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6.4/10
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John has just been left by his girlfriend Ingrid. That day he allows himself to be seduced into a mystical and scary world, where it is impossible to separate truth from the liesJohn has just been left by his girlfriend Ingrid. That day he allows himself to be seduced into a mystical and scary world, where it is impossible to separate truth from the liesJohn has just been left by his girlfriend Ingrid. That day he allows himself to be seduced into a mystical and scary world, where it is impossible to separate truth from the lies
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The 2005 Norwegian thriller "Naboer" (aka "Neighbours", but somehow got the English title "Next Door") turned out to be a rather enjoyable movie.
I hadn't heard about "Naboer" prior to this late in 2019, when I happened to stumble upon it and took the time to sit down and watch it. I didn't know whom was starring in it, what it was about, or anything aside from knowing it was Norwegian and that it was a thriller.
When I saw that Kristoffer Joner starred in the movie, then I must admit that my expectations to the movie suddenly went from being none to actually having high hopes for the movie. Why? Well, because he is really a good actor and he is great at handling different types of characters.
I will say that I was entertained, thoroughly and properly entertained by what was presented by writer and director Pål Sletaune, not to mention some stellar acting performances put on by Kristoffer Joner, Julia Schacht and Cecilie A. Mosli.
The movie is a type of thriller that definitely will have the audience in an iron grip and have the audience trying to figure out what was going on. And the way that director Pål Sletaune built up the story and the atmosphere was just brilliant, and it worked so fabulously in favor of the movie.
If you find yourself given the chance to sit down and watch "Naboer", then you should definitely do so, because this is a very enjoyable thriller. I am rating it six out of ten stars.
I hadn't heard about "Naboer" prior to this late in 2019, when I happened to stumble upon it and took the time to sit down and watch it. I didn't know whom was starring in it, what it was about, or anything aside from knowing it was Norwegian and that it was a thriller.
When I saw that Kristoffer Joner starred in the movie, then I must admit that my expectations to the movie suddenly went from being none to actually having high hopes for the movie. Why? Well, because he is really a good actor and he is great at handling different types of characters.
I will say that I was entertained, thoroughly and properly entertained by what was presented by writer and director Pål Sletaune, not to mention some stellar acting performances put on by Kristoffer Joner, Julia Schacht and Cecilie A. Mosli.
The movie is a type of thriller that definitely will have the audience in an iron grip and have the audience trying to figure out what was going on. And the way that director Pål Sletaune built up the story and the atmosphere was just brilliant, and it worked so fabulously in favor of the movie.
If you find yourself given the chance to sit down and watch "Naboer", then you should definitely do so, because this is a very enjoyable thriller. I am rating it six out of ten stars.
10phila-3
A Norwegian thriller to challenge any American made thriller. This was a movie not to be missed. For any fans of truly disturbing psychological thrillers, "Naboer" is right up there on the "must see" list. To call this film a "psycho-sexual" thriller is to put the term mildly. The film concerns John, a man whose apparently cheating girlfriend leaves him to be with her new boyfriend. After grieving her loss for a very short while, he comes upon two girls who are his next door neighbors. When coming home from work one evening, one of the girls, Anne, requests a favor of him in her apartment. He reluctantly obliges and thus begins a truly extravagant mind-twister. John finds Anne and her roommate Kim to be a bit odd, and potentially mentally off-balance. As he decides to leave their apartment abruptly, it is too late as their entanglement has already begun. Anne finds John the next day and again requests a favor - to watch over her "sister" next door, as she is not to be left alone due to some previously dire incident. Upon entering their apartment, John is overwhelmed by the psychological torture that begins. He is trapped, abused, lost, and frightened, all before getting involved further into a sick, sexual game that would really give this film a guaranteed X-rating in a standard American market. Although "Naboer" really doesn't have the overt bloodshed (but still a fare share) that typical slasher fare films do, the horror of it all is presented mentally - and rightfully so, as the mind is much more powerful in suggestions that celluloid could ever be. As the story unravels, more and more questions pop up as to why everything is suddenly happening to John. What has his part been in possibly causing everything to happen? Is it his current situation, or perhaps his past? How do the neighbor girls know so much about his most intimate relationship details? How does it all tie in with his recent break-up, and why? The mental roller-coaster continues to pick up the pace until the very end, which is worth the wait. A different view of an already normally over-saturated horror/thriller market. "Naboer" works, and it works well. It would be hard-pressed to find a viewer who would leave the theater without a feeling of awe or shock. Excellent in every way.
"Naboer" is a truly dark and unsettling psychosexual thriller in the vein of "The Tenant".John's girlfriend has left him and apparently already moved on to a new relationship.Julia Schacht and Cecilie A. Mosli star as neighbors Kim and Anne who live in a large flat next door to John.Invited in on the pretext of moving a large piece of furniture, John soon finds himself pulled into the strange,twisted world of hellish sexuality and violence that exists next door.The atmosphere of "Naboer" is remarkable and truly claustrophobic.Confusion and uncertainty permeate nearly every scene.The sex scene coupled with disgusting beating is strangely arousing.The film has also deeply voyeuristic feel and the scenes of sexual violence are pretty hard-hitting.The main performances are brilliant and the climax is quite surprising."Naboer" is surely not for the easily offended.9 out of 10.
Naboer tells the story of John, having recently been left by his girlfriend, he retreats into self imposed isolation in his somewhat claustrophobic apartment. As the story unfolds (some parts in flashback) John is approached by his alluring neighbor who seduces/drags him into an underworld of sadism and mysterious undercurrents of retribution for something John does not yet understand. Definitely unique in it's storytelling, Naboer treads on well told paths of scorned women terrorizing unsuspecting man, adding it's own twist which is sure to leave you replaying the movie in your mind.
Naboer is like a full bodied wine who's bouquet unfolds slowly in your mouth and just when you thought you had it figured, the aftertaste hits your senses and shocks you into the realization of what you have really been drinking. I have to admit that there were times, even when I had the movie figured it out, that I was concerned it would turn into a patronizing "gee see how we fooled ya!" moment. However, the director pulled it off. With a clever blend of atmosphere and suspense, the movie relies less on your powers of observation and strives more to tickle your senses and ultimately leave you with an uneasy, somewhat grotesque feeling as it winds to a close. Rather than slowly drag out the ending, he drops it right on your head and then allows the explanation to seep slowly from the screen making an all too simple answer seem unbelievably full bodied and satisfying.
The kicker to this film is the incredible 112 minute running time! Had this dragged out for another hour, no doubt this would have left a sour taste. Instead you are thoroughly engrossed in the pace and momentum and knowing that the film must race to reach it's conclusion only heightens the anticipation and elevates the sense of closure.
I would compare this film certainly to Polanski in it's sense of style and cinematography, but also to Christopher Nolan's Memento in the way that it delivers a one-two punch desert after a very satisfying meal.
The acting is superb with a stand out performance by Kristoffer Joner, making an unlikable protagonist compelling and empathetic. The rest of the cast is fantastic and quite realistic playing some very tense, scary and perverse characters.
See it, experience it, and then look forward to more of what this director has to offer.
Maddis 8/10
Naboer is like a full bodied wine who's bouquet unfolds slowly in your mouth and just when you thought you had it figured, the aftertaste hits your senses and shocks you into the realization of what you have really been drinking. I have to admit that there were times, even when I had the movie figured it out, that I was concerned it would turn into a patronizing "gee see how we fooled ya!" moment. However, the director pulled it off. With a clever blend of atmosphere and suspense, the movie relies less on your powers of observation and strives more to tickle your senses and ultimately leave you with an uneasy, somewhat grotesque feeling as it winds to a close. Rather than slowly drag out the ending, he drops it right on your head and then allows the explanation to seep slowly from the screen making an all too simple answer seem unbelievably full bodied and satisfying.
The kicker to this film is the incredible 112 minute running time! Had this dragged out for another hour, no doubt this would have left a sour taste. Instead you are thoroughly engrossed in the pace and momentum and knowing that the film must race to reach it's conclusion only heightens the anticipation and elevates the sense of closure.
I would compare this film certainly to Polanski in it's sense of style and cinematography, but also to Christopher Nolan's Memento in the way that it delivers a one-two punch desert after a very satisfying meal.
The acting is superb with a stand out performance by Kristoffer Joner, making an unlikable protagonist compelling and empathetic. The rest of the cast is fantastic and quite realistic playing some very tense, scary and perverse characters.
See it, experience it, and then look forward to more of what this director has to offer.
Maddis 8/10
John, who has recently been left by his girlfriend, is lured into his next door neighbors' apartment. Inside he finds two women (who claim to be attractive, but this is debatable), a seduction and some of the most bizarre mind-bending you'll see in a film (Norwegian or otherwise).
For some reason this film is translated as "Next Door" when the word "naboer" means "neighbor", but I guess literal translations aren't the thing. I mean, the movie "Mark of the Devil" is originally in German and means something like "Witches Bleeding, Tortured To Death"... so, hey, I guess Americans can call movies whatever they want.
"An homage to Roman Polanski with nods to David Lynch," says Variety. I don't know enough about Polanski's work to really comment on that, but the Lynch connection is clear. There are many occasions in this film where it is unclear whether the main character is delusional or sane. Although, the difference is this: in a Lynch film, you are left to come up with your own theory, while here the situation is cleared up satisfactorily.
I really enjoyed this movie. It played out really slow, but in such a way that the "Reveal" was well-paced and we were only given enough hints to keep going along while getting hungrier for more (like a carrot on a stick). Any slower and it would have lost me, any faster and it would be a short film.
Personally, I found certain scenes to be highly erotic and incredibly sexy. This might be just me, since the scenes also contain excessive violence. Should violence be sexy? I don't know, but in this case I was rather taken by the presentation. Like "Jenifer" which I just watched, the film blends the disgusting with the beautiful -- with surprising results.
This will not appeal to everyone. The film is certainly "bizarre" and the movie is subtitled, which some will not enjoy. But if you like David Lynch or have a craving for something you're not likely to find in your average film, this is the film for you. (Note: the film is considered "horror" and has horror elements, but I'd sooner put it under "suspense".)
For some reason this film is translated as "Next Door" when the word "naboer" means "neighbor", but I guess literal translations aren't the thing. I mean, the movie "Mark of the Devil" is originally in German and means something like "Witches Bleeding, Tortured To Death"... so, hey, I guess Americans can call movies whatever they want.
"An homage to Roman Polanski with nods to David Lynch," says Variety. I don't know enough about Polanski's work to really comment on that, but the Lynch connection is clear. There are many occasions in this film where it is unclear whether the main character is delusional or sane. Although, the difference is this: in a Lynch film, you are left to come up with your own theory, while here the situation is cleared up satisfactorily.
I really enjoyed this movie. It played out really slow, but in such a way that the "Reveal" was well-paced and we were only given enough hints to keep going along while getting hungrier for more (like a carrot on a stick). Any slower and it would have lost me, any faster and it would be a short film.
Personally, I found certain scenes to be highly erotic and incredibly sexy. This might be just me, since the scenes also contain excessive violence. Should violence be sexy? I don't know, but in this case I was rather taken by the presentation. Like "Jenifer" which I just watched, the film blends the disgusting with the beautiful -- with surprising results.
This will not appeal to everyone. The film is certainly "bizarre" and the movie is subtitled, which some will not enjoy. But if you like David Lynch or have a craving for something you're not likely to find in your average film, this is the film for you. (Note: the film is considered "horror" and has horror elements, but I'd sooner put it under "suspense".)
Did you know
- TriviaThe first Norwegian made film to get an 18 rating in 17 years in Norway. The last one to get an 18 rating before this one was Hotel St. Pauli (1988).
- ConnectionsFeatured in De Kijk van Koolhoven: Erotica (2018)
- How long is Next Door?Powered by Alexa
Details
Box office
- Budget
- NOK 15,155,100 (estimated)
- Gross worldwide
- $1,297,446
- Runtime1 hour 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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