A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian milita... Read allA gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
- Awards
- 2 wins total
- Hitman #3
- (as Nicky Naude)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've seen some comments call the movie horrible and disappointing , as i can see the movie was very good , but being short was the only bad thing about it .. IMHO there should have been more to watch maybe another target for him to kill .. still i highly recommend the movie even if you aren't a big fan of the game.
Timothy Olyphant was great in the way he performed agent 47 .. the way he walks , the way he moves or look , he literally rocked .
After all , i wish that the 20th century would think of producing another hit-man as good as this one or maybe better .
Aspects of the game was incorporated in the movie and they didn't overkill with stupid ideas. Action was pretty good and I like the fight scenes. Agent 47 in the movie does live up to his cold killer reputation in spite of a girl being introduced. Its a good thing they keep it nice and cold.
The only thing I noticed is that Timothy looks too pretty cute to be Agent 47. Other than that, its good.
Apparently, the agent in the game is one of the 47th generation of clones, where the movie has him as the best of a collection of specially trained orphans. Instead of a name, he simply has the number 47.
I also liked the mashup, conventional as it is: Russian mafia, secret supercapable murder enterprise, worldwide conspiracy of priests. Its the spice of the priests that matters, after the Dan Brown conspiracy to make it seem ridiculous and taking the style out of it. It is easier somehow to believe a cabal lead by a Moscow Patriarch instead of the inept Rome.
The girl does what the girl is supposed to do: claim that she is sexually exploited, and then proceed to be exploited by us in much the same way. The assassin does what he is supposed to and does it well: show us unexpected ways that he can manipulate the world, anticipating coincidences and odd subplots. Our designated watcher, the typical American detective, also does his job: watching at a distance.
Why this film deserves a comment and others I see do not, is the way it ends. The form here is reverse noir. In noir, we have a hero, an everyman, who is manipulated by the world of the viewer. He is subject to cosmic coincidences that come not from any natural unfolding, but from our need to have a structured narrative. The watcher unconsciously manipulates the character.
In reverse noir, the character somehow can control the world, so that minor coincidences are anticipated, even controlled by a plan he has that we do not know. We, the viewer, are placed in the thing to be befuddled as we end up as the manipulated soul. I am not sure when this reversed form first appeared; I am hoping a reader can advise. But the form is common enough now to have some endemic problems, the most challenging of which is how to end the film.
This film does that admirably, and it can be said that all the automatic stuff in the middle of the film is arranged to set up this satisfactory ending. The film starts with the beginning of that ending, with the remainder an implicit flashback (meaning only that the story is recalled and not repeated aloud). The ending is set up emotionally as our hit man is incapable of controlling the world so far as a mate, a family. We see him tortured about this. Yes, it is a juvenile portrayal of such an emptiness, but we get it.
So the only way he can get the pleasure of a family is the same way we get the pleasure of killing scads of bad guys: by watching. So while for 90 minutes our detective has been our surrogate watcher, giving us expected thrills and surprises, we reverse once again at the end: now the hit man is the watcher of love and family. We know he will never approach 'the girl' or the detective again, but that he will watch, which we see him doing through the only instrument available, a rifle sight.
This is good writing my friends, where the screenwriter understands the form well enough to manipulate it and us. He was able to give the fanboys something; he was able to give the studio bosses their key elements (boobs, explosions, creation myth, societal anchoring); and yet he was able to give himself a cleverly well ended story. Of how many films can you say that? I see he is working on the next Bruce Willis 'Die Hard.' Bet it is well written too.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
But after seeing it last night, I must say I was pleasantly surprised. It was actually quite a good movie. It may not win an Oscar or anything, but it's amazing to see Agent 47 up on the big screen. Timothy Olyphant does a surprisingly good job of portraying him too.
The love interest is a bit awkward to anyone who knows Agent 47's nearly complete lack of emotion in that department, but despite what the trailer may lead you to expect, it really doesn't go very far outside of what you've come to know in the games (and what happens when she tries to seduce him is absolutely hilarious and very much in the Agent 47 tradition).
It is indeed a violent movie, and 47 is as cold-blooded as you'd expect him to be. Seeing it tends to make me wish other movie heroes had the same level of guts, just to shoot the bad guy in the face instead of letting him live or anything silly like that. The fight scenes with the other assassins from the Agency are also very well done and quite a treat to see.
All in all, it's quite a good movie. Definitely worth paying to see in the theaters. Hopefully there'll be another one!
Did you know
- TriviaWhen Agent 47 jumps through the hotel window into the kids' room, they're playing Hitman: Blood Money (2006) for the PlayStation 2. (They're playing through "Death of a Showman", the training level.)
- GoofsInterpol headquarters is located in Lyons, France and not in London.
- Quotes
Agent 47: Because that suitcase perfectly holds my Blaser Sniper Rifle, two .45s and a gag for irritating, talkative little girls like yourself. You want me to stop and get it out?
Nika Boronina: I don't know - you think we have time for foreplay?
- Crazy creditsThe opening credits are interspersed with scenes from the childhood of the Hitman program members. These also feature individuals in monk-like robes and religious music, as if this were a holy calling, perhaps comparable to the Shaolin monks of historic fame (although they didn't involve guns).
- Alternate versionsThe Unrated version contains an extra 63 seconds of mostly violence.
- ConnectionsEdited into Hitman: Deleted Scenes (2008)
- SoundtracksAve Maria
Written by Franz Schubert
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Hitman - Agente 47
- Filming locations
- St. Alexander Nevski Temple, Sofia, Bulgaria(Cathedral Saint Aleksandar Nevski)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $39,687,694
- Opening weekend US & Canada
- $13,180,769
- Nov 25, 2007
- Gross worldwide
- $101,276,318
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1