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Investigative reporter Carl Kolchak, who's after his wife's killer, teams up with Perri Reed, Jain McManus, and their boss Tony Vincenzo to investigate strange crimes in Los Angeles that may... Read allInvestigative reporter Carl Kolchak, who's after his wife's killer, teams up with Perri Reed, Jain McManus, and their boss Tony Vincenzo to investigate strange crimes in Los Angeles that may contain dark supernatural elements.Investigative reporter Carl Kolchak, who's after his wife's killer, teams up with Perri Reed, Jain McManus, and their boss Tony Vincenzo to investigate strange crimes in Los Angeles that may contain dark supernatural elements.
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When the show was first announced it sounded promising, mostly because producer Frank Spotnitz was a veteran of "The X Files"...and as we all know, several "X Files" veterans were big fans of the original "Night Stalker" movies and series.
Now, whenever a cultural icon is reinvented for a new era, one always expects a few changes. I don't think we were expecting this many.
Carl Kolchak, as you may recall, was a down-on-his-luck loner, a middle-aged, average-looking has-been reporter whose primary positive qualities were his investigative skills, his tenacity and his flair for mocking authority. He had a part buddy/ part adversarial (mostly the latter) relationship with his boss, Tony Vincenzo. The adversarial part of their relationship came to a head when Kolchak came upon the story that first piqued his interest in the supernatural: a killer who appeared to be an actual vampire. The police, not wanting to look stupid, were not about to admit that there really might be things that go bump in the night running around their city...and Vincenzo (being not exactly akin to Ben Bradlee) was only too happy to quash the story in order to keep the authorities happy. This, of course, rubbed Kolchak the wrong way. Kolchak was dedicated to getting the truth out, no matter what.
Well, that brings us to the new Kolchak.
In ABC's latest incarnation, Kolchak is changed almost beyond recognition. Now he is young, good-looking and morose. He no longer seems to have arguments with Vincenzo. Most surprisingly, perhaps...he was married. His wife was killed by one of these bumpy-night-things, and now he pursues stories about them. Instead of operating alone, he's joined by his partner Peri and staff photographer Jain.
This makes for an awfully weird feel. Watching a young, handsome Kolchak investigate a story with his capable partner Peri and wide-eyed photographer Jain, you get the feeling you're actually in Metropolis with Clark, Lois and Jimmy.
Those changes alone are enough to alienate a number of the "Night Stalker" faithful. But there's an underlying feeling, a style, that's also very different from the original books, movies and series.
Whereas the "old" Kolchak used to narrate events in a snappy, factual way, Spotnitz has fallen back into his "X Files" habit of just using opening and closing narration which, even then, is more on the philosophical than factual side. It's a change that removes a considerable amount of the pacing and realism from the show. And if you're looking for the old Kolchak who had a smart mouth and was ever quick with a quip...forget it. He's not here. This Kolchak is more moody than mouthy.
Even the music is languid. In the original movies, the score was jazzy yet kind of morbid, a style that fit the stories to a T. Here, you'll find music more like what you'd hear on...well, "The X Files".
Then there's the Vincenzo thing. "Old" Kolchak had to battle not only the authorities but his boss. This one is clearly Kolchak's pal, which removes half the conflict from the show. Believe it or not, there are none of those wonderful Kolchak-Vincenzo screaming matches here. Instead, we're offered an FBI agent who wants to pin the death of Kolchak's wife on Kolchak himself. Shades of The Fugitive. (Ironically, the agent's name is Fain. Bernie Fain was an FBI agent buddy of Kolchak's in the original novel.)
One truly bizarre feature of the show: this Kolchak drives a newish yellow Mustang and lives in a penthouse suite with a built-in swimming pool. Give me a break!
The true test of whether this is a worthy "Night Stalker" or not is...if you removed the title from the show, and changed the names of the characters to Smith and Jones...would anybody recognize it? Chances are, beyond the fact that the stories are supernatural and the hero works at a newspaper, no, you would not. Kolchak no longer resembles Kolchak, either figuratively or literally.
The one bright spot in the show was a digitally-inserted "in-joke" in which Darren McGavin, replete with seersucker suit and straw hat, was inserted into the foreground of a shot of the newsroom. Unfortunately, it served only to remind the viewer of the big difference between the original Kolchak and Spotnitz's Kolchak.
And finally -- without giving away spoilers -- there's the puzzling shot of Kolchak's hand at the end of the episode which ties in with the murder of his wife. That was just weird.
The fault does not all lie with Frank Spotnitz. In a TV Guide interview, he stated that the "mission" aspect of the show -- finding the killer of Kolchak's wife -- was inserted at the insistence of the suits at ABC, who felt Kolchak needed a stronger motivation for going after ghoulies and ghosties. Nevertheless, this "Night Stalker" does not have the jazzy music, the narration, the pacing or the comic patter -- in other words, the feel -- of the original. It looks more like "The X Files" than "The Night Stalker".
Oh well. It's not a bad show. It just should've been much, much better.
Now, whenever a cultural icon is reinvented for a new era, one always expects a few changes. I don't think we were expecting this many.
Carl Kolchak, as you may recall, was a down-on-his-luck loner, a middle-aged, average-looking has-been reporter whose primary positive qualities were his investigative skills, his tenacity and his flair for mocking authority. He had a part buddy/ part adversarial (mostly the latter) relationship with his boss, Tony Vincenzo. The adversarial part of their relationship came to a head when Kolchak came upon the story that first piqued his interest in the supernatural: a killer who appeared to be an actual vampire. The police, not wanting to look stupid, were not about to admit that there really might be things that go bump in the night running around their city...and Vincenzo (being not exactly akin to Ben Bradlee) was only too happy to quash the story in order to keep the authorities happy. This, of course, rubbed Kolchak the wrong way. Kolchak was dedicated to getting the truth out, no matter what.
Well, that brings us to the new Kolchak.
In ABC's latest incarnation, Kolchak is changed almost beyond recognition. Now he is young, good-looking and morose. He no longer seems to have arguments with Vincenzo. Most surprisingly, perhaps...he was married. His wife was killed by one of these bumpy-night-things, and now he pursues stories about them. Instead of operating alone, he's joined by his partner Peri and staff photographer Jain.
This makes for an awfully weird feel. Watching a young, handsome Kolchak investigate a story with his capable partner Peri and wide-eyed photographer Jain, you get the feeling you're actually in Metropolis with Clark, Lois and Jimmy.
Those changes alone are enough to alienate a number of the "Night Stalker" faithful. But there's an underlying feeling, a style, that's also very different from the original books, movies and series.
Whereas the "old" Kolchak used to narrate events in a snappy, factual way, Spotnitz has fallen back into his "X Files" habit of just using opening and closing narration which, even then, is more on the philosophical than factual side. It's a change that removes a considerable amount of the pacing and realism from the show. And if you're looking for the old Kolchak who had a smart mouth and was ever quick with a quip...forget it. He's not here. This Kolchak is more moody than mouthy.
Even the music is languid. In the original movies, the score was jazzy yet kind of morbid, a style that fit the stories to a T. Here, you'll find music more like what you'd hear on...well, "The X Files".
Then there's the Vincenzo thing. "Old" Kolchak had to battle not only the authorities but his boss. This one is clearly Kolchak's pal, which removes half the conflict from the show. Believe it or not, there are none of those wonderful Kolchak-Vincenzo screaming matches here. Instead, we're offered an FBI agent who wants to pin the death of Kolchak's wife on Kolchak himself. Shades of The Fugitive. (Ironically, the agent's name is Fain. Bernie Fain was an FBI agent buddy of Kolchak's in the original novel.)
One truly bizarre feature of the show: this Kolchak drives a newish yellow Mustang and lives in a penthouse suite with a built-in swimming pool. Give me a break!
The true test of whether this is a worthy "Night Stalker" or not is...if you removed the title from the show, and changed the names of the characters to Smith and Jones...would anybody recognize it? Chances are, beyond the fact that the stories are supernatural and the hero works at a newspaper, no, you would not. Kolchak no longer resembles Kolchak, either figuratively or literally.
The one bright spot in the show was a digitally-inserted "in-joke" in which Darren McGavin, replete with seersucker suit and straw hat, was inserted into the foreground of a shot of the newsroom. Unfortunately, it served only to remind the viewer of the big difference between the original Kolchak and Spotnitz's Kolchak.
And finally -- without giving away spoilers -- there's the puzzling shot of Kolchak's hand at the end of the episode which ties in with the murder of his wife. That was just weird.
The fault does not all lie with Frank Spotnitz. In a TV Guide interview, he stated that the "mission" aspect of the show -- finding the killer of Kolchak's wife -- was inserted at the insistence of the suits at ABC, who felt Kolchak needed a stronger motivation for going after ghoulies and ghosties. Nevertheless, this "Night Stalker" does not have the jazzy music, the narration, the pacing or the comic patter -- in other words, the feel -- of the original. It looks more like "The X Files" than "The Night Stalker".
Oh well. It's not a bad show. It just should've been much, much better.
When I was a kid, the original show bearing this name was awesome and one of my all time favorites. Enough so that I bought the Series on DVD when it became available. This show is virtually nothing like the original. While disappointing, it is not as terrible as some reviews have made it out to be. It is just...different. I discovered it on YouTube and have actually enjoyed watching it. The stories are interesting and hold your attention. The characters are fine so long as you don't try comparing them to their namesakes from the '70s. It would've been nice to see how another season would've turned out. Particularly if you consider some of the real dreck that was on network teevee back then...
All right, I will be the first to admit, this is nothing really like the original. However, as one person already commented, it would be an insult to the original story and actors if they remade it exactly the way it was. However, the original only made it ONE SEASON. ABC (and every other network) is trying to appeal to the younger demographic (not always an intelligent decision, but they do it anyway). However, they're changing the character of Kolchak himself: he's no longer the goofy, fraidy cat of the newspaper world, and he's about 20 years younger. For the character they've made, Stuart Townsend is a better choice than most. The new Kolchak is a somewhat darker, creepier version than the old, so you can't have someone like William H.Macy (another suggestion) with the lead. No one would believe he was a possible murdering psycho. Townsend, on the other hand, is a kinda creepy guy, who can act. Personally, I liked the pilot (except since I was only half paying attention, I got a little messed up with how the little girl fit in with the murdered pregnant woman). Anyway, if you don't want to watch it, you don't have to. I personally like it a lot better than CSI at the moment, so I'm going to keep watching it.
Also, what a lot of people don'r realize is that Darren SKIPPED OUT on the original show because he didn't like the humor in it. Obviously the audience did, but he hated it enough to cut and run on his contract.
Also, what a lot of people don'r realize is that Darren SKIPPED OUT on the original show because he didn't like the humor in it. Obviously the audience did, but he hated it enough to cut and run on his contract.
My expectations confessedly did not run very high when word of this project came to me. I mean, let's be honest, the original Night Stalker was a one of a kind gem that only happens once in awhile. It was a show ahead of its time, and its legacy has grown tremendously over the years despite its one year run. Star Trek ran for only three years you might remember. I also understand that things must change for different audiences. But why would writers with some ability(from The X-Files - a great show I might add)change everything except the names The Night Stalker, Karl Kolchak, and Vincenzo. They are the only links this new show has with the old. The way the series is shot is markedly different, the tones of the stories markedly different, the actors(for lack of a better word) are markedly different and so on. I can guess what might have happened: genre writers who grew up on the old show pitched the idea of remaking the series to the networks wanting to pay homage and make a new, exciting series. I think they probably wanted to stay close to the heart of the old show. A great central character that was affable, unflappable, and played by a guy that could act would be needed. They probably knew that the show's success would hinge on this actor's representation of the role. Darren McGavin was a great actor, and yes, now he is way too old to assay this role. But why in the world did the producers get some guy like Stuart Townsend. He looks like he popped out of the pages of GQ magazine and has so little range. This is the guy that is going to convey humor in much of what he says and does amidst the surroundings of stark horror and investigative reporting? Is anyone out there buying him as a gritty reporter in Los Angeles or anywhere else? You know how little faith the producers had in him when they assigned him a beautiful helper. Gabrielle Union, a beautiful woman but an average at best actress, wanders through the inane dialog with little conviction. She is helping Kolchak? I was just flabbergasted with how bad this remaking of the series was from the perspective of looking at the show's foundation. Maybe if it wasn't called The Night Stalker then I could accept it for the mediocre sci-fi rehash that it is. But when you call it something that brings smiles to the faces of horror fans from the seventies you then have an obvious comparison to make. There is no comparison at all. Absolutely none. This is dreck when placed on those standards. The show is talky with little action or suspense. It fails miserably in evoking any kind of fond memories for anyone who is watching it because of its name. Just a pitiful shame and a pitiful show.
Well, aye was able to see this bloody awful show, and I can honestly say it is the worst thing that I have ever seen. My mates had me over to view a few episodes they have down-loaded, and we all had to laugh at what right horrid tripe was presented! Having bought the original DVD set, I half-hoped that the name of such a good show would not be blighted by the likes of a crassly poor remake. What bullocks! The lead actor is not suited at all for the role, and his sidekicks look like refugees from the Benny Hill show. What's up with the photographer? Gawd, I can't believe that anyone would have green-lighted such drivel. Gabrielle Union hasn't a bleeding clue. What's she doing on that show? The whole cast seems to be working this as some kind of summer-stock. I gather none of them has made any long-term plans to stay on. Seems like they joined the cast so they could collect a few quid between gigs.
Did you know
- TriviaIn a newsroom scene in the pilot (at 17:00), Darren McGavin (the original Kolchak from the 1970s movies and television series) can be seen standing at one of the desks, dressed as the 1970s Kolchak, chatting with one of the reporters. This footage was digitally inserted from an episode of Kolchak: The Night Stalker (1974).
- ConnectionsFeatured in Ayer Nomás: Kolchak: Lo Increíble (2020)
- How many seasons does Night Stalker have?Powered by Alexa
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