Apparence trompeuse

Wow, where do I even begin with everything that's wrong with this piece of garbage? Possibly one of the worst screenplays/plays ever written, this racially charged drama tries hard to make you think and feel for the characters when all you can think about is "why is race such a big issue here?" The entire film didn't make any sense. Unrealistic situations and unrealistic characters didn't help much either. Every white person is racist, according to this film. Every black person is racist as well, according to this. Same goes for everyone else. Including the so-called "New Yoricans" as one dumb ass student likes to call himself.

I don't get angry at films for any reason. Stupid teen comedies are that - just stupid. I hate them as well. Gruesome, bloody horror films are generally terrible, but then again, it's hard to get mad about something that's so fake. This film is the best example of a film that can truly get my blood pumping with rage because it gets everything so wrong.

According to this, every white person looks down on every other race - especially blacks. As a white man (who's closest friends were of all different races - white, black, Puerto Rican, including the love of my life who's black), this deeply offends me. It's the same as saying every German wants to maim or kill a Jew and every Muslim wants to strap a bomb to themselves and blow up a building or plain. Those stereotypes just aren't true; so neither are these crap accusations that this film is making. The screenwriter should be shot for this angering time waster.

Watch it only to see my point. Especially about the completely avoidable racial tensions. Other than that, I would strongly suggest you skip it entirely.

Usually I would never tell someone not to watch a film that I really don't like because for all I know I could be turning them off of the greatest film they've ever seen. It doesn't matter what it is. This movie is the rarest of exceptions.

Sarah Jessica Parker steps away from her Carrie Bradshaw character and plays a Dean of Students at a small liberal arts college in Vermont. The film has an all star cast including Beau Bridges and Miranda Richardson as the other deans. James Rebhorn is always welcome on screen as the President of the College. Mykelti Williamson plays a local reporter. The story about a racism incident at the college creates a stir among the faculty and students. Parker's Dean character faces her own issues about race and her history in Chicago at a largely African American college, Lancaster College. In this film, Parker does a decent job but the script is weak and poorly adapted from the stage. Parker has her best moments when she confronts her racist views and feelings. While the cast is all star, the script weakens the film. To me, not much happens at all.

Nah, didn't like this one at all. Political correctness on campus is the subject. There was some decent moments but there were many more ridiculous ones.The guy that is gonna be given a 10,000 dollar scholarship comes to mind. The scholarship is especially for minorities, and hes practically already been given it but he's got to write in his ethnicity on the form - he says 'new yorican' or something like that. Teacher says write hispanic or Porto rican. He doesn't want to. She talks him into it - I mean, come on man, you're gonna get 10 grand - Anyway, he agrees on Porto rican...But then he comes back again and again with the same problem - wants his ethnicity to be written as new yorican. The scene seemed ridiculous the first time... but to have the same scene come up 2 more times made me want to cry.

I didn't feel anything for any of the characters - Bad script, bad acting - All a bunch of cardboard cut outs. On the whole, a poor film, poor plot.Only watch if there's eff all else on the box.

In "Spinning Into Butter," a small ivy-covered college in Vermont, known for its liberal views and tolerant policies, is rocked by a racial incident aimed at a recently enrolled black student. Soon the incident has exposed a vein of racism running through the faculty and student body that has long lain hidden beneath a veneer of white liberal guilt and political correctness.

Sarah Jessica Parker plays Sarah Daniels, the newly arrived Dean of Students who has to take the lead in quelling the crisis, but who may have issues of her own regarding race to deal with. Veteran actor Beau Bridges also appears as a fellow dean.

Based on the play by Rebecca Gilman (who co-wrote the screenplay with Doug Atchinson), "Spinning Into Butter," directed by Mark Brokaw, starts off with the best of intentions, pinpointing some of the complexities inherent in an issue we too often sweep under the rug in an effort to avoid dealing with it. And the movie does an effective job highlighting the irony that sometimes it is the very well-intentioned efforts we make to try to alleviate the negative effects of racism - quotas, forced integration, segregation in the name of "cultural pride" etc. - that wind up actually exacerbating the problem in the end. The film also makes the rather provocative case that even in a mostly white, socially liberal enclave like Vermont, racism still exists, though since it is rooted more in the subconscious, it is more likely to manifest itself in covert rather than overt ways there. It's a daring and risky theme and one the filmmakers should be congratulated for at least having the courage to bring out in the open.

However, noble intentions notwithstanding, the heavy-handed approach the movie takes towards the topic ultimately robs it of much of its effectiveness. Too often the characters sound less like real people than like spokespersons for individual causes. Moreover, the staging of events is frequently awkward, the drama needlessly contrived. And the resolution of the conflict, quite frankly, borders on the preposterous. Additionally, the performances, with the exception of Parker's, lack any mitigating trace of polish and finesse.

There's no denying that there are moments of quality scattered throughout the film, and that the autumnal New England scenery is absolutely lovely (though a very small part of the exteriors were filmed - seamlessly, I might add - at the high school in Los Angeles where I work). Yet, sad to say, "Spinning Into Butter" emerges as probably the clunkiest and most self-satisfied examination of race relations in America since the urban drama "Crash."

Sarah Daniels teaches in a Lancaster School, which is predominantly occupied by minorities, especially blacks. She soon develops a deep hatred and prejudice, even fear, against blacks, and avoids them even in public transportation. When she finds out about a vacancy in Belmont College in Vermont, she re-locates there. But her past will be put to the test when she is ironically labeled a liaison person for the minorities, as well as asked to prepare a 10 point list to resolve racism, after an African American student, Simon Black, becomes a victim of hate crime.

She will also realize that before she was hired, the Management expected her to be black.

Subsequently, she herself will question her prejudice as well as the Management's 'lip service' response to the hate crime amidst heavy media presence, and growing restlessness and hatred amongst the student body.

Quite frankly, one can only laugh out loud at the naivety shown by the school management in asking a lecturer to prepare a document titled 'how to resolve racism'.

For generations, judiciary, and human rights commissions have turned a nelson's eye on this issue, and that's precisely the reason why it continues on undeterred.

One must often wonder as to why most people on one hand are contemptuous of lawyers, but respectful of judges - who at one time were themselves lawyers. Many lawyers are appointed to the judiciary by politicians - thus issues never get addressed and get even more complex in the long run. This is why people take to the streets and there is violence when concerns and issues are left unaddressed.

A thought provoking movie, and a must-watch for all.