Le Direktør

Lars von Trier's Danish-language comedy. It never interested me much, though I used to love von Trier (despite always acknowledging his numerous flaws). And it is definitely one of his least good films. If we ever find ourselves looking back at his career in the distant future, this one will not be mentioned much. It's about an out-of-work actor (Jens Albinus) who is hired by a company's CEO who is pretending only to be that company's lead lawyer (Peter Gantzler) to impersonate the mythical, unseen "boss of it all". Gantzler plans to sell off the company, as well as his employee's patents, to an Icelander (played by Children of Nature's director, Friðrik Þór Friðriksson), but he doesn't want to be identified as the guilty party, instead setting up this patsy to take the blame from his crazy co-workers (among whom is Iben Hjejle, whom you may remember from Stephen Frear's High Fidelity). The film is moderately amusing. Though many people seem to think von Trier's oeuvre consists mostly of tragedies, his work is more often darkly comic. The Boss of It All isn't nearly his funniest work. The Kingdom and The Idiots are both funnier, as is arguably Europa. Friðrik Þór Friðriksson actually provides most of the film's laughs as the thunderous, Dane-hating Icelander, recalling Ernst-Hugo Järegård's Dane-hating Swede from The Kingdom. But still, The Boss of It All is good, even if it will eventually just be a footnote.

This will be a little hard to understand, for those who are not familiar with Scandinavian office culture and enterprise democracy. For those who are, it's funny.

The unemployed actor gets a job. He's supposed to act as executive, during some sensitive business with an Icelandic buyer. It doesn't develop like he has imagined, but in fact it doesn't develop like anyone has imagined.

There's lots of kicking here in every direction and not at least against cultural snobbism. It's von Trier back to the basics, but not that easy to grip for people outside a Scandinavian environment.

If we consider this film only for the script, it is just (that's a lot) a brilliant comedy often trespassing into farce. What makes it different is the Von Trier branding, made of evident cuts (one every 3 or 4 seconds), bad framing, continuity mistakes too evident to be real mistakes. Lars underlines in a voice-off this camera mismanagement, but to me it was quite annoying after a while. The second thing that makes the otherwise mainstream comedy based on a clever and very funny idea is the fact that it is oh so Danish. These northerners are very strange and funny to me: I mean, we are used of the American, British or (for me) Italian or French and now also Spanish ways of making us laugh, but those sad and pale faces dimly lit by the Nordic sun are so funny and different and crazy. Also the jokes between the Danish people and a raging Icelander citing sagas and verbally abusing the Danish who "kept Iceland under their heel for 4 centuries" are very exotic but perfectly enjoyable. The impression is sometimes to be watching a madhouse, but it's a different experience I would recommend.

The Danish lawyer Ravn (Peter Gantzler) owns the high technology company IT that he founded with the money he borrowed from his six directors. However, he invented a fictitious and powerful president named "The Boss of It All" to cover the unpopular policies of the company with the employees. When he decides to sell up the company to the Icelandic entrepreneur Finnur (Fridrik Thor Fridriksson), the buyer demands to negotiate directly with the president of IT. Ravn hires the unemployed actor Kristoffer (Jen Albinus), who is a fan of the actor Antonio Gambini, to perform the role of president of IT under a contract of confidentiality. Along the days, Kristoffer gets close to and emotionally involved with the employees of IT. Sooner he finds that the lawyer of Finnur is his ex-wife that tells him that Ravn is tricking his colleague that will lose their jobs and rights. Kristoffer tries to persuade Ravn to confess his business to the co-workers until he finds that Finnur is also a fan of Gambini.

The witty "Direktøren for det Hele" is a surrealistic dark humor comedy of Lars von Trier with a funny story of greed and vanity. I am a big fan of this director and I liked this movie, but I lost many jokes since I am not familiarized with Danish humor and culture. The conclusion is very sarcastic and I believe not easy to be understood. My vote is seven.

Title (Brazil): "O Grande Chefe" ("The Big Boss")

Lars von Trier has done a modern comedy that gives (me) associations to the plays of the Norwegian-Danish comedy writer Ludvig Holberg (1684-1754). Even if it is a comedy and Lars von Trier himself in the start of the movie tells we can lean back and enjoy being entertained, the film has a message that - if you are open to it - will give you something to think about regarding moral and ethics. Like all good movies this has a surprisingly ending. "The Boss of it all" has divided the audience in Denmark in 2 groups – a group who absolutely dislikes the movie and a group which is rather enchanted with it. As you can understand I belong to the last group.