Le coeur à vif

The original title of this bleak film - WHEN A MAN FALLS IN THE FOREST - was inexplicably shortened to the nebulous WHEN A MAN FALLS for the release of the DVD: had the original title been retained, the audience may have been given a clue as to the intended message of the story. This is the second film for 26-year old writer/director Ryan Eslinger and it does suggest that he wants to deal with some existential material, but he has a way to grow into how to make it happen.

The lives of three men and a woman are interconnected in the all too common shallow 'relationships' that are a major problem in how our society is working. Bill (Dylan Baker) is a night janitor in a large company, a man who shuts out the boring world with his earphones connected to the great opera classics: he avoids people including those who saunter past him and those whose chaotic lives in the next door apartment distress him. Gary Fields (Timothy Hutton) is a down and out professional man who works in the building that Bill nocturnally keeps tidy, the two 'old high school acquaintances' meeting only because Gary has taken to sleeping in the office. Gary's wife Karen (Sharon Stone, without makeup and looking spent and used) has lost all feeling for living, detests Gary, and finds her only joy is in shoplifting. Gary has shut himself off from old friends for reasons that seem to be related to an accident that involved is best friend Travis (Pruitt Taylor Vince), a man at odds with his own environment. The only apparent connection here is that, once Gary discovers that Bill is a night janitor, Gary and Travis feel guilty that their response to Bill in high school had been one of cruel ridicule. Each of the four main characters wanders aimlessly through a world that has become strange and vindictive and it is only a bizarre incident that throws the quartet into some semblance of meaning. Each person has fallen, but since they are in the midst of a lonely 'forest', has anyone noticed or cared? This could be a study in personal tragedy were it done better, but despite the fine credentials of the actors, the script is so full of holes that character development suffers and what results is not unlike watching an injured bull struggling around a bullfight ring as the crowd attends to the matador et al. Sadly we just don't care about these damaged people, making connection with the film next to impossible. Maybe next film...Grady Harp

I enjoyed this movie a lot. The opening scenes, focusing on shots of electrical leads unravelling, an alienated janitor, moving his hoover back & forth, show that this is the kinda of film which you may have to suspend judgement a little over what is happening and where it might be heading and perhaps look a little deeper at the symbolism. Inter-twining lives are not of course new but those of the three male leads, Bill, Gary & Travis & that of Karen are not so much connected by events but more by how they are dealing, or not dealing with, their various personal dilemmas & tragedies or just their own approaches to their lives. Beautifully shot, well acted & directed, this film has more than an air of surrealism & may be open to more interpretation of the dreams & realities & possibilities than perhaps you might think at first. Recommended.

This movie is a complete waste of time. I have watched it and could not tell you what it was about. The cover of the movie is pure deception, it leads you to believe that it is a sit on the edge of your seat movie NOT. If you want to feel really depressed go ahead and watch it but leave the pills in the bathroom. 90 minutes of my life felt like a lifetime of head in bucket full of snakes.Sorry but just did not get it at all.Wanted a movie with some feel to it , all I felt was pain. I kept telling myself it will get better, but alas it never did. The only thing that saved the movie for me was that it finally ended. I was holding on looking for that spark that would tell You did not waste your money but that never happened.

I don't think young people will appreciate this movie

though us older folk will understand the doldrums middle age can fall into this movie does that state justice with a good example of that proverb "be careful of what you wish for"

Sharon is not the total beauty you are used to but not hard on the eyes either ... Tim does a bit of a supposed spontaneous phone call that is a bit on the too good to be spontaneous side but doesn't detract from the essence of the theme and growth of the storyline.

to anyone who understands this state of depression and disillusion some aspects are a bit obvious but the story still does its job as a tear jerker of sorts.

The movie that will make all others shine. American Pie becomes an epic artistic accomplishment in comparison. To its credit, somehow it does manage to out-bore watching paint dry, out depress tax return season, and generally is the only movie i can think of that's worse than an hour and a half with your dentist.

This must be the worst movie ever made. 1.5 hours of your life are stolen from you with zero interest, humor, plot, story, emotion, or even drab dialog given back in return. How could they make a movie about nothing and just keep going sideways, on and on. I kept waiting for something to happen; a redemption that brilliantly ties it all together. Something to make it worthwhile. Surely the boring, depressing nothingness is like the start of Bolero, that we need hang in there to be amazed with some forthcoming stroke of brilliance tying it together? don't hold your breath, there's no crescendo in this one, the entire movie doesn't rise above a sad whimper.