L'absent

Anthropologists will tell you that evolution has taught us to look for chains of cause and effect everywhere, even if they don't exist. This movie examines what happens when the chain is broken. Lilli (Karoline Herfurth), a capricious beauty and a dancer of some promise, is conducting an extremely private investigation to find out why her brother Tom committed suicide. Her search is all the more pressing as she feels Tom is trying to make contact with her across the chasm of death, perhaps to settle some unfinished business. For a long time, Lilli is getting nowhere since her mother (Corinna Harfouch) has conspired to gloss over the past and cover up her pain. She hires a painter (Josef Bierbichler) to restore the way things used to be. But the painter takes sides with Lilli. If the whole family business is beyond you, go anyway to revel in Lilli's man-eating, cock-teasing, heart-stopping ways. Signature line: "You're interesting, but your jumper sucks. Are you any use in bed?" The cast is classy and the movie is as good-looking as it is well-paced, but way too long. Cut the sentimental half hour at the end, and you've got an ace.

A complex film with good performances all round, but Karoline Herfurth as Lilli (a young dance student) is quite outstanding, expressive in face and physical movements. My only criticism is her terrible diction. My German is good, but without the English subtitles I would have understood very little of what she said. The suicide of her brother left her with very mixed emotions: she loved him but at the same time was jealous of him because he was their parents' favourite. The parents, whose relationship with each other is also fraught, never ask her anything about how she feels. An elderly painter who has been asked to paint a double portrait of the siblings (her from life, him from photographs) is the only person who is interested in finding out what she felt about her brother - and that is initially only so that he can get some idea of how to portray them. She is rebellious, vulnerable, and looking for love (in the wrong quarters). The film is very long, (two and a quarter hours?), partly because there are a couple of sub-plots which might perhaps have been cut, and the ending is also rather drawn-out, with one mawkish false note (in my view) right at the end.

"A Year Ago In Winter" opens with a grieving mother commissioning a double portrait of her two children - a dance student daughter and a recently deceased son. She informs the artist that the son had died in a hunting accident - but he soon discovers it was a suicide, and also learns the daughter is hostile to the portrait project. The painter lives alone in his large studio - estranged from both his ex-wife and son, and dealing with grief of his own following the death of a close friend. The film focuses on how the relationship between the painter and the young ballerina develops from mutual antipathy, and gives them the motivation to confront the mystery of the brother's suicide.

It's rare to see the life and working methods of an artist portrayed so authentically, and even more unusual to observe quality artwork integrated so organically into a film. "A Year Ago in Winter" is a subtitled human drama so it's unlikely that it'll have much mass appeal outside Germany. This is unfortunate since the film's excellent performances, cinematography and screenplay depict an unusual and intriguing relationship. Even if it remains obscure, it's still a gem.

I am impressed after watching this movie - in Toronto - . It's a real " small" movie, though i saw it on a big screen in Ryerson Theater. I think it was even the world premiere. I was impressed through the play of the leading characters, and the theme was very interesting.

But I have one question: the name of the painter (so not the one in the screening, but the real one). The director mentioned his name in the Q&A, but I did not make a note. The paintings were beautiful made and i looked for the painter in Google, but could not find a name. Only some not cached entries that the Albert&Victoria Museum should have acquainted the paintings, nut because it was not cached i can establish this.

IM WINTER EIN JAHR, is a film that tells the story of the deceased member of a family but since it's been a year they're struggling to recover. The mother and daughter has a estranged relationship until Lilli (Karoline Herfurth), dancer, who is trying to take her life one day at a time as her mother (Corrina Harfouch) commissions an artist painter (Josef Beirbichler) to paint a portrait of her demised son and her distraught daugther, whom she tells him that he was killed in a hunting accident until her daughter tells him it was a suicide. Apparently, the mother highly favors him over her daughter but has a difficult time communicating with her. So, instead Lilli is a tortured child who is in deep pain over the loss of her brother and Her Father (Hanns Zichler) struggles to keep the remaining Family together. This film echoes ORDINARY PEOPLE, done in a artistic way. The Family is in the dark and they're distancing themselves. But as for Lilli, she finds comfort in the lonely painter, who has lost a friend as well. This film directed by Caroline Link illustrates a grieving Family and it expresses through the painter's relationship with Lilli, whom he has grown attached to her. Good performances by all the cast and great cinematography. A slow absorbing Drama. My rating: 7.5