Vagues invisibles

i watched this movie before i read its script (which came out not so long after the movie released in the theater in Thailand ) and i can say that this movie is so great even though the story is not so catchy so people who cannot sit and stare at something not so fun may feel extremely bored. i think asano didn't understand the meaning of the character for this story. he seems to act too relax which is none sense if you were kyoji., you killed , cut a woman, you still can walk normally? no way. but even though his acting for this movie is not as good as last life in the universe but still we can aim the meaning of the story to a different direction not as prabda(the script writer)'s imagination.

who gonna love this movie or not is not important but what i think is they are so team. they should make more movies together and i hope later movies will be more surprisingly good!

Last Life in the Universe is one of, if not the best movie I've ever seen (save for Trainspotting). Because of this, like many others, I tracked down Pen-Ek's other films and found this. I have to say that it was disappointing. Many here argue that those who did not like this film simple "didn't get it," because they don't have the mind or tastes for it. I'd have to disagree. If you appreciate Last Life then there's really no reason why you shouldn't be able to appreciate this, (had it good) as both films move at the same pace and have all the same people behind them. (I liked how they used the names Nid/Noi again, does he always do that?) Invisible waves looks the same, sounds the same, but for some reason just doesn't feel as good. Something is missing, something that could have been great was lost somewhere. Last Life didn't have much of a story but managed to be a masterpiece, and comparatively this film's story is much better but just doesn't work. One thing that really bugged me was the acting. All of it felt very fake; I was too often reminded that I was watching a film. The dialogue was poorly written, in my opinion, and probably contributed to that. Were Tadanobu Asano not in this I wouldn't even bother, even out of curiosity for Pen-Ek, as he is this films one and only saving grace. But even then he plays almost the exact same character as he did in Last Life, only a lot less interesting. All the ingredients for a movie like Last Life are here, but in the end it didn't just work.

Almost every review here compares this film to Last Life in the Universe. While that's certainly a great film, there's really no reason to compare the two. Despite some obvious similarities (mainly in the pacing and cinematography), this film has absolutely nothing in common with that film. So...

I found Invisible Waves to be an extremely entertaining film that, on the surface, doesn't appear to do much of anything. While a lot of people will dismiss the film as slow and pointless, I found the pace just about right for this type of film... and perhaps it was to the credit of the charisma of the star of the film but I never found it "boring". The plot is extremely simple and, indeed, not a lot happens. You can pretty much sum up the entire film in a few sentences. But that doesn't make the film bad... Actually, you kind of have to look in between the lines of this film, because there is a lot going on that the film doesn't seem to convey... it doesn't beat you over the head with its message. It doesn't need to. It's a very ambient, dreamy, quiet film, and 2 minute shots of waves crashing and the lead character sitting and staring into space probably won't win this film many fans, but I loved it.

This is mainly for fans of, yes, "Art house" cinema, people who place the importance of image over an involving storyline. So, it's probably not for most people. But a lot of these reviews are way off base and seem intent to criticize the film solely for the fans it may potentially appeal to or how "disappointing" it is compared to Last Life in the Universe. Put aside all expectations and just watch the film. You'll probably be surprised. I personally love quiet, dreamy films with sparse dialog so this was right up my alley. But I can't speak for everyone.

Reading through the reviews on this page all I can say to myself is how they have throughly missed the point. The movie is slow, very slow, but I still sat there and watched it. It's supposed to be slow, it's supposed to have a minimal script.

Throughout the entire movie I couldn't stop thinking about it. The speed of the movie really pulled me into the mood of the main character, and it worked.

One of the other reviewers talked about shotty production values, I completely disagree. The movie is supposed to be sketchy and ugly, its not meant to be pretty. Although I think the sketchy aspect of it is the beauty of it.

The camera work is perfect for the feeling I think the director was going for.

The reason I think this film is getting less-than-favourable reviews is that this isn't what people are expecting when they go into it. When someone hears "japanese contract killer" you don't think of a slow-paced gray drama. I went into this film expecting nothing (as I do with all Film Festival movies) and came out silent, my mind racing.

Don't see it if your expecting an action movie, see it if you are in the mood for a slow-paced interesting drama of a mans life.

There's a lot to like here, though judging from the reviews there is not enough to please everyone.

The main character is unforgettable. The more see of him, the more there is to like or relate to. Each scene is a gem--tight, edgy, emotional in some way or another. And there a lot of variety to the scenes--the action moves around to very different places, always offering a lot for us to take in.

Yet even with something big going on in front of the camera, this is pretty much the antithesis of an action film. The director gives us lots to watch, but what we're most drawn to is on the inside--brooding, fear, struggling to get by, not knowing how things will work out.

To me the film succeeded both as storytelling and as a character study. It's one of those films I didn't want to have end, because the plot and the technique were both so absorbing. seeing.