La technique du Chinois

STORY Chinese Tall Story tells the story of righteous monk Tripitaka, who, along with his guardians Monkey, Sandy and Pigsy make their journey west on a quest to recover ancient Sutras, finally, they reach the final leg of their journey in Shache City But all is not as it seems when the city is attacked by evil tree demons. Monkey tries his best to battle them but is overwhelmed, knowing his master is in grave danger, he uses his trusty golden staff to thrust Tripitaka to safety.

The monk ends up being knocked out when he land and when he wakes up he finds himself in the presence of a young lizard imp named Maiyan who takes quite a shine to our young hero, after many verbal misunderstandings Maiyan becomes convinced Tripitaka loves her, so when the monk decides he must rescue Monkey and the others, she insists on accompanying him. So the mismatched pair begins their adventure together.

REVIEW Okay, so, it's another Journey To The West movie, which isn't a bad thing to me since I love the story and the characters associated with it, so I was a little excited to get my hands on the DVD. So I think I'll start off my review with the story, which is all over the place, at first it was your standard fantasy film, then it became a ridiculous comedy then suddenly became full blown sci-fi, if the director Jeff Lau was experimenting with mixing genres then he did a pretty scatological job with this movie. I think it's a pretty unique approach by having the story centre on a character other then the infamous Monkey King, especially taking a character as pacifistic as Tripitaka and then putting him into what is at it's core a love story. So overall, I liked it.

The acting is for the most part solid, with leads Nicholas Tse and Charlene Choi putting in some really good performances, though Ah Char does spend most of her screen time behind some rather ugly make up. The supporting cast is nicely put together, it includes all the usual EEG main stays so Boy'Z and Isabella Leong make appearances, one actor I'd like to mention is Wilson Chen, who plays the Monkey King, he did a good job with the limited material he seemed to have been given, he played a version of the Monkey King who was subdued yet arrogant, I had a feeling he'd be retreading Twins Effect II territory but fortunately that's not the case here. I hope he gets to do a follow up to this with himself in the central role, since the film does leave itself open for a sequel.

Okay, so let's get down to the directing, which again is kinda all over the place, Lau gives too much time to the Stephen Chow-esquire nonsense comedy, which includes a scene where Tripitaka in order to toughen himself up, dresses up as Spider-Man, which I assume lead to many a head scratching moment since the film is meant to be set in Ancient China. He does create some really nice and tender moments between the two leads and does delve into sappy territory but this reviewer does enjoy a bit of sap on occasion so it didn't bother me in the slightest.

Right, now onto the CGI, which for the most part is quite bearable, there are a lot of moments which probably belong on a PS2 like many other reviews have stated but there are some cool moments particularly the scene in which Monkey battles a flying minion. A lot of the CG gags are provided in the form of the golden staff which turns into a range of different things, ranging from a giant fly swatter to a mech suit straight out of The Matrix Revolutions. So yeah, it sounds crazy but I guess you'd have to see it to believe it.

Right, so in closing A Chinese Tall Story isn't a movie without it's flaws but it keeps itself together long enough to be able to entertain and generally be a overall enjoyable movie. If all of the above doesn't swing you to see it how about I put it this way, it's much better then Twins Effect II.

Flattering comparisons have been made between this holiday 2005 special effects bundle and Steve Chow's seminal Journey to the West rendition of the Monkey King legend, a film now over ten years old. While some similarity does come to pass, the awkwardly-titled newer film has more to do with stuff from the first half of this decade, namely goofball comedies like The Lion Roars and Himalaya Singh. And when we tell you that Tall Story's not even as accomplished as those, that should be enough to seal its fate and consign the thing to that dubious realm of half-baked movie projects hovering somewhere between the recycle and bargain bins.

Not wanting to be harsh, really, but how can we possibly gloss over a meager story that's clearly never intended to become anything remotely attractive, instead playing distant runner-up to visual stimulants that, quite frankly, not only seem like true lifts out of Tsui Hark's Legend of Zu (2001), but also add nothing to the pantheon of video bonanzas when considering much older fare, to wit Storm Riders (yes, some eight years ago if memory serves us right).

Indeed, Tall Story compiles various components in a feeble attempt to sway audiences, but sadly possesses nary a bona fide element worthy of acclaim, save perhaps for the surprising amount of gore evident throughout. Considering its kid-friendly rating, one must surely feel satisfied with the producers' decision to go ahead and include several instances of such sheer carnage.

The main issue with Jeff Lau's latest project is that, unlike his own heartfelt but humorous Chinese Odyssey 2002, Tall Story plays out a connect-the-dots scenario, thus leaving folks with almost no tangible merits to cling on to. And with its focus on effects not coming up roses due to their rather formulaic execution, the movie perhaps could have hoped for increased reliance on a strong cast. Alas, it has none.

Nicholas Tse flies in from leftfield in his second release of the season, hot on the heels of also-ran, likewise-failed The Promise. Here reformed rebel Tse plays naughty Buddhist monk Tripitaka, on a pilgrimage to hallowed city Shache, which turns out to be yet another stereotypical portrayal of what moviegoers in China today are supposed to expect India to look like. Thus, the place comes nestled around some hills and you get people dancing in the streets to the merry tune of off-screen snake tamers. Whoa, as Neo would probably have quipped.

Tirpitaka's in town with his apostles, or hangers-on, questing to obtain ancient knowledge on their way to nirvana. The three stooges accompanying him (Steven Cheung, Chen Bo Lin and Kenny Kwan) could have passed for the Monkey King's posse were they actually good for anything, but as the picture stands all receive very little play and produce next to no effect.

Later monk and holy city come under attack from nefarious evil forces known as the Tree Spirits, although they don't mind being called Insomnia, 'cause that's the baddie from Legend of Zu, their obvious source of "inspiration". At least these mean, ugly bastards look passable on screen, more than can be said for much of the film's video contingent.

Literally shot out of harm's way, Tripitaka falls into the custody of a deviant clan of reprobate imps, especially assigned caretaker Meiyan, who's under orders from her mom to eat the pilgrim for his fountain of youth-like flesh. Meiyan's cavewoman visage should be enough to send anyone packing, and we're meant to observe her as the embodiment of everything repulsive (played by Charlene Choi of Twins, and hey, we're not saying anything). Naturally, as the would-be plot progresses, that turns out to be quite misleading.

Mostly, the bulk of this story revolves around Tripitaka and the nasty, devilish imps as they try to subvert him away from righteousness. This leads to numerous gags and routines that truly arrive at scant funny conclusions. Even likable Isabella Leung (Bug Me Not) makes no difference at all.

Other influences on the story include a spacefaring, aristocratic beauty (Fan Bingbing) who returns to earth in order to combat the overzealous Tree Spirits with her armada of googley-eyed Ultraman clones. Again, these guys do look OK, and also serve to garnish Tall Story with its much-vaunted SF categorization, something most genre-purists, understandably enough, have been balking (and hurling) at.

Additionally, we witness one slightly courageous scene where Tripitaka, a prettified Meiyan (now looking like Charlene Choi minus the heavy makeup, and hey, we're still not saying anything) plus everyone else takes on the Yellow Emperor himself. On the off-chance Lau wants us to deem it as some sort of sly political comment, well, all the more power to him, but it remains highly doubtful.

That about sums up the extent of A Chinese Tall Story, and here's hoping the next one soars taller. It's too bad the last big HK release of the year doesn't deliver on its promises of action, laughs, frights and CG superlatives. With a bland, often dragging, storyline, characters that don't really go anywhere and sights of a distinctly average persuasion, we can't honestly issue a recommendation, and it doesn't matter if the folks involved in this project wanted it to come out right and gave their best.

And shouldn't it have been a tall tale, anyway? Rating * * 1/2

are you crazy or what? this movie has talent who are you to criticize a movie that was made by famous directors and producers? i mean you must be watching some crappy version because if you had a proper version you wouldn't think its some low resolution game graphics..

this movie is for people who enjoy hongkong cinema the other side to what Asian people enjoy watching.. you are such a sellout.. hongkong cinema is totally different to that of Hollywood, hk cinema is in a class of its own...

so if you don't enjoy watching movies from hongkong producers don't go and ramble on about how its a waste of time to watch.. just let other people enjoy the movie..

and personally I've seen this movie and i love its story and the way it was made..

I sat down in 2022 to watch the 2005 Chinese action comedy "Qing Dian Da Sheng" (aka "A Chinese Tall Tale") for the second time since first watching it back in 2005. I only remembered the movie by its title and movie's cover. Oddly enough I had entirely forgotten the contents of the movie.

But with good reason, because writer and director Jeffrey Lau delivered a massive dung heap of a movie here with "Qing Dian Da Sheng". The entire storyline was just one random scene after another put together in what assimilated being a storyline and faked coherency. I was seriously looking for a sign of a red thread as this movie trotted on for 106 minutes. Trust me, this movie feels and looks like a collection of random ideas and concepts put to the screen.

And as if a lack of an actual storyline or any sense of coherency wasn't enough, then the CGI effects in "Qing Dian Da Sheng" have aged like stale wine. The visual effects are pretty horrible to look at. And even by 2005's standards, the effects were something from a computer game in the early 2000s. It wasn't great then, and it sure isn't great now.

I will say that the props and costume departments that worked on "Qing Dian Da Sheng" definitely managed to deliver something worthwhile amidst the heap of rubbish that is the rest of the movie.

The movie is starring Nicholas Tse and Charlene Choi in the two leading roles, and I wonder how proud they are of this particular accomplishment.

If you enjoy Chinese folk tale movies, then do yourself a favor and stay well clear of the 2005 movie "Qing Dian Da Sheng".

My rating of "Qing Dian Da Sheng" lands on a very generous three out of ten stars.

First there was Tsui Hark's Zu Warriors (2001), which is visually ground-breaking, but much lacking in the acting and writing departments, now this movie, which is visually almost as good as Zu (though no longer ground-breaking), but is even worse in the acting and writing departments. It's really sad that there seems to be an almost complete lack of acting and writing talents in the HK movie industry. I guess you need to understand Cantonese to understand how bad and vulgar the dialogs in the movie really are. It's like some delinquent kids talking in the street, it's that bad. To make it worse, the actors and actresses themselves look like delinquent kids, and can't act even if their life depend on it. I understand that this movie is supposed to be a comedy aimed at the younger generation in HK, but has HK youths really become so brain-dead that they can't appreciate anything but such juvenile and vulgar acting/writing? If that's the case, it makes me ashamed to be from HK.

I wish HK movie makers will learn some lessons from directors like Zhang Yi-Mou or Ang Lee, and finally make a movie that's both visually stunning as well as competent and mature in the acting and writing departments. And stop using young singers/idols/heartthrobs as actors because they can't act however many fans they may have in HK!