Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story w... Read allApartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect hi... Read allApartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
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One thing I liked about the film is the simple story, or more accurately, the atmosphere. M. Night has always been better at creating a mood than fleshing out a story, but the premise of Lady in the Water works for me: It about people reacting to a fairy tale happening in real life. This concept probably put a lot of people off, the fact of the matter is this concept hasn't been used a lot (but it has been done before, i.e. Peter Weir's "The Last Wave", a deeper and more philosophical film), and people aren't used to it. Like I said, I liked it, but most of my friends thought it was stupid.
The main thing that people hated was M. Night's own acting in the film, and on this I agree. He was without a doubt the worst thing in the film. It was a disgusting example of self-indulgence and self-importance, and more than that, he's just a terrible actor and he should stop.
The one thing that I really had a hard time stomaching was the extended sequences with the party band, Silvertide. They were so awful I wanted to walk out of the movie. Picture a blonde version of The Black Crows with even less talent ripping through and f*(^king up a version of Dylan's "Maggie's farm".
Those few things aside, the rest of the cast was great, I thought the story was simple and decent enough, the "film critic" part with Bob Balaban was funny, but M. Night was asking for it with that one, and the movie as a whole was entertaining.
M. Night started out as the new golden boy of Hollywood with "The Sixth Sense", but many have felt he's lost his touch. The truth is he hasn't lost his touch, he just hasn't grown as a director. With "The 6th Sense", "Unbreakable", "Signs", "The Village", and now "The Happening", he keep tilling the same field. it's getting old. "The 6th Sense" was great, mostly because it was fresh, "Unbreakable" was entertaining for me at least due to the comic book references, but "Signs", "The Happening", and especially "The Village" were just plain terrible. "Lady In The Water" was a nice diversion from his formula, but it's getting tired. Perhaps M. Night would benefit from directing a script written by someone else, and not built around some moronic "twist" at the end, and most definitely not acting in it.
The theme of "finding your purpose" definitely is poignant in this day and age, I love all the self reflexive humor as far as story structure goes too.
SFX were decent, not awe inspiring but good for what was required. The film is really about the characters though and their arcs. I'd say the film is much more for the introspective crowd than the hardcore comic kids who want plenty of screams.
When I go to see a Shyamalan film, I expect to be entertained and stimulated, but I never know exactly how this will be accomplished. Shyamalan's films use ambiguity aesthetically and he draws his audience through the seduction of interpretive participation. Of all of his films, perhaps Lady in the Water does this most profoundly. Although I understood the entire film - the plot, the themes, the method - I walked away asking "what the hell did I just see?" It's easy enough to categorize the film. Lady in the Water is an absurdist comedy. But it makes you ask yourself why you are laughing. With Shyamalan's talent as it is, it is impossible for me to believe that any aspect of the humor of this film was unintentional. Yet the other side of LITW is dark fantasy, in the tradition of Michael Cohn's Snow White.
With a cast David Lynch would have been happy with, Shyamalan tells a fable from East Asia as it is experienced by a superintendent (Giamatti) at an apartment complex full of mundanely odd characters. A strange and beautiful young woman (Howard) has emerged from the complex's pool, apparently seeking contact with the surface world so she can find folkloric archetypes who can protect her from the evil creatures that hunt her and return her to her world beneath the waves.
Giamatti, Howard, and Shyamalan himself are all very entertaining. Howard - a very unusual looking and uniquely pretty woman - is shot so beautifully that it is very difficult to take your eyes off of her. M. Night's performance is so bizarre, it is hard to tell whether or not he is acting.
LITW is definitely the strangest film I have seen from Shyamalan. I have been up and down with him since the beginning of his career, enjoying his early films, very much disliking Signs, and being impressed with the Village. I believe that with the Village and LITW, M. Night is establishing a new and unique direction for himself. And if he keeps going this way, I will gladly follow.
First of all, it's a good family film, with enough tense moments to keep you watching, and enough laugh-out-loud moments to calm you down. It was refreshing for once to see a film with good, clean humour. The dialogue was not necessarily hilarious, but the actors, especially Paul Giamatti (Cleveland) delivered the lines extremely well.
The acting was tremendously well done also. Paul Giamatti is always fantastic, and while Bryce Dallas Howard seemed to act in the same manner as she did in The Village, she was still convincing. The ensemble cast worked well together. Some might bash M. Night for casting himself in a not-so-cameo role, but he proved that he can actually act! No, his performance will not win him an Oscar, nor should it, but I think there is definite talent there. I hope to see him in bigger roles, in films not his own.
The plot had many twists, maybe too many, but no matter. I kept trying to guess what was going to happen, but it I was always wrong. It was quite interesting.
What most made this film a work of art was the directing. M. Night has a rare talent that will go completely under the radar for this film because no one will see it. The camera angles were inventive-that's right, inventive. I may be one of the few who actually cares about camera angles and how a scene looks, but it looked great. The final product was polished.
I truly believe this film is M. Night's best work. He made the story up himself, wrote a screenplay that made us laugh, smile, cringe, and jump just a little, and directed a great ensemble cast including himself. Quite a feat.
So before everyone starts ranting about how stupid the storyline is or how "so-not-scary" the film is, just appreciate the uniqueness of the film, and remember what makes this film good. Forget the crazy story. It's everything else!
Did you know
- TriviaThe reason for the film's $70 million production budget, despite being set in one location, was because the apartment complex and the pool were built for the film. Some of this film was shot in Levittown, Pennsylvania at a Jacobson logistics warehouse site (director M. Night Shyamalan had committed to using filming locations in Pennsylvania). The set, built on the warehouse site, includes the apartment complex and a half city block of row houses. Occasional footage was shot inside the overflow area of the warehouse. Most of the filming was completed after Jacobson work hours.
- Goofs(at around 32 mins) When he sees Vick's book "The Cookbook," Cleveland Heep says to himself, "This is s-s-s-s-silly." Stutterers often do not have a stammer when talking to themselves; they stutter primarily when talking to other people. However, Cleveland's stutter is a symptom of Post-traumatic Stress, in which case the stutter typically remains constant regardless of social situation until the stress is dealt with.
- Quotes
Story: [holding Cleveland's journal] Your thoughts are very sad. Most are of one night. A night a man entered your home when you were not there. He stole many things and killed your wife and children. That is when you stopped being happy. You were a doctor. I am very sorry for you. You believe you have no purpose. You help all that live here.
Cleveland Heep: Anybody can do this job, Story.
Story: You have a purpose. All beings have a purpose.
- Crazy creditsAfter the movie has ended, and all of the credits have scrolled, there appears the following dedication from M. Night Shyamalan: "To my daughters, I'll tell you this story one more time. But then go to bed."
- ConnectionsFeatured in HBO First Look: Lady in the Water (2006)
- SoundtracksEl Cayuco
Written by Tito Puente
Performed by Mambo All-Stars
Courtesy of Peer-Southern Productions, Inc.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- La dama en el agua
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $42,285,169
- Opening weekend US & Canada
- $18,044,396
- Jul 23, 2006
- Gross worldwide
- $72,785,169
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1