that Khoo worked to bridge the discontinuity of the 3 stories and the order in which they are presented (foreshadowing and foregrounding of certain recurring visual images), but the fact that he does not perfectly succeed is of little detriment to the final product.

It is a well-made movie consisting of one strong tale of strength, recovery, and the beauty of love bookended by two other stories that would have benefited from being drawn as their own entities and stood up and apart from the central story of the blind and deaf Theresa Chan (pretty much Singapore's own Helen Keller). Instead, they try to conform to the model of sparse dialogue and psychostylistic sense-deprivation that serves that story so well - the result being that they appear unevenly matched. Still, a fine film.

(previously posted at 1minreview.com)

I watched this movie today on DVD. There are several touching stories, I felt I could relate to all the characters quite easily. I was happy to see that it was a "different kind" of teenage love story, the old man's face I could look at forever, so sympathetic it was, and the story of Theresa Chan was uplifting, how could it not be.

I admit there were a few moments where the movie seemed not so strong but by the end of it I found that I really did appreciate the unconventional way of telling a story that this movie provides. That most of the story is told through images or subtitles and without dialogue is refreshing and reminds us that there are several ways to make a good movie. The ending alone is beautiful and sums up the entire film for me. I specifically went into Videodrom not wanting to rent a Hollywood film and I happily did not get one. This is a special movie, forget being critical about the techniques, be carried away by the story.