The story of an American journalist, a CIA operative, and an Iraqi photographer against the backdrop of the bloody war in Iraq.The story of an American journalist, a CIA operative, and an Iraqi photographer against the backdrop of the bloody war in Iraq.The story of an American journalist, a CIA operative, and an Iraqi photographer against the backdrop of the bloody war in Iraq.
Driss Roukhe
- Walid
- (as Driss Roukh)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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10birck
This film sums up what I have come to believe about the war in Iraq, and does it very well. Almost all of the other comments on it in this forum are accurate, in my estimation. It's remarkable that so much was accomplished with so little money-roughly one percent of the budget of Apocalypse Now, for example. The production values are so high in most respects that I have to conclude that the confusing ambient sound track was a conscious choice of the director's. The story is told, at times, from the viewpoint of the Iraqi characters, a remarkable feat in itself. At least a third of the dialogue is in Arabic, with subtitles. Like "Three Kings", the film shows the Iraqis not as villains or caricatures, but just as people stuck in a crummy situation for which America is responsible. One of the other reviewers quotes Damien Lewis' character stating the basic premise of the film:"There is no truth, you know....It's just that the truth shifts according to each person you talk to." The reviewer came close, but he missed one line that summed up The Situation for me: "...because the truth is covered over with layers of agenda."
Finally, if, ten or fifteen years from now, anyone is still interested in what was going on in the American war in Iraq, this film stands as the most convincing description I've seen.
Finally, if, ten or fifteen years from now, anyone is still interested in what was going on in the American war in Iraq, this film stands as the most convincing description I've seen.
I didn't expect a lot from this movie, having never heard about it. Very good. It portrays events in the story line without judgement, but you can see ( as other reviewers have mentioned) that the truth and the "right and wrong" "good guy / bad guy" all, depend on your point of view. There are no good guys or bad guys. The main character was merely a guide through the story and did not get in the way by insulting the audience with any moralizing. She kept the emotion by, in word, action and demeanor displaying what a shame the whole situation is. The best thing about this movie is that it really makes you realize the depth of how much your views, if they are staunch in any particular direction, may be misguided. The world is way more complicated than the the media or any one person (with their own agenda however innocent) can can convey.
For me this movie is right up there with movies like Traffic, Syriana and Bloody Sunday, offering a kaleidoscopic view into a very complex political situation. You're taken into the heart of the Iraqi conflict and you'll get to look at the situation from different sides. From people living there, having to deal with their daily hardships and things getting worse all the time, from a reporters perspective, from the American military trying to restore order, etc. etc. Rather than taking sides, this movie shows you it's about people. And they all look at the situation differently. It's just like the Dan Murphy (Damian Lewis) in the movie states: "There is no truth, you know. It's not about locking up all the bad guys. It doesn't work like that. There are no bad guys and there are no good guys. It's not gray, either. It's just that the truth shifts according to each person you talk to."
It doesn't really matter which side of the political spectrum you come from, this movie will get you thinking. The horror of daily existence in Iraq, the violence and insecurity, the hatred and hopelessness. The good people trying to survive the bad situation, and the bad people who thrive in this hell on earth. And, of course, obvious to every thinking person, the lack of any viable solution for these, for centuries victimized people. This is a brave little independent movie with beautifully etched characters, and powerful massage. You can not bring democracy by force. Force brings only more force and more blood. Avoiding these facts might be politically prudent, but it is morally abhorrent.
Before I tear into this flaws of this film, I must say that the overall story is one that should be heard. The events that take place are very accurate reflections of "the situation" in Iraq, and the dialog spoken accurate reflections of the thoughts and feelings of those impacted by it. It is a movie that is worth seeing for anyone who wants a fairly accurate portrayal of the country and how it has been impacted by the war.
However, numerous aspects of the production take away from the experience.
1. Although it shouldn't impact the experience of the Western audience, one key flaw in this film is the Arabic language. The Arab actors, mostly Moroccan, don't speak in their native Arabic dialect but use fusha, or Modern Standard Arabic. The level of fluency in MSA varies from actor to actor, some of them speaking it smoothly and others butchering it. In many cases it is clear the actors are not at ease in the language. I feel if the director was not aiming at authenticity (by having their actors learn Iraqi Arabic), they should have just let the actors speak in their native tongue rather than MSA, which feels forced.
2. Closely related, a lot of the minor Arab roles were just terribly acted, the actors and actresses largely devoid of emotion or expression and monotone in their dialog. Many of them really appear to just be reciting lines, not acting. Iraqis (and other Arabs of the region) are very expressive when they speak, both in their facial expressions and in their gestures. Many of the smaller characters seemed entirely one-dimensional in that regard. Having lived in the region for a few years, many of the actors (extras mostly) were unconvincing.
3. The romantic subplot seemed convoluted and was not very convincing. It distracted from more important themes in the film.
4. Even in 2003 when this movie takes place (before the violence peaked), a tall, blonde American woman with no Arabic language skills would not be able to so easily travel around Iraq independently with only her scrawny teenage translator, especially in such conservative areas as Samarra. My wife is Iraqi and found this aspect of the film particularly unfeasible.
5. The naive right-wing ideologue character is a bit too much like a stereotypical characterture. Again, one dimensional and unconvincing.
6. Like many movies filmed in Morocco that are supposed to take place in Iraq, Syria, Jordan, Lebanon, there are many subtleties that are inaccurate, from the architecture to the types of cars driven, and this film doesn't really give me the feeling of being in Iraq. For example, I don't recall seeing a single portrait or statue of Saddam in the entire film. Green Zone (which, while primarily shot in Morocco, also incorporates many sequences shot in Iraq) and the Battle of Haditha (shot in Jordan) depict the subtleties of Iraq much better. The Hurt Locker also does a decent job of this, as does Three Kings.
I suppose those are my main complaints, but they are mostly technical and related to the film-making, not the story which was generally well-written.
Still, I'd recommend Green Zone and Battle of Haditha over this.
However, numerous aspects of the production take away from the experience.
1. Although it shouldn't impact the experience of the Western audience, one key flaw in this film is the Arabic language. The Arab actors, mostly Moroccan, don't speak in their native Arabic dialect but use fusha, or Modern Standard Arabic. The level of fluency in MSA varies from actor to actor, some of them speaking it smoothly and others butchering it. In many cases it is clear the actors are not at ease in the language. I feel if the director was not aiming at authenticity (by having their actors learn Iraqi Arabic), they should have just let the actors speak in their native tongue rather than MSA, which feels forced.
2. Closely related, a lot of the minor Arab roles were just terribly acted, the actors and actresses largely devoid of emotion or expression and monotone in their dialog. Many of them really appear to just be reciting lines, not acting. Iraqis (and other Arabs of the region) are very expressive when they speak, both in their facial expressions and in their gestures. Many of the smaller characters seemed entirely one-dimensional in that regard. Having lived in the region for a few years, many of the actors (extras mostly) were unconvincing.
3. The romantic subplot seemed convoluted and was not very convincing. It distracted from more important themes in the film.
4. Even in 2003 when this movie takes place (before the violence peaked), a tall, blonde American woman with no Arabic language skills would not be able to so easily travel around Iraq independently with only her scrawny teenage translator, especially in such conservative areas as Samarra. My wife is Iraqi and found this aspect of the film particularly unfeasible.
5. The naive right-wing ideologue character is a bit too much like a stereotypical characterture. Again, one dimensional and unconvincing.
6. Like many movies filmed in Morocco that are supposed to take place in Iraq, Syria, Jordan, Lebanon, there are many subtleties that are inaccurate, from the architecture to the types of cars driven, and this film doesn't really give me the feeling of being in Iraq. For example, I don't recall seeing a single portrait or statue of Saddam in the entire film. Green Zone (which, while primarily shot in Morocco, also incorporates many sequences shot in Iraq) and the Battle of Haditha (shot in Jordan) depict the subtleties of Iraq much better. The Hurt Locker also does a decent job of this, as does Three Kings.
I suppose those are my main complaints, but they are mostly technical and related to the film-making, not the story which was generally well-written.
Still, I'd recommend Green Zone and Battle of Haditha over this.
Did you know
- SoundtracksKiss My Ass!
Written by Fuzzbee Morse
Performed by Fuzzbee Morse & Gary Anthony Williams
Courtesy of Giant Mogul
- How long is The Situation?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $48,896
- Opening weekend US & Canada
- $7,187
- Feb 4, 2007
- Gross worldwide
- $48,896
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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