Diggers

Well, this an interesting movie. I liked it. I liked the characters, and the story was okay. Not a fast moving film, but that's okay. It goes along at it's own pace.

The characters are believable for the most part. It's hard to believe this film is set just an hour away from Manhatten.

So, here's my beef with this film. Certain things have become too commonplace in current films. Do we really need the vulgar language all the time? Is that a modern thing? Second, for some reason, there always had to be a sex scene. Do we really need that all the time? And thirdly, there always seems to be a seen of someone going to the bathroom , which in this film happens more than once. Come on film makers, some things really need to be implied and left to the imagination. I don't want to watch a movie and see a guy sitting on the toilet.

This is a dramatic comedy. That's it. It's a great fun story about a handful of friends trying to survive in a small blue collar town. It's funny and heart warming.

Capturing a bit of Americana, a parcel of life foreign in nature to our own, has offered the opportunity to appreciate the diversity of living and of people in this country populated by ordinary yet extraordinary beings. Films that have focused on little family ventures ('Mystic Pizza'-type films) make us examine our own niche and grow to love variations on a single theme. DIGGERS, as written by Ken Marino (who also stars), is just such a story, a window on the life of clam diggers in the shores off Long Island. Yet as directed by Katherine Dieckmann and acted by a particularly fine cast, DIGGERS addresses the changes that occur in each of us as we progress from teenagers to adults - and all the potentially crippling and thrilling factors that can and do arise.

Four friends who dig for clams as their families have done for generations interact on levels of levity and anger, support and misunderstanding, and woven through the background of these four men's lives are the women (and children) who influence them. The apparently disparate men include wannabe photographer Hunt (Paul Rudd), procreator Lozo (Ken Marino), druggie philosopher Cons (Josh Hamilton), and womanizer Jack (Ron Eldard). Their lives intersect on many levels: the women in their lives - Hunt's needy divorced sister Gina (Maura Tierney) who after their father's death falls for Jack, Hunt's 'summer girlfriend' Zoey (Lauren Ambrose), and Lozo's constantly pregnant wife Julie (Sarah Paulson) - and the changes in the entire business of clamming rights as big business steps into the water. How these characters cope with the static that jars their day-to-day existence may seem small in importance to an outsider, but by the end of the film, we 'the outsiders' have grown to know and appreciate and love this little band of fellow beings.

The cast displays excellent ensemble acting and while the film has its rough edges, so does the little corner of the world described. It is a quiet little film, all the more beautiful for being so unpretentious. Grady Harp

I saw this movie at SXSW in Austin right after attending a panel about the making of the movie. The film was originally to be directed by funny man David Wain of Stella fame, but he pulled out to direct "the Ten" which is an amazing film. I expected the film to be funny. Ken Marion, who wrote it, is a hilarious comedian. Paul Rudd, the lead actor, has been in comedies almost exclusively since Wet Hot American Summer and David Wain, who produced the film, is hilarious. The movie, however, was very serious. It had some amazingly hilarious moments, but overall it was a moving, serious film. I was most amazed at the fact that they pulled it off with style. A bunch of comedians made a moving, well structured, meaningful, fulfilling drama. Everyone should see it.

The reviews were pretty good for this one, and a former girlfriend of mine is in love with Paul Rudd, so that was the main reason I ended up seeing it. It was good...actually writer Ken Marino steals just about every scene that he's in. Lauren Ambrose does a good job, and I always have liked Maura Tierney.

Nothing special though. If you are interested in seeing it, then do so. If you're not, I wouldn't be going out of my way for this one.

The funniest part (unintentionally, I'm sure) of this movie is in the DVD Special Features, where a film reviewer in Dallas, who is affiliated with HDNet (the film's backer) says something like, "I know my company is affiliated with this movie, but this is honestly the best movie I've seen in the past year or year and a half." Please! It's nowhere near that good! Way to be objective!