Grindhouse

Tarantino's critics do not seem to fully understand what he is up to. More than "making movies" he "makes movies about movies", in this case the B-movie genre.

This is what Igor Stravinsky did with music. He would take some genre(baroque, 12 tonal or even jazz music), break it down into the essence of its component parts and then put them back together in different ways. What you got was no longer baroque, 12 tonal or jazz. It made you stop to wonder what those styles really were and why they appealed or didn't appeal to you.

In a way, Tarantino is doing the same thing. He's making us question why we go to these movies and what the process of watching a film is all about. As a result it is not fair to criticize him because "the girls should have just stopped the car". In B-movies the girls just don't stop the car! It's like criticizing a serious drama for not having enough good jokes. He has really captured something about why these movies get audiences and are such intense fun to watch.

Now that Tarantino has dabbled with films about B-movies, kung-fu movies,action movies,revenge movies, etc. it will be interesting to see if he can extend into other genres. Will we ever see a Tarantino musical, serious drama, love story or western?

I'm commenting on the double feature version of this rather than the separate films. I do have quite separate impressions of these but I do believe that the original intent was that they be seen together, and with all the interstitial matter.

When you approach films from certain filmmakers, you do it on a basis of trust. Its a matter of how willing you are to allow yourself to be.

Rodriguez has never betrayed my trust, so each time I encounter him, I am willing to play the game by his rules. That allows me to take more chances about the balances he chooses to make. Its a matter of yielding in the collaboration, so when he makes a cinematic joke or comment, I don't fight it. Trust.

In this case, its sharpened by this phenomenon I notice a lot: he's directing a lover. It is obvious of course, but even if it weren't, it drives him to make ever stronger chances, on the edge of his emotional horizon.

I think these two factors would make me like what he has done here regardless of all other factors. I do see the interior nature of the cinematic world. I do settle into the thick web of narrative threads. I do cheer when his love kicks ass.

But the opposite is the case with Quentin. I cannot trust him. It isn't just because he's made some bad films. Its because he sets himself aside. He doesn't include the viewer: he preaches. All of the cinematic effects are delivered as monologues not as a collaboration. So we are never in on the joke, never in on extending the nature of the world.

So I truly disliked his film. Sure, there's an empowerment story, and a sort of male's view of female bonding. But its all from the outside: the current of fate, the access to the group, the folding of all the principle characters being in the movie business. The actual camera-work of the stunts is from a discrete viewer, where Rodriguez puts the camera jumping around in the midst of the action and the emotional space.

Both films play with the joke of what constitutes good and evil. But they themselves represent this as well.

I will give Rodriguez a 3 and Tarantino a 1, but having Tarantino to have to go through increases the value of Rodriguez' effort. Bless him. I hope he does well with this woman.

Ted's Evaluation -- 3 of 3: Worth watching.

Grindhouse (2007)

**** (out of 4)

Sure, these movies are far from a real grindhouse but you're not going to have a better time inside a theater. With the fake trailers, messed up prints and bloody action, this movie is unlike any other ever made and that can only mean fun.

Planet Terror Robert Rodriguez's horror film about a chemical outbreak, which turns the citizens of a small Texas town into zombies. The only thing standing in the way of the zombies going worldwide is a one-legged stripper (Rose McGowan) and her sharpshooting boyfriend (Freddy Rodriquez). This throwback to the low budget shockers of the 1970's hits all the right marks and also turns out to be the goriest film I've ever seen. How in the world this got away with an R-rating is a mystery to me because this thing is non-stop gore from start to finish and we're not talking about little spots of the red stuff here and there. Each single death (out of hundreds) has tons of the red stuff through heads being ripped off to zombies munching on some flesh. McGowan is the perfect "B" actress to make her role very memorable and goddamn was it nice seeing Jeff Fahey once again. Tom Savini, Bruce Willis, Josh Brolin and various others fill out the cast. The "grindhouse" effect of a cut up print with scratches and missing reels are used perfectly here. There's some humor throughout but the politically incorrect joke of a kid playing with a gun was a real hoot. Rodriquez fills the film with countless "bad" moments in great homage to the films this is trying to be like. If you're a fan of this type of thing then you'll love it. Others beware.

Death Proof Quentin Tarantino's homage to those car chase movies features Kurt Russell as Stuntman Mike, a psychopath who loves to stalk women in his death proof car. The girls, including Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Tracie Thomas, Mary Elizabeth Winstead, stunt woman Zoe Bell and Rose McGowan (again) are all perfectly cast and really nail Tarantino's dialogue but the real star here is the terrific return to form of Russell. Russell wasn't the first choice by the director but damn was he a great one. Russell just has that perfect smile and twisted laugh to make this psychopath so charming that you'd like to have a beer with him even though you know he'd probably kill you afterwards. Russell nails all the right marks making Stuntman Mike live right up there with Snake Plissken. This film is certainly a lot different than the first. This film takes its time in getting to know the female characters and I think this pays off in the end. Tarantino does a great job referencing other pictures so this will add some charm to die hard fans of the genre. Then there's the incredible chase at the end, which has to go down as one of the greatest ever. The chase is incredibly thrilling but it's also just a lot of fun. Seeing the girls being tortured by the "always having fun" Stuntman Mike was just a terrific time at the movies. I won't spoil anything but when the girl's seek revenge it's something that will make you want to cheer in laughter. Once again, if you're a fan then you'll love it but others beware.

Grindhouse(2007)

Review 1: Planet Terror(2007) Welcome to the Grindhouse. We start off with an excellent and extremely funny "trailer". This is brilliant stuff. "Machete." You will laugh, you will enjoy the B-movie magic. This is filled to the top with cheese and including the silly voice-over to go. It's a hoot.

Planet Terror is on. We see retro movie intros with the misspelled words and low budget sound. It's all so well done. Anyway, Planet Terror is the next wave of zombie horror. This movie delivers all the goods and then some. We get all kinds of extreme violence and B-movie humor. This movie takes it all the way with the violence! We also have a terrific cast. The story is actually pretty good.

Michael Biehn is great as the Sheriff Hague. We also get Rose McGowan as a former stripper. The scenes at the hospital are incredible. When Quentin Tarantino shows up, this can be the most original zombie scene ever! It's grotesque, but you will be in total shock! The movie has an age feel to it and is treated well. We have the old looking film reel to the burnouts and missing scenes too.

Planet Terror is an amazing tribute. This is one of the BEST zombie movies I have ever seen! Now for a treat. We get a few more rather hilarious and twisted movie trailers. Let me just say is that Eli Roth is twisted. These trailers are a hoot. Damn they are funny. Shlock value guaranteed. Be sure to look out for a surprise appearance that NOBODY will see coming! Now for the Tarantino.

Death Proof(2007)

Review 2: After an amazing first half we get a rather lackluster second. Hear me out, Kurt Russel is Stuntman Mike. He is homicidal and bad to the core. I found him to be one of the most likable villains ever. That's a plus. Also Death Proof has some unique kill sequences by Stuntman Mike that are well done and are satisfying. Russel is fantastic as the devil behind the wheel.

However, Death Proof has many weaknesses. First is the inane and annoying girl-chat that goes on for what seems like an eternity. Worse yet, this has almost NOTHING to do with the movie! Second, the film does not have the old feel of the previous movie. Third, the heroines of the movie are just plain annoying. I, for the life of me got bored and frustrated with the girl chat and could not root for these girls. The second batch of girls were incredibly annoying.

This is too bad as Death Proof has some really well done stunt work and a nice car chase scene. The revenge chase was lame though, due to the driver constantly cursing trying to be a bad ass at every conceivable moment to the point of hideous. Tarantino should have given Russel A lot more screen time as Stuntman Mike and less to the ladies. I found myself rooting for Stuntman Mike. I felt the ending was well.....unsatisfying is an overstatement. I felt ripped off.

So, we got a tale of two movies. One a success and the other a massive letdown, despite a few cool scenes. This is a fitting tribute to the days long past, but Tarantino just did not deliver.

The Last Word: Stay for Planet Terror and the trailers. Death Proof start off right, but hits a crash landing. Watching Death Proof is for the VERY patient. Trust me.

I went into this film with expectations for an extreme amount of campy senseless gore and violence - and it was delivered as promised! A WARNING: Know what to expect when you go see this movie, or you might be surprised/disappointed. There is no moral, no good sense or life lesson to be taken from the story lines or characters. Sometimes things don't make sense and this is all done on purpose in homage to original exploitation films Warnings aside, Grindhouse is a lot of fun, there were as many "ooh" and "ahh" moments as there were "oh my god why did they show that?" moments. All of the actors' performances were right on and the action directing was excellent. My only negative comment is that Tarintino's film dragged a bit in the middle, but he more than made up for it. I couldn't help but raise my fist in the air and shout out "yeah!" at the end of his flick.

You will be surprise, you will be disgusted and you'll enjoy the hell out of it.

A unique cinema experience indeed.