In the wake of his mother's passing, filmmaker Doug Block discovers a trove of unearthed secrets in the pages of her diary.In the wake of his mother's passing, filmmaker Doug Block discovers a trove of unearthed secrets in the pages of her diary.In the wake of his mother's passing, filmmaker Doug Block discovers a trove of unearthed secrets in the pages of her diary.
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After seeing the movie, I feel the father and the mother are both reasonable person, although not perfect at all. On the contrary, I don't like the author, and his two sisters.
Is a person's journal an accurate portrait of herself? No. Most of time people only write problems in her journal because she want to solve the problem. So a journal is always a more negative side of a person. In this movie, the author judge his mother's life by her journal. Not a wise choice.
The author's elder sister is so ugly, external and internal. First, she said her father's second marriage is "not fair" for her mother. Then, she said she doesn't love her mother. So, she don't love both father and mother. I doubt she love anybody in the world. Her face is so ugly, just a reflection of her heart. Through out the movie, I feel the author and his sisters are lack of love and respect to their parents. However, I feel the father are mother are very loving to their children, even the author try to portrait them as cold, deceitful person.
Is a person's journal an accurate portrait of herself? No. Most of time people only write problems in her journal because she want to solve the problem. So a journal is always a more negative side of a person. In this movie, the author judge his mother's life by her journal. Not a wise choice.
The author's elder sister is so ugly, external and internal. First, she said her father's second marriage is "not fair" for her mother. Then, she said she doesn't love her mother. So, she don't love both father and mother. I doubt she love anybody in the world. Her face is so ugly, just a reflection of her heart. Through out the movie, I feel the author and his sisters are lack of love and respect to their parents. However, I feel the father are mother are very loving to their children, even the author try to portrait them as cold, deceitful person.
I saw this movie at the Philadelphia Film Festival today and enjoyed it overall. It is an interesting and adept analysis of the all-too-common revelation that our parent's marriage was more flawed and difficult than we originally imagined. In addition, this movie is an excellent example of process of discovering truths about our parent's lives after their death and the issues associated with that. However, i found the sound quality (recording and editing) to be relatively poor and annoying. *** It may very well have been related to the specific theater and projection conditions *** i am not a film maker / student or anything and claim no real understanding of the sound production process, but as a consumer, i found the audio portion of the movie distracting. Specifically, i heard very unpleasant lip smacking noises through out (especially one long interview with the younger sister) the film, and often the background noise level was higher in volume than people's voices (for example the scene when a small group was sorting through the mothers papers). has anyone else seen this movie, noticed anything about the sound... thanks
10friedt
In the midst of a documentary about his parents, the filmmaker's mother dies, but he continues making the documentary, discovering a story he did not anticipate. The result is an absorbing drama that has the quality of fiction in the best sense of that word, where a likable but unknowing narrator unwittingly privileges the audience. The narrative thus has a double weave, the story of the documentary and the story of the documentary-maker.
Our admiration is with the filmmaker, not only for doggedly pursuing his story though it risks his entire notion of his parents' relationship, but also for never giving in to sensationalism or melodrama. Although the stuff of Hollywood lurks in the details, Doug Block treats the story as he would everyday life. For those of us who have always speculated about our parents' life before we came on the scene (or after we arrived, but while we were too self- absorbed to notice they had a life independent of ourselves), 51 Birch Street gives fair warning: There are wondrous things back there in fatherland, but beware if you choose to enter there.
But that caution is for the audience to go slow wandering about in the details of their parents' past. It is not a warning for those offered a glimpse into the life of Block's parents. The film is a marvel at making the mother come alive as a vibrant and passionate yet introspective person who makes her own conscious decisions during the 50's. The filmmaker's particular success is to make the viewers actually see the young woman behind the elderly parent and grandparent. We all know our parents were once young and vigorous, but in 51 Birch Street, the mother is. The father who has been distant while the filmmaker and his sister were growing up ultimately remains distant in the film, but that is due more to his own elusive nature than to his portrayal. This biography turned autobiography is dramatic, intense, and unforgettable, sure to send viewers scurrying for a closer look at their own family albums but more hesitant about looking at the backs of those photographs.
Our admiration is with the filmmaker, not only for doggedly pursuing his story though it risks his entire notion of his parents' relationship, but also for never giving in to sensationalism or melodrama. Although the stuff of Hollywood lurks in the details, Doug Block treats the story as he would everyday life. For those of us who have always speculated about our parents' life before we came on the scene (or after we arrived, but while we were too self- absorbed to notice they had a life independent of ourselves), 51 Birch Street gives fair warning: There are wondrous things back there in fatherland, but beware if you choose to enter there.
But that caution is for the audience to go slow wandering about in the details of their parents' past. It is not a warning for those offered a glimpse into the life of Block's parents. The film is a marvel at making the mother come alive as a vibrant and passionate yet introspective person who makes her own conscious decisions during the 50's. The filmmaker's particular success is to make the viewers actually see the young woman behind the elderly parent and grandparent. We all know our parents were once young and vigorous, but in 51 Birch Street, the mother is. The father who has been distant while the filmmaker and his sister were growing up ultimately remains distant in the film, but that is due more to his own elusive nature than to his portrayal. This biography turned autobiography is dramatic, intense, and unforgettable, sure to send viewers scurrying for a closer look at their own family albums but more hesitant about looking at the backs of those photographs.
This is a really great film! It gets you thinking about your parents. How we all have fragile relationships we all have with them, unless we really make an effort to know who they are as people. And just as important, we should remember to open up and show them our real selves, not just who we think they want us to be. Definitely see this documentary! IMDb is making me write more text before they will post my comment, how odd. Usually online comments need to be short short, and here I am being asked to write more! Well I went to see the film with my parents, I thought afterward they would want to talk about their parents, but my dad kept wanting to talk about himself and things in his life he feels he screwed up, which was unusual, my dad is not a reticent man, but I was surprised that he wanted to talk about mistakes he thinks he made. Mike and Kitty came to the film to do a Q & A and there was a hilarious moment afterward when my dad was talking with Mike, while my mom spoke with Kitty! Really just disregard my last few sentences to pad this comment, and just remember '51 Birch Street,' go see it!
10dpalpert
For those who still prefer films focusing on human relationships, 51 Birch Street is a must see.
By training the spotlight on his own family, Block covers terrain that is off-limits for most filmmakers. He explores a common but often unspoken family dynamic and does so without resorting to hyperbole or sensationalism. In fact, the film is deceptively low key at the outset.
In addition to providing a probing look at one family - and, by extension, every family - Block has also chronicled a very specific period in recent history. I don't know if this was intentional, but unavoidable due to archival content.
Highly recommended.
By training the spotlight on his own family, Block covers terrain that is off-limits for most filmmakers. He explores a common but often unspoken family dynamic and does so without resorting to hyperbole or sensationalism. In fact, the film is deceptively low key at the outset.
In addition to providing a probing look at one family - and, by extension, every family - Block has also chronicled a very specific period in recent history. I don't know if this was intentional, but unavoidable due to archival content.
Highly recommended.
Did you know
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2006 (2006)
Details
- Release date
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- Also known as
- Березовая улица, 51
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Box office
- Gross US & Canada
- $84,689
- Opening weekend US & Canada
- $10,827
- Oct 22, 2006
- Gross worldwide
- $84,689
- Runtime
- 1h 30m(90 min)
- Color
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