Pavee Lackeen - La fille du voyage

A documentary-style snapshot of the life of a Traveller family in the docks area of Dublin. (Travellers are the Irish equivalent of Roma gypsies, but those two groups have entirely different histories.) A resilient mother and her ten children occupy trailers, or caravans as the Brits call them, on land owned by the local council. The film primarily follows Winnie, a ten year daughter, but the mother also plays an important role as she fights eviction notices and tries to improve the live of her children. Issues of discrimination, difficulties with the authorities and a social security net that, while well intentioned, can do little for the family are topics that permeate the film. Members of the family and their neighbors play themselves, while actors take up non-Traveller roles. The director should be commended for integrating professionals and non-professionals into a seamless whole.

I worried that Pavee Lakeen would fall at one of two hurdles; either do-gooder worthiness in covering the subject matter, or the hokey staged quality often associated with both 'docu-dramas' and use of non-professional actors. No need to concern yourself on either count.

The fiction/documentary thing works to the degree that you forget you're looking at something that isn't pure documentary. The professional actors don't stick out like sore thumbs, and the feel of the entire film is very naturalistic.

In avoiding the urge to moralise, and investing so much time and effort in capturing the essence of the Maughan's day-to-day life, Perry Ogden has produced a real gem of a film. He managed to produce something that takes the qualities of his social reportage photography work, and extends it naturally into cinema. For a first feature, it exhibits nothing of the excessive tinkering you sometimes find. Ogden was blessed with a photogenic lead, but he avoids leaning on the aesthetic crutch he might have done.

The film isn't big on narrative, and don't go expecting plot resolutions, or arcs, or whatever. It's a great intimate snapshot of a girl's life, a family, and (unexpectedly) a city, in this moment in time. The 'issues' that the film touches on are handled with a light touch, and all the better for it.

One warning; I don't know if the film is shown with subtitles outside Ireland, but the accent/dialect of the Travellers will challenge some.

I found the film interesting, but a one sided insight into the life of Irish travellers. It seemed to tick the stereotypical view that a lot of people who are not informed about travellers would think. Poor, dirty, ill-educated, drunk, thieves.

In reality travellers are like any other race there are the rich and the poor the good and the bad. This film seemed to be a one sided view.

At the screening Perry Ogden said that the young girl Winnie asked him to take out the petrol sniffing scene and he had convinced her and her mother to keep it in. Winnie had been worried that the scene would portray her as a bad person and that no one would want to marry her. For a 10 year old girl to speak out to a director I think was very brave and he manipulated her to keep the scene in for his own "artistic licence".

Also the father figure in the film is not around, the opening scene sees the mother collecting money from a pawned wedding ring. perry Ogden said he left this open to interpretation that perhaps the father was dead or had "gone off". In traveller culture the fathers/husbands do not just "go off" (the reality was that the father did not want to be in the film) as there are extremely high values placed on family.

Overall the film was interesting but it concerns me that the film was quite negative about travellers in Ireland and that the director changed aspects of reality to add more drama to the film which was supposed to be a realistic insight.

I saw a screening of the film at the DGA on Oct. 28th followed by a Q&A with director Perry Ogden. The film is shot documentary style with real people rather than actors and while it is scripted, there is a lot of improvisation and "real life" activity going on. The girl who is the focal point of the movie is terrific and it is amazing how matter-of-factly she goes about her daily life in a trailer with no running water. To his credit, director Perry Ogden does not delve into the rich versus poor clichés, but presents a very straightforward look at life for a family on the edge of the social system in modern Ireland. The film won top honors at the Galway Film Festival and has been well-received at other festivals as well.

Having read some rave reviews and comments on this film, I actually bought the DVD. What a disappointment. Has everyone been watching the same film. Nothing happens. A young traveler girl wanders from scene to scene, the non-narrative stretched to near breaking point. If anything, the style and technique are lifted straight from the Dardenne brothers film Rosetta, albeit without the gripping story and plot. What we have here is a con job, mutton dressed as lamb. This slight drama masquerades as social comment, but there is an uneasy feeling as you watch it that a middle-class professional fashion photographer could be accused of exploiting the travelers. I can only deduce that it appeals to other middle class liberals who want to get down with the tinkers, but who wouldn't lift a finger or inquire further on their behalf. Above all, it's boring. High point the mother's performance, low point the long shots where nothing happens. The piano music at the end says it all. Warning: Brendan Gleeson is not in this film.