Jumping Off Bridges

i had a chance to hear the director speak about the film at sxsw. she seemed like a genuine person, and i don't like giving this movie a poor review, but i'm not going to lie the thing was boring. the negative reviews i've read so far on here are a lot more accurate then the positives. the pacing is slow, the characters are hard to believe, and yeah, how did this movie even get accepted into this festival? so the movie is unflinching, big deal. original it's not. cassidy kids, another film that played at sxsw, also dealt with teenagers, and it was a complete 180 from this film in terms of originality and spirit. maybe i'm being too mean, but i agree that this film probably got into this festival because it was shot locally here in austin, tx. as an austinite, it was interesting seeing a lot of austin areas up on the screen, and a lot of the production qualities of this film were actually pretty decent. the story definitely needed work though, at an hour and a half it felt like 3 hours. bad thing when you're checking your watch constantly throughout a movie.

This movie is not only worth seeing it is in my opinion a must see. Rarely do I see a film that tackles the topic of suicide and the aftermath of what a suicide creates like Kat Candler's "Jumping off Bridges". I have had several opportunities to view the film and I have always been amazed at how this film gets people talking. In my mind that is what a good film does; it gets your mind moving and you mouth open and your eyes a little tear filled. OK, the tears aren't a requirement for a good film but this film does all that. I can't imagine why anyone wouldn't want to see this film and to share it with others. If you are in the market for a film that will create discussion about one of societies last know taboos "suicide" then this is your movie. Watch it!

This was one of three films that I saw at South by Southwest this year (2006), and by far the least enjoyable. Didn't work for a number of reasons. First, an excruciatingly slow introduction. When the teens-dealing-with-suicide theme does finally get moving, the material is, quite honestly, embarrassing. I got the impression that the author of the material was trying to address something that was over her head. I have a teenage kid, but I have a hard time picturing him or any other teenager behaving quite the same way the characters in this film behave. It's more as if an adult psyche was being projected onto a kid. Who is this film going to appeal to? A teenager who can't relate to the main characters because of their behavior, or an adult who can't relate to these characters because of their age?

Bottom line - slow, amateurish, unbelievable.

Still, kudos to the crew of this film for completing something on a presumably small budget.

This movie is a stirring and heart rending portrayal of a teenager struggling to understand why a parent he loved would betray him and his family by committing suicide. all of us wonder why? Is it some sort of neural abnormality that people cannot handle their day to day challenges or is it something deeper, a lack of training and parental encouragement from birth on....that life happens and you have to discipline yourself to push on. How can a teen know....when a parent or other loved one, opts out of the struggle? None of us knows the mind of another, but the fragile and insightful look at this one teen, tells us that the human being is very complex and hard to reach. The relationships shown help us to realize that no matter what....all we have in the end is each other. Staying in touch is the most basic human instinct we have and the most precious. love is the thread for us all.

It stands to reason, I suppose, that a movie about depression is one of the most depressing movies I've ever seen. JUMPING OFF BRIDGES, which aired last night on Reel 13, adds insult to injury, however, by not even being a good movie about depression. It is slow, boring, quiet, sparse, ill-conceived and with one exception, poorly acted. I was counting the minutes until it was over (I suppose I could have turned it off, but something in my DNA insists that I watch movies all the way through).

Overall, the downfall of JUMPING OFF BRIDGES is that it isn't very natural in any way. The unnaturally sparse production design can be forgiven in most indies – it's a byproduct of low budget cinema, but unnatural writing/performances are less justifiable. Chiefly, it is the quietness of the film that doesn't ring true. I've always suggested less is more, but director Kat Candler took that concept to an extreme and divorced the film from any energy or any sense of life surrounding the primary characters and hence left the film devoid of the verisimilitude that I believe she was aiming for.

The film deals with four teenagers who cope with a series of tragic events, but the kids don't seem to have any acting training, which can work out fine (see THE 400 BLOWS or May 17th's RAISING VICTOR VARGAS). However, given the emotional territory that these kids were asked to explore, I wonder that it wouldn't have benefited the film to cast young actors with more experience. The film is anchored by the fine performance of Michael Emerson as the father of the main boy. He seems to be the only real actor in the film. While he is best known for his work on LOST, I personally still can't get his performance as Oscar Wilde in the 1997 off-Broadway play GROSS INDECENCY out of my head. As good as I know he is, I still see his Wilde in everything he does, which can be distracting.

Of course, none of the actors are helped by the awfully simplistic writing – there's very little complexity or depth to the scenes. It seems to me that Ms. Candler, who also served as the screenwriter, had a mission or a point to make before she had a story to tell. In other words, I suspect that her life or family has been touched with issues of depression and suicide and she had something to say about it; something to tell the world and she shaped her story around that concept. One has to be careful when approaching a project that way because one can get so wrapped up in what they want to preach that they neglect the basics of strong storytelling. The result is what you get with JUMPING OFF BRIDGES – a glorified after-school special.

(For more information on this or any other Reel 13 film, check out their website at www.reel13.org)