La Maison du bonheur

This debut by Dany Boon as director I liked in whole but not so as his next works "Bienvenue chez les Ch'tis" and "Rien à déclarer" and I find them the very best French comedies for lately. "La maison du bonheur" is very laughable movie but main characters sometimes looks too silly and even irritate particularly those situations with the stupid repairers. I liked Daniel Prévost and his character the estate agent Jean-Pierre Draquart is very funny and Michèle Laroque is very beautiful woman and remarkable actress. Actually this film in plot is very similar to old and nice film "The Money Pit" with Tom Hanks and Shelley Long but there was more catastrophic situation. "La maison du bonheur" is not a masterpiece but very not bad comedy for a one evening.

No bones about it, this really is a very very good comedy, if a little breathless for the spectator ! It's one of those comedies that accumulate catastrophe after catastrophe and you end up wondering how on earth (or in heaven !) it's all going to work out in the end ! A young man working in the litigation department of a credit company and rather miserly in general to boot, decides to secretly buy a country house for his wife and sell their present central Paris apartment, all unbeknown to her and unfortunately falls upon a shyster estate agent who manages to sell him a ruin and, to make things even worse, furnishes a less-than-completent building team ( even worse than O'Reilly in Fawlty Towers ) who manage to botch up just about every job they undertake ! In addition, Boon's office co-worker is seeking to buy the same house, unbeknown to him and the vile estate agent, played by Daniel Prévost, is disgustingly playing one off against the other ! The rest of the story I will leave for you to discover ! I originally went to see the film because I am very fond of Michèle Laroque as an actress ( I had already noticed her in "Bébé Express" and her other works with Pierre Palmade ) and to a certain extent Daniel Prévost, who had above all stuck in my mind as the memorable tax inspector "Cheval" in "Le Diner des Cons".

Dany Boon is apparently a stand up comedian and not noted for cinema, this being indeed his first work a a director ! Well I thoroughly enjoyed this film and the type of humour it distills. Many spectators will be able to relate to the problems of indebtedness, losing your job, keeping secrets from your wife, incompetent building workers, shyster estate agents ..... OK, in this story EVERYTHING seems to go wrong and it is a little exaggerated but individually, alas, these situations happen to people just a little too often, and indeed the film may at least provide comic relief to some viewers who will take a deep sigh and say "Phew, I thought my situation was bad enough, but this poor guy ...... ! Anyway there's not a dull moment in this film and I would thoroughly recommend it for anywone who's feeling down in the dumps ! Correct international distribution of the work should be able to ensure it worldwide success !

I spent a very entertaining evening with my family with nonstop laughing. It was funny to see all these great actors but at the same time I soffered with them. It's a simply story but with full surprises where I wanted just close my eyes when you know what I mean. Check it out. If you liked Dany Boon don't miss the other ones Bienvenu Chez les Chtis or Rien à declarer. 8/10.

Dany Boon is a well-known humorist in my native France but I must admit he's not one of my favorite humorists. My favorite one is definitely Franck Dubosc. This film, "la Maison Du Bonheur" is his debut movie and for the topic, he didn't complicate the issue. Basically, it was a play he wrote himself and its popularity was wide enough to galvanize him to transpose it to the silver screen. A delicate operation because when one turns a play into a film, it is necessary to lighten the unities of time, space partly to avoid stage film production. Dany Boon perfectly overcame this obstacle. Throughout the film, the camera moves in several places and the knowledge that the story was originally a play is rapidly in limbo. But then, things go a little wrong...

The staple idea is classy and to tap it, Dany Boon set himself to a classical scheme. Hae acts a stingy creditor who for once decides to be generous by buying a country house near Paris. Unfortunately, many complications and vicious gears will plunge him in a downward spiral. When one discovers the film sequences in which concealed truth and two-bit lies reign in most of them, one figures that Dany Boon's film had a true potential for being a first-class French comedy. The problem lies in the fact that he didn't have enough verve and strength to make laughter last until the tail end. Laughter are too scattered here and there during the screening and it's a little regrettable because a good proportion of the sequences could have been exploited in a funnier way. That said, when I went to see the film in the theaters, at the end of the end credits, there was a sort of collection of out-takes and I laughed until I cried. Anyway, I don't want to demean Boon's piece of work because when he succeeds in tapping the comical reserve of a scene, it really works.

Dany Boon also hired a three-star cast whose input in the venture makes up a bit for the unfinished side of the comedy. Daniel Prévost is as jovial as disturbing and his character could be a distant cousin of Lucien Cheval, the tax inspector he acted in Francis Veber's exquisite "le Dîner De Cons" (1998). Michèle Laroque is a very subtle actress and Michel Vuillermoz "De la Comédie Française" makes his part count. Zinedine Soualem, one of the two lazy, incompetent workers and regularly featured in the Klapisch universe is irresistible. But there's one major problem and it's Dany Boon himself in the main role: he offers a rather wooden acting. He could have been so much better if he had been able to shade his role.

So, Dany Boon was within an ace of reaching the perfect comedy. He just lacked perseverance, audacity and so limited the treat to the audience. But it's not a reason to decry his film. So, don't pay attention to the current mark of the film on this site (a lowly 5.2 out of 10) and consider it as a palatable supplier of laughter. And the characters introduced in this film could be larger than life.