A teen girl's psychotic ex-boyfriend follows her friends to Redsin Tower, where a night of partying quickly becomes a fight for their very lives.A teen girl's psychotic ex-boyfriend follows her friends to Redsin Tower, where a night of partying quickly becomes a fight for their very lives.A teen girl's psychotic ex-boyfriend follows her friends to Redsin Tower, where a night of partying quickly becomes a fight for their very lives.
Shelby Lyn Vogel
- Sandy
- (as Shelby Jackson)
W. Laszlo Holman
- Redsin's Victim
- (as Bill Holman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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If you don't know, the makers of this film made several faux home movies, supposedly taped by serial killer and rapists documenting their exploits. They were certainly different and truly scary. The film makers use some of the same techniques here but its not nearly as effective. The characters are a bunch of losers who decide to drink and get high in a haunted building. A sub plot has a jilted boyfriend pursuing one of the loser girls. The girls and their male friends, played by actors obviously too old for the roles, chatter away, make out, talk trash and do what real losers do....but its not much fun to watch. In fact the goofy boyfriend is a lot more interesting. He is somewhat appealing in a geeky way and even though he flips out and turns into a stalker, you feel a bit sorry for him. The others have no real life apart from getting stoned and drunk and aren't even likable, just boring losers.
The set is apparently a basement with utility tunnels, one of which appears to be a cave. At least it doesn't have straight walls like a building would. Why they call it a tower is odd. There are no stairs. All the action seems to take place in the basement. And its a small set. We see the same window over and over even though the people comment about the "maze" they get lost in. The gore effects are quite good but they don't start until we have been put to sleep by the endless chatter from the dopey girls. The camera work is pretty good too. The lighting is so low key and dark that lots of the good gore stuff is really hard to see. I know its supposed to be a dark old haunted place and all but a bit more light would have made the effects much more entertaining. Its also rather sad to read comments from persons obviously involved in making the film trumpeting this film as a "10" in press release language. Nobody talks like that. It doesn't fool anybody.
This movie will be liked best by fans of the makers earlier work. For other viewers its average at best.
The set is apparently a basement with utility tunnels, one of which appears to be a cave. At least it doesn't have straight walls like a building would. Why they call it a tower is odd. There are no stairs. All the action seems to take place in the basement. And its a small set. We see the same window over and over even though the people comment about the "maze" they get lost in. The gore effects are quite good but they don't start until we have been put to sleep by the endless chatter from the dopey girls. The camera work is pretty good too. The lighting is so low key and dark that lots of the good gore stuff is really hard to see. I know its supposed to be a dark old haunted place and all but a bit more light would have made the effects much more entertaining. Its also rather sad to read comments from persons obviously involved in making the film trumpeting this film as a "10" in press release language. Nobody talks like that. It doesn't fool anybody.
This movie will be liked best by fans of the makers earlier work. For other viewers its average at best.
I'm not sure where to start with this one, i just watched the august underground trilogy and am still unsure if i hated or loved it; but i knew that i loved toe tag pictures talent for realistic gore, I also read up a lot about Vogel, and knew these weren't the types of films he had the desire to make, so with Redsin Tower i did have quite good expectations. I am a fan of low budget and underground, most mainstream horror is a joke to be fair, but only when they get it right. Red sin was definitely not a film that deserves praise. The over used cliché'd plot of a "haunted" house or tower in this case, with a few annoying teenagers deciding this is a great place for a party and realise they are mistaken when they start to get killed one by one. How boring, however i knew the story before i watched and still went into the movie with an open mind trying to look past the terrible acting and embarrassing script writing. Basicaly, thats all the movie really is, just another boring over hyped low budget stupid film that didn't give itself any help to begin with, with such a terrible plot and script. The only things i liked about this film was the gore, but sadly there wasn't nearly enough of it to make this film worth a watch. If reading this and you still feel like watching- i'd only watch the last half hour as it was probably the only part that was a little entertaining. There was only one scene in particular that i enjoyed, but frankly Redsin just does not cut it. I wont write Fred Vogel off completely though and will continue to watch his movies and hope he learns how to write a good story to match his talent for creating gore.
My immediate reaction to The Redsin Tower was this: ToeTag is going places. Watching this pitch black horror film, i was amazed that the makers of August Underground, which i consider to be the most disturbing film experience i have ever had, have made something completely 180 this time. Redsin Tower will earn them an enormous following. They have made a great, sinister, hard edged movie that has mainstreme appeal, but without sacrificing their dark integrity.
It's hard to gauge Vogel's actual directorial talents from the August films, of course, but he proves a natural behind the camera in his first "traditional" attempt. It is one of the most ambitious independent horror films of recent years, and Vogel and crew take the narrative into astonishingly diverse and original directions. As a filmmaker he has a great eye for Americana, subtle character interactions, color pallete (lots of eerie, Argento esquire blues and reds), pace...and of course, BLOOD AND GUTS!! The movie is on the surface throwback to teen body count films like Slaughter High, The Evil Dead, and Night of The Demons, but i link it thematically to films like Carrie and The Exorcist. This is the most perceptive teen horror film in ages, understanding that all the horror is an extention of awkward young feelings and tumult. Which isn't to undercut the other macabre places this film goes. ToeTag juggles a lot of different themes and styles here, and almost completely succeeds. If this were relased nationwide i can imagine it becoming as successful as Hostel and Saw-it's that professional and well made. I already think Vogel should be placed at the forefront of the "Splat Pack", and this film is just further evidence of his sinister genius.
I won't say anything about the plot. I'll just say any expectations are going to be totally destroyed+the ending is absolute genius. ToeTag is one of the most important genre forces today, and this awesome film should catapult them far past the underground (not that i would ever want them to leave!).
It's hard to gauge Vogel's actual directorial talents from the August films, of course, but he proves a natural behind the camera in his first "traditional" attempt. It is one of the most ambitious independent horror films of recent years, and Vogel and crew take the narrative into astonishingly diverse and original directions. As a filmmaker he has a great eye for Americana, subtle character interactions, color pallete (lots of eerie, Argento esquire blues and reds), pace...and of course, BLOOD AND GUTS!! The movie is on the surface throwback to teen body count films like Slaughter High, The Evil Dead, and Night of The Demons, but i link it thematically to films like Carrie and The Exorcist. This is the most perceptive teen horror film in ages, understanding that all the horror is an extention of awkward young feelings and tumult. Which isn't to undercut the other macabre places this film goes. ToeTag juggles a lot of different themes and styles here, and almost completely succeeds. If this were relased nationwide i can imagine it becoming as successful as Hostel and Saw-it's that professional and well made. I already think Vogel should be placed at the forefront of the "Splat Pack", and this film is just further evidence of his sinister genius.
I won't say anything about the plot. I'll just say any expectations are going to be totally destroyed+the ending is absolute genius. ToeTag is one of the most important genre forces today, and this awesome film should catapult them far past the underground (not that i would ever want them to leave!).
"The Redsin Tower" is, for me, the most disappointing film of 2007. Hyped as a major underground genre film, the release on DVD was a much anticipated affair. In fact, I held off watching the movie for several weeks until I was really in the mood for what I believed would be a splendid treat. I wish I hadn't bothered.
While the opening credits promise stylish production values, the film soon starts to descend into a chaotic mess. While early scenes are okay, the moment the film intends to start building tension, everything falls apart.
This is a poorly executed vehicle and a lapse in form for Vogel and the Toetag gang. Coming across as a poor man's "Evil Dead meets Dark Waters", this is a film that will disappoint many, including die-hard Toetag fans.
5 out of 10 for the stylish opening credits, a decent soundtrack and solid effects. While some of the dialogue is entertaining, the film immediately starts to suffer as it enters genre territory.
A genuine wasted opportunity.
While the opening credits promise stylish production values, the film soon starts to descend into a chaotic mess. While early scenes are okay, the moment the film intends to start building tension, everything falls apart.
This is a poorly executed vehicle and a lapse in form for Vogel and the Toetag gang. Coming across as a poor man's "Evil Dead meets Dark Waters", this is a film that will disappoint many, including die-hard Toetag fans.
5 out of 10 for the stylish opening credits, a decent soundtrack and solid effects. While some of the dialogue is entertaining, the film immediately starts to suffer as it enters genre territory.
A genuine wasted opportunity.
This has to be one of the DUMBEST piles of DUMB I HAVE EVER SEEN IN MY LIFE I liked Agust Underground and thought Mordum was OK for what is was. Penance was unnecessary, and this it one of the most poorly directed and scripted, acted, edited films I have seen in my life. Everything in it is just a waste of your life. There is absolutely nothing redeeming or interesting about it. Actually I take that back, it's interesting to see how horrible dull and predicable illogical a film can be. Nothing is shocking the entire movie consists of a guy with a lisp that had me rolling on the floor trying to be scary and getting one of your moderate looking girl friends to take her top off and do her best impression of Evil Dead that she can. Throw Zack Morris in there and a dead end useless plot line and you have this pile or brain damage.
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- TriviaAll entries contain spoilers
- ConnectionsReferences L'Emprise (1982)
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Details
- Runtime
- 1h 27m(87 min)
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