Half Nelson

Set in Brooklyn, New York where he currently lives, Ryan Fleck's first full-length feature, Half Nelson, is a gritty, sensitive, and emotionally harrowing film that meticulously avoids the inspirational clichés of many teacher-student films and the obligatory violence of films set in the ghetto. The title is derived from a wrestling move in which you turn an attacker's strength back on him. In the case of Dan Dunne (Ryan Gosling), an idealistic eight-grade history teacher in an inner city school, he turns the attack on himself, inspiring his students by day and drugging himself at night with crack cocaine.

Dan is a well-liked teacher and basketball coach whose parents (Deborah Rush and Jay O. Sanders) were liberal activists during the 60s and 70s, participating in protests against the Vietnam War but have now substituted alcoholism for political passion. Like his parents, he wants to make an impact on the world but is disillusioned with the current political climate and, out of frustration and fatigue, (like many on the Left today) has drifted into a self-induced stupor. Believing in social justice and that society can be changed through education, he teaches history, to the chagrin of the school's administrator, in the form of Hegelian dialectic, showing that change results from a clash of opposites.

Dan shows his students videos of seminal events from the last fifty years such as the 1954 Brown vs. Board of Education ruling that paved the way for desegregation of the schools, clips from the civil rights movement, and Mario Savio speaking on the Berkeley campus during the Free Speech Movement. To its credit, the events in the film do not occur in a political vacuum but attempts to tie in the failed protests of the Left to Dan's drug habit are not entirely persuasive. Dunne's life begins to spiral out of control when one of his students, thirteen-year old Drey (Shareeka Epps), discovers him in the girl's bathroom passed out from ingesting cocaine. Instead of becoming frightened or angry, Drey brings him water and helps him to gradually come down from his high.

Drey comes from a family in which her mother works a double shift and is rarely at home, her father is out of town, and her older brother is in prison for selling drugs, but she is mature and street-wise beyond her age. She promises to keep his secret and both find that their unlikely friendship satisfies an emotional need that Drey cannot find with her classmates and Dan cannot find with other adults. He is dating a fellow teacher (Monique Curnen) but his behavior with her is erratic and his political speeches and drug habits soon turn her off. A former girl friend from his period of rehabilitation (which he said didn't work for him) tells him that she is now getting married which pushes him further into a downward trajectory.

The emotional highlight of the film is a confrontation between Dunne and Frank (Anthony Mackie), a suave drug dealer and associate of Drey's older brother who recruits Drey to be his collector. While Dan wants to steer Drey in the right direction, he is hardly a role model and the results, while promising, are inconclusive. Although the premise of the film is somewhat implausible, Gosling's performance of the charming but flawed teacher is completely credible, so nuanced and touching that we root for him in spite of his capacity for self-destruction. Shareeka Epps is equally convincing in her powerfully understated performance as his tough but sensitive young friend. Co-written by Anna Boden and supported by an outstanding original score by Broken Social Scene, Half Nelson "stands and delivers" one of the finest films of the year.

Two knockout performances dominate this uncompromising and emotionally visceral indie. Directed and co-written by first-time feature director Ryan Fleck, this 2006 drama pulls no punches and offers no cheap sentiment in the story of two people intractably bonded by their mutually desultory existences - Dan Dunne, a crack-addicted Brooklyn middle school history teacher, and Drey, a 13-year old student in his class burdened by an overworked mother, a brother in prison, and an insinuating drug dealer named Frank. Fleck and co-writer Anna Boden establish Dan's gifts as a teacher almost immediately as the character engages his class with natural ease. It becomes clear that this is not going to be a fish-out-of-water story but a more complex study of a man caught between his passion for teaching and his hopeless need for the next fix.

Dan's self-defeating effort to separate the duality in his life is what provides the impetus of the plot, as there are no simple explanations offered for his drug-addled life until we catch a glimpse of his emotionally disconnected family later on. Much like what Vera Farmiga achieved in "Down to the Bone", Ryan Gosling dissects his character with textured precision and conviction. He honestly earns our attention and even our compassion despite the selfishness Dan displays at times. Matching Gosling all the way is novice Shareeka Epps, who plays Drey with almost unnerving steadiness. She affectingly conveys the self-protective insulation her character has against a world too ready to use her.

Together Gosling and Epps remarkably achieve an unexpected symbiosis that makes Dan's and Drey's ongoing struggles palpable. The supporting cast is uniformly strong with effective turns by Anthony Mackie, who shows surprising depth in what could have been a stock villain role as Frank, and by Karen Chilton etching the regret and exhaustion in Drey's mother in just a few brief scenes. Even though the film was done on a miniscule budget, it doesn't feel cheap with particularly strong work found in Andrij Parekh's intentionally bleached-out cinematography. The 2007 DVD offers a nice, unassuming commentary track by Fleck and Boden, but the rest of the extras are not very interesting - a gag reel, three understandably deleted scenes and four extended scenes that really don't add much more insight. However, the film itself is exceptional work.

"Ryan Gosling stars as Dan Dunne, a young teacher whose edgy yet brilliant approach to history inspires his inner-city students to think for themselves. But, outside the classroom, Dan's life is spiraling out of control. Wrestling with inner demons and nursing a serious drug habit, Dan finally hits rock bottom - witnessed by one of his troubled students, Drey (Shareeka Epps). With an unlikely friendship built on a shared secret, Dan tries to steer her away from a small-time drug dealer (Anthony Mackie). But no matter which way they turn to survive, their lives will change forever," according to the film's official synopsis.

"Half Nelson" suffers from too much of the wobbly "hand held" camera technique which, frankly, isn't necessary to make the film look more realistic. Yet, the story, by director Ryan Fleck and partner Anna Boden, and characterizations are good enough to overcome this distraction. The marvelously written screenplay is full of nuances, which serve the main point - showing the interconnecting ways drug addiction can infect the human spirit, when people like those played by Mr. Gosling and Ms. Epps are needed to play much more positive roles in a troubled world.

Gosling's "Academy Award" nomination for "Best Actor" is clearly understandable; and, Epps could have easily won some "Best Supporting Actress" consideration. At least, the "Independent Spirit Awards" recognized the memorable pair's delicately played teacher/student roles. Everyone else in the cast is excellent, as well. And, the non-melodramatic ending leaves "Half Nelson" full of hope.

******* Half Nelson (3/22/06) Ryan Fleck ~ Ryan Gosling, Shareeka Epps, Anthony Mackie, Monique Gabriela Curnen

I am teacher. And I saw this film from the angle of my job. As a realistic portrait of a special universe. As honest image of the essence of a work. As one of the most inspired performances of Ryan Gosling. As a great film. About the deep reality behind the appearences. A film about truth. And eulogy of friendship. Short, a teacher, his student and the fight against him. Enough for few questions about near reality and the choices around it.

Ryan Gosling made happen what happens only once every so often. Made me look at what I seen before under a new magnifying light. He took me with him and showed me, with the most astonishing clarity, the complexity of a talented man dragged down by a legacy of good intentions and addiction. We're permitted to visit his family once and we understand what he's fighting with without any weapons. He doesn't blame anyone but he's the result of his own DNA and he knows it. His bright moments, the explanation of what History is for instance, is a glimpse into the man he could actually be, fully. The humanity that Ryan Gosling lends to his character on his darker moments it's as chillingly real as it is moving. The chemistry he establishes with the wonderful Shareeka Epps is as powerful as the one he established with me. I want to meet him, I want to meet Dan and while I was thinking that I realize I know him already. He lives next door to me, he's related to me, I was his friend. This is what superb performances do. They re-awake you.