On a trip to a Mexican border town, three college friends stumble upon a human-sacrifice cult.On a trip to a Mexican border town, three college friends stumble upon a human-sacrifice cult.On a trip to a Mexican border town, three college friends stumble upon a human-sacrifice cult.
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The opening epilogue involves a gory torture sequence, which is unpleasant to say the least, but the story soon switches to the three Americans and their trip to Mexican strip joints where a couple curvy señoritas are highlighted. I could tell this was shot on the West Coast of Mexico rather than the East Coast. The city scenes, for instance, were shot in Tijuana, substituting for Matamoros.
The story is loosely based on the 1989 abduction of American pre-med student, Mark Kilroy, from outside a Mexican bar where he was taken to Adolfo de Jesús Constanzo's ranch in the desert, about an hour drive from Matamoros & the border. Fifteen mutilated corpses were discovered buried at the ranch, one of them Kilroy's, who was hacked to death by a machete. Constanzo's cult practiced sorcery in the form of Palo Mayombe, engaging in torture and human sacrifice for supernatural power, e.g. for their drug-runners to appear invisible to border guards.
Constanzo was a known homosexual, but the movie surrounds the Constanzo-based character, Santillan, with Mexican babes. I doubt this was done to be politically correct; I'm sure the filmmakers simply wanted to give him cinematic appeal for the target audience, most of whom would run away screaming if Santillan was depicted with hunky dudes attending to his amorous needs.
While the movie's sometimes unpleasant for obvious reasons, it's gritty, engaging and well-acted, particularly the first half. I'm sure the director, Zev Berman, is a fan of films like "Apocalypse Now" because you definitely see glimmerings of that kind of greatness. Unfortunately, this was the last movie by Berman as of this writing. He could've gone on to be a contenda, like Coppola.
The picture runs 100 minutes and was shot entirely in Baja California, Mexico. It was written by Eric Poppen & director Zev Berman.
GRADE: B+
The opening scene of this movie deceives, situating it firmly in Hostel territory, with grotesque violence and intense claustrophobic action. In the main action of the film, however, it seems as if the horror movie element of this is compromised by the fact that two of those involved are still alive. If safely dead foreigners can be depicted as the victims of graphic bloodletting, living and dead Americans cannot be. To be blunt, this film cops out. It is selective in what the audience are permitted to see entire and what is merely implied or suggested, presumably with relatives' and survivors' sensibilities in mind. There is nothing wrong with this, if this were packaged as a real life story, but as a horror movie it is a cheat. Instead of becoming more involving or thrilling as the action unwinds, it becomes increasingly distant, chilly and mechanical.
I can't help thinking it would have been far more successful to have taken the basic premise of the story and to have gone down the road of complete fiction, to sustain the energy and darkness of the opening scene, instead of the patchy and undigested amalgam it becomes. That way, it would have been a terrific horror. Instead, it's neither fish nor fowl, and unsatisfactory stuff.
"Borderland" is another flawed and brutal movie of torture. The story is very violent and graphic, and fans of this genre might like it. However, there are many holes and unreasonable situations in the screenplay like, for example, why Detective Ulises is in disgrace that is never well explained. Why Valeria joins Ulises and Ed when they break into the farm crowded of dangerous and fanatic drug-dealers is totally useless and unreasonable. My vote is six.
Title (Brazil): "O Limite do Medo" ("The Limit of the Fear")
Three guys take a trip to Mexico that goes all wrong when they run into a cult of violent murderers. That's pretty much the gist of things.
The acting is actually rather decent and the story is well told and even believable to some degree and it kept my attention all the way through and proved to be one of the better films I've seen in this genre. I actually had to remind myself half way through that this was supposed to be a gore-filled horror film. There was nothing new in terms of blood, guts, and gore, and there really wasn't a whole lot of it given the length of the movie, but what's there gets the point across well.
Some people have referred to it as "goreporn" also which it really isn't. I'm glad at least some writers feel that gratuitous sex/nudity take away from a story when unnecessary.
Bottom line: If you go in expecting the same garbage this genre pumps out yearly, you'll be quite pleasantly surprised. If you go in expecting a masterpiece in horror theater, you'll likely be disappointed.
Did you know
- TriviaLoosely based on actual events which occurred in Mexico in 1989. A group of "narcosatanicos" were discovered to have killed at least 20 people and used their body parts in ritual sacrifices. Cult members lead by Adolfo Constanzo and Sara Aldrete were responsible for the abduction and murder of Mark Kilroy, a Texan pre-med student who disappeared in March 1989 during a spring break in Mexico.
- Quotes
Drunk Man in Strip Club: Hey, wait a minute. This is for you. $400. But you already know that. I'm talking to you!
Valeria: Let me go!
[Valeria slaps him]
Drunk Man in Strip Club: Fucking bitch!
Ed: Why don't you chill, man? She's no pro.
Valeria: It's okay. I can handle it. It's okay.
Drunk Man in Strip Club: This dickless faggot more your type, Valeria?
Valeria: Fuck off, Gilberto.
Drunk Man in Strip Club: You think you have the balls for this girl? I ask you something. You deaf?
Ed: What the fuck's your problem, man?
Ed: [pulls out a knife and cuts Ed] oh shit!
[Valeria gets a bat and hits Drunk Man in the head and knocks him out]
Valeria: [Valeria now tends to Ed's wound in the back of the bar] That was pretty stupid. At least now you have a great story to tell your friends.
Ed: What? That I got my ass kicked?
Valeria: No. How you came to the aid of a poor and defenseless woman.
Ed: Yeah, right. If it ever gets boring around here, you could bat cleanup for the Astros.
Valeria: You know, my ex-husband, he hated the fact that I could handle myself.
Ed: Let me guess. That's why he's your ex.
Valeria: I left him and I moved here to Manzanita.
Ed: Can I buy you a drink later?
Valeria: So you're not afraid of strong woman?
Ed: Only if she's not swinging a bat at me.
- Alternate versionsIn order to secure the "not under 18" rating from the FSK, the German release was cut by approx. 9 minutes overall, most of the violence is either reduced or removed entirely. The movie in its uncut form is SPIO/JK indexed.
- ConnectionsFeatured in WatchMojo: Top 20 Horror Movies Inspired by True Events (2021)
- SoundtracksConvéncete
Written by César Mora
Performed by César Mora
Published by Big Tiger Music
By Arrangement with Ocean Park Music Group
Courtesy of LoveCat Music
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Details
Box office
- Gross US & Canada
- $97,182
- Opening weekend US & Canada
- $512,000
- Nov 11, 2007
- Gross worldwide
- $703,399
- Runtime
- 1h 45m(105 min)
- Color
- Aspect ratio
- 2.35 : 1