The Host

I happened to watch this tonight at the cinema although I don't speak or understand Korean... let alone Japanese...however it wasn't difficult to grasp the story or get caught up with the characters and the situation.

This film is comical in parts and borders on science fiction, drama and even horror, but it is really fantastic to watch and displays a lot of emotion and realistic reactions. The special effects are excellent, the characters are believable and it is one movie well worth watching even if it is in a different language. There is nothing like a creature from hell to add a bit of excitement to your day....

For the first time ever I knocked over my coke and jumped 6 feet out of my seat when I was suddenly and unexpectedly given the fright of my life....for those of you that like this kind of excitement....be on the watch out for this little gem. (Subtitles would be an idea).

I highly recommend this film and cant wait to buy it and own it on DVD!!!!

This movie took me by storm, it is by far one of the more interesting, fast paced, seat-gripping movies to come out of Korea.

When I initially picked up this movie, I was sort of sceptical, a monster movie from Korea? Going to be mediocre at best. But this is where I thought wrong...

Right from the beginning, this movie was interesting, and it never lets you go once it got you. Fast pace from start till end. And it really helps that the effects are awesome.

The movie mixes humour well with the "horror" part of it, as it is a monster movie. And it works well. Even if you are not a particular fan of Asian movies, you might want to check this out for the effects alone.

I have seen this movie a couple of times already, and it doesn't get boring. It is somewhat of a gem in Asian film history - at least I think so.

"The Host" is as deceptive and intriguing as its title (there's currently a 6-page thread in the discussion board and we still haven't figured it out). The movie can be taken as a straightforward monster flick, a dark comedy, a sentimental drama, or a rich socio-political allegory.

For the sake of this review, let's approach it as more than an action/comedy/horror flick, and let's assume it's a deeper allegory. There's definitely a lot of symbolism, lots of cultural references and outright satire for you to munch on. I think that's what makes this seemingly-ordinary monster flick into a powerful film.

Right in the first scene, the director sets the tone with a caricature of Western (U.S.) muddling. Like the excellent Korean film "Welcome to Dongmakgol" released a year earlier, this film is not exactly complimentary toward America, so if that irritates you, you might want to skip this. But when you consider all the 80s Hollywood flicks that painted Russia as a villain, I guess it's fair enough that the USA should take its lumps.

(I did want to add that the director takes a diplomatic approach, mocking the American "establishment" while indirectly praising the American individual. He does this by including an American tourist who's really cool. So in other words, his criticisms are not one-sided.)

The plot is two-dimensional but the symbolic implications are profound. The story is about a monster that terrorizes the banks of the Han River and grabs a young girl, prompting her bumbling family to lead a rescue effort, with no help from the Korean authorities. Some say that the monster represents Western imperialism. It could represent a figurative "attack" on Korean culture, autonomy and sovereignty. Or it could even be taken literally to represent environmental terrors caused by American apathy.

Don't worry, the USA isn't the only target here. There are some pretty good jabs at the Korean authorities too, insinuating (in a way that's both entertaining and irritating) that the Korean government is apathetic & hopeless. "So much for Korea's new democracy," says one character at one point in the film. Some critics point out interesting parallels & allusions to the 1980 Gwangju Uprising (where the Korean Government botched the whole situation, killing & wounding hundreds at a student protest). Everyone is fair game in a dark satire like this. In that respect it reminded me of the excellent Veerhoven scifi satires "Starship Troopers" and "Robocop".

Like all good satires, there's a nice amount of comedy to remind us not to take everything at face value. The bumbling family provides some great laughs in the first half, and certain scenes in the hospital are reminiscent of the sarcastic masterpiece "Brazil" with its merciless mockery of all institutional powers. The scene where they're looking for a virus in a guy's head is both riotously hilarious and profoundly disturbing.

I did want to mention one thing in case you're wondering. No, the audience isn't supposed to feel sympathy for the monster, not like in "King Kong". I was actually surprised at that (in a good way), because the director didn't stray from his message with any gratuitous sentimentality. Normally I'm not a fan of killer animal flicks (Jaws, etc) because I usually find myself siding with the animals more readily than the humans. But this film managed to avoid all sympathies, since the monster itself is a product of human idiocy (which is explained in the first scene).

Well I've just thrown a bunch of ideas at you, and I don't claim any of them to be absolute. But the point is that this seemingly-ordinary horror flick is so much more. It's entirely up to you how you want to see it. Like I said up front, you can just see it as a straightforward monster flick, but I think if you read deeper into the parallels with current Korean society, you'll get a whole lot more out of this.

It's a picturesque afternoon in the park near the river. Kids run gleefully as parents set up picnic lunches and enjoy the sunshine. Young couples lay together on blankets, friends toss a Frisbee - it's just about perfect... except for the giant creature hanging from the bridge.

Parkgoers quickly gather to gape at the mysterious something. They ooh and aah when the great beast slides into to water and eases its way over to the shallows, idling just beneath the surface. No one senses any cause for alarm. They lean closer and toss snacks into the river, as if it's a cute family of ducks.

But ducks don't have teeth like this thing.

The crowd erupts into panic as the monster reveals its lethal force and ravenous appetite. Among the crowd scurrying for their lives are an old food shack owner, his young granddaughter, and her dad. The dad displays his bravery by facing the monster, but he also displays also his imperfections by... well, I won't spoil that part.

Director and writer Bong Joon Ho cleverly details the family's dysfunction through subtle dialogue before the monster chase and in the aftermath. This family is a ragtag group without much clue about what to do, but they are nevertheless relatable and easy to root for.

Though the horror aspect is feature most prominently, the film contains layers beneath the surface for those interested in further examination. Bong Joon Ho manages to weave together elements of a family comedy, social satire, environmental conservation, and of course, a monster horror movie.

This is unequivocally Bong's movie. He expertly directs chase scenes with thrilling camera movements and engrossing framing choices that make you lean forward in your seat with excitement while you also partially cover your eyes in fear. It's a fascinating paradox.

In quieter moments, Bong unveils a novel's worth of background information through a few purposeful conversations between characters. Listen closely or you'll miss important details and have to watch the movie again. You'll probably want to anyway.

The Host is by far one of the best monster movies in years. The movie follows a bumbling young father, Gang-Do Park, and his family. The story starts like every monster movie; everything is calm and uneventful, "business as usual" you might say. When a mutated fish creature comes along the river bank and begins killing anyone in its path. Amidst all of the confusion, Gang-Do's daughter, Hyun-seo, is picked up by the monster and dragged back to the sewer. The story then turns into a search for Hyun-seo. Gang-Do and his family evade the authorities and use all the money they have to desperately continue their quest.

The reason I picked up this movie in the first place is because the box said that it was "on par with Jaws." I found this hard to believe but the monster in The Host is the one of the most cinematically pleasing CG creations in recent years and is probably the most original looking monster since Alien. It was legitimately scary looking and had a very unique style of moving that set it apart from previous monsters. Another strength of this monster is how well the CG is done. It does not just look like some computer generated figure spliced into live action footage. It looks like it belongs in the shot. The monster also has enough on screen time to make the movie suspenseful. The movie keeps the viewer wanting to see more of the monster while, at the same time, keeping them satisfied with the number of appearances.

The Park family does a pretty good job of keeping the audience entertained while the monster is off screen. The relationship that Gang-Do shares with his father, "college man" brother, and professional archer sister maintains a balance of drama and humor that the audience can appreciate. This dynamic seems strange but the movie makes it work. You start to really feel like these people are family. The best thing about these characters is that you are not disappointed when they are on the screen. Some monster movies seem to get kind of boring when the monster is off screen (Godzilla 1998).

The weakest thing about this movie, as it is with most foreign films, is the English translation and dubbing. After a while it becomes bearable but in the beginning it sounds absolutely awful. I don't say this very often because, like many Americans, I hate reading subtitles. But I think this one time I would have made the exception because the voice acting was just terrible. They just didn't seem to fit the characters very well. The dialogue in some scenes is very awkward as well. Some of the English translation just sounds out of place. This happens a lot with language barriers, however, and sometimes it just cannot be helped. If you want to watch something that is not meant to be in your language, you've just got to go with what you get.

I started off saying that this is one of the best monster movies in years, and it is. It's not perfect, but what monster movie is? It has some flaws but the originality of the monster and the simplicity of the plot makes this movie very easy to follow and worth watching at the very least. It is pretty good for what it is. The whole "monster terrorizing an Asian town" seems like it has been done a million times (because it has), but this movie has some new things to offer. Would I call this movie "on par with Jaws"? I wouldn't personally, but it is definitely better than some of the cheesy messes that monster movies have made in the past.