IMDb RATING
6.8/10
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A mother battles with her son's fear of a monster lurking in the closet, but soon discovers a sinister presence all around her.A mother battles with her son's fear of a monster lurking in the closet, but soon discovers a sinister presence all around her.A mother battles with her son's fear of a monster lurking in the closet, but soon discovers a sinister presence all around her.
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AS the title character in DOCTOR WHO once stated " The most frightening place in a universe is a childs bedroom " . True even if it may be stating the obvious . Living on an island as a child I was sometimes worried about an incursion of Sea Devils and worried they could squeeze up the U bend of the loo and come crashing in to my bedroom before I knew what was going on . This short film by Jennifer Kent plays on that fear
The film is somewhat minimalist taking place entirely in one house featuring a mother , her young son and the protagonist of the title . I notice IMDb legend Bob The Moo has reviewed it. . Let me reveal a closely guarded secret about The Moo - he doesn't like horror movies and as he's stated he had hoped for a bit more space and development and looks forward to seeing the feature length film this short started off as . As for myself I can take each and every horror film on its own merit but often lament how difficult it is to do something new with a tired and staid genre . That said yesterday I saw a sci-fi horror called EXTRATERRISTIAL featuring a bunch of horny teens in a remote cabin which had nothing new to say to the audience and yet managed to compel and creep out this audience member . Kent does something similar here . Okay it's down to the obvious cheap tricks of using fast movement and silence followed by sudden loud noise which caused me to jump out of my seat . If I was watching this in the dark late at night I'd be running to switch the lights on and having difficulty sleeping . Compared to the monster in this film the Sea Devils are small fry
The film is somewhat minimalist taking place entirely in one house featuring a mother , her young son and the protagonist of the title . I notice IMDb legend Bob The Moo has reviewed it. . Let me reveal a closely guarded secret about The Moo - he doesn't like horror movies and as he's stated he had hoped for a bit more space and development and looks forward to seeing the feature length film this short started off as . As for myself I can take each and every horror film on its own merit but often lament how difficult it is to do something new with a tired and staid genre . That said yesterday I saw a sci-fi horror called EXTRATERRISTIAL featuring a bunch of horny teens in a remote cabin which had nothing new to say to the audience and yet managed to compel and creep out this audience member . Kent does something similar here . Okay it's down to the obvious cheap tricks of using fast movement and silence followed by sudden loud noise which caused me to jump out of my seat . If I was watching this in the dark late at night I'd be running to switch the lights on and having difficulty sleeping . Compared to the monster in this film the Sea Devils are small fry
Jennifer Kent's Monster is a haunting precursor to her acclaimed feature The Babadook. This short film delivers a striking tale of maternal anxiety and psychological terror in just ten minutes, showcasing Kent's talent for blending emotional depth with suspense.
The story centres on a single mother and her young son, whose quiet life is disrupted by the appearance of a shadowy creature lurking in their home. On the surface, Monster is a straightforward horror story, but Kent uses this simplicity as a vehicle for exploring profound themes, particularly the fear of parental inadequacy and the looming presence of unresolved trauma.
Kent's direction is meticulous, using sparse lighting, practical effects, and tight framing to evoke unease. The monster itself, while only glimpsed, is an unsettling figure-a testament to how less is often more in horror. The film's atmosphere relies heavily on suggestion, allowing viewers to project their fears onto the creature, much like the mother and son project their struggles onto this ominous presence.
The emotional undercurrent of Monster elevates it beyond standard genre fare. The mother's strained relationship with her son is palpable, and the monster seems to embody her internal struggles, blurring the line between external and internal threats. This allegorical depth is a hallmark of Kent's work, later perfected in The Babadook.
While brief, Monster lingers long after the screen fades to black. It's an unsettling exploration of fear, both imagined and real, that resonates on a deeply personal level. A must-watch for fans of psychological horror and a brilliant showcase of Jennifer Kent's early promise.
The story centres on a single mother and her young son, whose quiet life is disrupted by the appearance of a shadowy creature lurking in their home. On the surface, Monster is a straightforward horror story, but Kent uses this simplicity as a vehicle for exploring profound themes, particularly the fear of parental inadequacy and the looming presence of unresolved trauma.
Kent's direction is meticulous, using sparse lighting, practical effects, and tight framing to evoke unease. The monster itself, while only glimpsed, is an unsettling figure-a testament to how less is often more in horror. The film's atmosphere relies heavily on suggestion, allowing viewers to project their fears onto the creature, much like the mother and son project their struggles onto this ominous presence.
The emotional undercurrent of Monster elevates it beyond standard genre fare. The mother's strained relationship with her son is palpable, and the monster seems to embody her internal struggles, blurring the line between external and internal threats. This allegorical depth is a hallmark of Kent's work, later perfected in The Babadook.
While brief, Monster lingers long after the screen fades to black. It's an unsettling exploration of fear, both imagined and real, that resonates on a deeply personal level. A must-watch for fans of psychological horror and a brilliant showcase of Jennifer Kent's early promise.
It's a shame I came across this short 13 years after it was made. I loved the full featured film of 2014 when it came out. It's really nice to see the original inspiration for the 2014 film in this one.
I actually thought the monster in this one was scarier than the one from 2014. The little boy in this one is just as effective at annoying the adults as the 2014 film lol. But the boy was adorable just the same.
I actually thought the monster in this one was scarier than the one from 2014. The little boy in this one is just as effective at annoying the adults as the 2014 film lol. But the boy was adorable just the same.
Monster follows a young boy and his mother who live together. The boy is frightened of a creepy doll that he eventually keeps in his closet. To help ease his terror, the mother lets him sleep with her in her room.
This is very atmospheric short and the jump scares work really well. I was genuinely on edge the whole time. I'd recommend watching this alone, late at night with the lights off. You are in for a treat!
This clearly inspired Kent's 2014 feature, the Babadook as both share many of the same horror tropes.
6/10
This is very atmospheric short and the jump scares work really well. I was genuinely on edge the whole time. I'd recommend watching this alone, late at night with the lights off. You are in for a treat!
This clearly inspired Kent's 2014 feature, the Babadook as both share many of the same horror tropes.
6/10
10arbaxter
I saw this short film at the Shriekfest Film Festival in LA. In the story, a young boy believes there's a real-life monster living in his closet. At first, his mother dismisses her son's claims and thinks its his imagination running wild. The mother soon learns the haunting truth of what lies inside the closet. The director has an excellent command of the horror genre. The film is shot in grainy black and white and has a foreboding Gothic feel to it. She knows how to ratchet up the suspense, especially in the incredible staircase scene. The whole audience practically leaped out of their seats. The performances by the young boy and mother were solid and very convincing. I really liked the climatic scene in the film. The director took a different route from the usual gore fest and resolved the film in a creative and emotionally fulfilling way. Overall, its a great film that really scared the crap out of me.
Did you know
- TriviaThis short film was later remade as Mister Babadook (2014).
- ConnectionsFeatured in Mark Kermode's Secrets of Cinema: Horror (2018)
Details
Box office
- Budget
- A$30,000 (estimated)
- Runtime
- 10m
- Color
- Sound mix
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