Grindhouse

I'm commenting on the double feature version of this rather than the separate films. I do have quite separate impressions of these but I do believe that the original intent was that they be seen together, and with all the interstitial matter.

When you approach films from certain filmmakers, you do it on a basis of trust. Its a matter of how willing you are to allow yourself to be.

Rodriguez has never betrayed my trust, so each time I encounter him, I am willing to play the game by his rules. That allows me to take more chances about the balances he chooses to make. Its a matter of yielding in the collaboration, so when he makes a cinematic joke or comment, I don't fight it. Trust.

In this case, its sharpened by this phenomenon I notice a lot: he's directing a lover. It is obvious of course, but even if it weren't, it drives him to make ever stronger chances, on the edge of his emotional horizon.

I think these two factors would make me like what he has done here regardless of all other factors. I do see the interior nature of the cinematic world. I do settle into the thick web of narrative threads. I do cheer when his love kicks ass.

But the opposite is the case with Quentin. I cannot trust him. It isn't just because he's made some bad films. Its because he sets himself aside. He doesn't include the viewer: he preaches. All of the cinematic effects are delivered as monologues not as a collaboration. So we are never in on the joke, never in on extending the nature of the world.

So I truly disliked his film. Sure, there's an empowerment story, and a sort of male's view of female bonding. But its all from the outside: the current of fate, the access to the group, the folding of all the principle characters being in the movie business. The actual camera-work of the stunts is from a discrete viewer, where Rodriguez puts the camera jumping around in the midst of the action and the emotional space.

Both films play with the joke of what constitutes good and evil. But they themselves represent this as well.

I will give Rodriguez a 3 and Tarantino a 1, but having Tarantino to have to go through increases the value of Rodriguez' effort. Bless him. I hope he does well with this woman.

Ted's Evaluation -- 3 of 3: Worth watching.

The idea of the movie is to make a homage/parody of B movies and recreate a distilled grind-house experience, with an oversized budget, A-list star cast and by two top directors, resources that none of the trashy genre movies had. It is a work of love and a guilty pleasure to watch, though the first part, Planet Terror, is much more successful and would rate 9+, while the Tarantino entry is somewhat of a miss. The fake trailers, the first of which resulted in an eventual feature - Machete, are great.

Planet Terror is the very definition of camp, and its only (slight) flaw is how obvious and in-your-face that campiness actually is. This part is action filled, and works perfectly as great, over-the-top, always hilariously fun, gory cheesecake. The second part is slower and somewhat different in tone, and is perhaps better viewed separately, it has its moments but Planet Terror is the superior part.

Grindhouse(2007)

Review 1: Planet Terror(2007) Welcome to the Grindhouse. We start off with an excellent and extremely funny "trailer". This is brilliant stuff. "Machete." You will laugh, you will enjoy the B-movie magic. This is filled to the top with cheese and including the silly voice-over to go. It's a hoot.

Planet Terror is on. We see retro movie intros with the misspelled words and low budget sound. It's all so well done. Anyway, Planet Terror is the next wave of zombie horror. This movie delivers all the goods and then some. We get all kinds of extreme violence and B-movie humor. This movie takes it all the way with the violence! We also have a terrific cast. The story is actually pretty good.

Michael Biehn is great as the Sheriff Hague. We also get Rose McGowan as a former stripper. The scenes at the hospital are incredible. When Quentin Tarantino shows up, this can be the most original zombie scene ever! It's grotesque, but you will be in total shock! The movie has an age feel to it and is treated well. We have the old looking film reel to the burnouts and missing scenes too.

Planet Terror is an amazing tribute. This is one of the BEST zombie movies I have ever seen! Now for a treat. We get a few more rather hilarious and twisted movie trailers. Let me just say is that Eli Roth is twisted. These trailers are a hoot. Damn they are funny. Shlock value guaranteed. Be sure to look out for a surprise appearance that NOBODY will see coming! Now for the Tarantino.

Death Proof(2007)

Review 2: After an amazing first half we get a rather lackluster second. Hear me out, Kurt Russel is Stuntman Mike. He is homicidal and bad to the core. I found him to be one of the most likable villains ever. That's a plus. Also Death Proof has some unique kill sequences by Stuntman Mike that are well done and are satisfying. Russel is fantastic as the devil behind the wheel.

However, Death Proof has many weaknesses. First is the inane and annoying girl-chat that goes on for what seems like an eternity. Worse yet, this has almost NOTHING to do with the movie! Second, the film does not have the old feel of the previous movie. Third, the heroines of the movie are just plain annoying. I, for the life of me got bored and frustrated with the girl chat and could not root for these girls. The second batch of girls were incredibly annoying.

This is too bad as Death Proof has some really well done stunt work and a nice car chase scene. The revenge chase was lame though, due to the driver constantly cursing trying to be a bad ass at every conceivable moment to the point of hideous. Tarantino should have given Russel A lot more screen time as Stuntman Mike and less to the ladies. I found myself rooting for Stuntman Mike. I felt the ending was well.....unsatisfying is an overstatement. I felt ripped off.

So, we got a tale of two movies. One a success and the other a massive letdown, despite a few cool scenes. This is a fitting tribute to the days long past, but Tarantino just did not deliver.

The Last Word: Stay for Planet Terror and the trailers. Death Proof start off right, but hits a crash landing. Watching Death Proof is for the VERY patient. Trust me.

Tarantino's critics do not seem to fully understand what he is up to. More than "making movies" he "makes movies about movies", in this case the B-movie genre.

This is what Igor Stravinsky did with music. He would take some genre(baroque, 12 tonal or even jazz music), break it down into the essence of its component parts and then put them back together in different ways. What you got was no longer baroque, 12 tonal or jazz. It made you stop to wonder what those styles really were and why they appealed or didn't appeal to you.

In a way, Tarantino is doing the same thing. He's making us question why we go to these movies and what the process of watching a film is all about. As a result it is not fair to criticize him because "the girls should have just stopped the car". In B-movies the girls just don't stop the car! It's like criticizing a serious drama for not having enough good jokes. He has really captured something about why these movies get audiences and are such intense fun to watch.

Now that Tarantino has dabbled with films about B-movies, kung-fu movies,action movies,revenge movies, etc. it will be interesting to see if he can extend into other genres. Will we ever see a Tarantino musical, serious drama, love story or western?

Grindhouse is all about excess. Excess blood, gore, puss, explosions, near non-stop laughter and violence. The only thing you will find little of in it is nudity. It's typical Tarantino-paranoid-about-nudity and what we get are two distinct halves to one great film.

If you loved Tarantino's "Jackie Brown", then you'll love "Death Proof". D.P. is basically Jackie Brown on wheels. He rambles on and on and on about completely un-funny and pointless things for nearly 50 minutes with little else happening. I am quite disappointed with QT, as he is my favourite director/writer but I think he is stretching his limit a bit too far. He has fallen into a self-indulgent groove of non-stop banter or over-the-top violence. The end is capped off with probably one THE BEST car chases in history that lasts for about 20 amazing minutes that will undoubtedly give you a heart attack it's so well made. Also, Kurt Russell is NOT the main star of it as many people believe and I'll leave it at that.

Rodriguez's "Planet Terror" on the other hand is a completely off the wall, no holds barred shmorgassboard of absolute cinematic enjoyment. People blow up when shot with revolvers, gore is splattered at least every couple minutes once it gets past the first two minutes and it will have you laughing harder than any Tarantino film ever has. It is so freakin' good that I think my eyes fell out and had an orga*m due to the cinematic bliss that is "Planet Terror".

Rose McGowan will undoubtedly become the new pin-up girl and sex symbol due to her role of Cherry Darling; a Go-Go dancer (unfortunately not a stripper) that eventually gets an assault rifle for a leg. Who knew that an assault rifle for a leg could ever be THAT hot?

There are no words in the history of mankind that can help me explain to anyone the awesomeness that is displayed in "Grindhouse". "Death Proof" may drag it down a bit, but is nonetheless essential for the film as a whole. This is exactly the movie that Hollywood needed to have kicked up it's butt. Hopefully this will pave the way for more "extreme" films or higher rated films in general; although I'm still unsure if it would be a good idea to go to the extremes that French cinema is experiencing at the moment, but would nonetheless be welcome.

IMO, "Grindhouse" is THE BEST FILM since "The Good, the Bad and the Ugly" in 1966 for pure filmic enjoyment. Sit back, relax, and prepare to have your head explode! Go see it now or you'll regret it!