Le Pensionnat des jeunes filles perverses

This movie takes place at the "School of Hope", apparently a school for overly mature and improbably attractive delinquent Japanese high school girls. In the the opening scene a girl is being tortured by a group of her fellow students called the "disciplinary committee". They have her hooked up to a machine that is slowly draining the blood from her body (for some reason, this requires her to be topless). The victim escapes but dies from falling off a building. The action then shifts to three girls who have just been committed to the school. They team up to help one of them, "Noriko the Cross" (Miki Sugimoto) take revenge on the "disciplinary committee". But then to complicate matters a rival gangleader (Reiko Ikke) also shows up to challenge "Noriko" (she rides her motorcycle right into the school, which you would think would get HER thrown into reform school, but apparently not in Japan). Eventually though the girls all realize who their REAL enemies are and team up against the corrupt male lechers running the school.

This "pinky violence" film has all the hallmarks of the genre--lesbianism, gratuitous shower scenes, girl-on-girl torture and violence. The sex and nudity is always appreciated, but the torture scenes are pretty unpleasant (albeit imaginative). Fortunately, the violence is not as graphic as it could be. The treatment of the male characters is pretty cynical--they're almost all lecherous perverts with "uniform" fetishes except for the vice principal, who's just plain evil. and a mercenary tabloid journalist who is the only male protagonist. Miki Sugimoto would go to appear in "Zero Woman--Red Handcuffs" and Reiko Ikke would go on to appear in "Sex and Fury", both of which would have a big influence years later on Quentin Tarantino's "Kill Bill". Both are pretty appealing (if not particularly believable as teenage delinquents).

This is a actually pretty big-budget and well-made film (according to genre expert Jaspar Sharp the "pinky violence" series differs from other Japanese "pink" sex films in that they were made by a big studio and had much bigger production values). These kind of films obviously aren't everybody's cup of sake, but if you like them in general, you'll probably enjoy this one.

This is a great little movie: it's one of the most far-out and over-the-top movies I've seen, yet at its core it tells a fairly heartfelt story of underdog misfit high school girls bucking a corrupt and at times downright evil school system. Over-the-top though it is, you sometimes can't help but wonder if what you're seeing is a more-or-less true depiction of actual events that took place in a Japanese high school some where, some time, not terribly long ago...

Anyway, I thought I'd include here the Production Notes as they appear on the Special Features portion of the DVD:

PRODUCTION NOTES:

The "Terrifying Girls' High School" pictures were a kind of spin-off to the "Girl Boss" series. Reiko Ike stars in all four. Miki Sugimoto co-stars in the first two, and the outrageousness factor is in just as full flower. However, here the girls are not former reform school inmates, they're high school girls – albeit emotionally warped, perverse, violent, sexually precocious high school girls. The tone of the entire quartet is pretty dark, even compared to most of the "Girl Boss" sagas, with less of the goofy, adolescent humor that sometimes overstayed its welcome in that series.

The second episode, "Terrifying Girls' High School: Lynch Law Classroom (Kyofu Joshikoku: Boko Rinchi Kyoshitsu, 1973)" is the best – a lunatic erotic/grotesque sleaze fest that remains one of director (Norifumi) Suzuki's wildest movies. Sugimoto is the leader of a trio of underdog delinquents at a super-strict girls' school. Independent yakuza biker chick and all-around free spirit Reiko Ike arrives midway to assist Sugimoto and her pals in fighting a homicidally fascist band of schoolgirls whom the principal (Kenji Imai) has recruited to keep the rowdier misfits cowed. These neo-nazi types are merciless sadists who love to drain their victims' blood, burn them with hot light bulbs, and generally make their lives miserable enough that they'll commit suicide! Ike, in turn, is helped by her yakuza pal, the suave but somewhat klutzy Tsunehiko Watase. Watase engineers blackmail scenarios by setting up sex stings on various hypocritical school staff and a corrupt member of the Diet (Nobuo Kaneko), a bunch unable to put the brakes on their voracious appetite for underage poontang.

The climax sees a full-scale riot at the school, with the girls keeping the hordes of cops at bay with rocks and fire hoses. Supremely anarchic entertainment. This film is really the strongest of all of Miki Sugimoto's performances and the first time she ever really carried a film without Reiko Ike. Ike's presence was greatly scaled down, in order for the producers to build a more antagonistic relationship between the two leads. It also allowed an opportunity to build stars out of the other supporting cast members like Misuzu Ota, Yuko Kano, Ryoko Ema, and Rena Ichinose. The fact that none of them ever reached the heights that Ike or Sugimoto attained is more a tribute to Reiko and Miki than criticism of the others.

In the '70s, Toei studio has switched completely from their samurai movies into Yakuza, and Sukeban type movies. They might have done some disservice to the Japanse culture for glorifying violence during that period. Reiko Ike and Aya Sugimoto were their stars at that time.

A group of girls belonging to Kibou Gakuen high school decides to battle the corrupt management of the school they're in that killed Michio Akiyama the friend of one of the girls. In between the girls engage themselves in lesbian escapades.

Girls that look awfully old to be a student appear as high school students in these movies.

Toei used to make samurai movies in glorious color. Their great photographic technique is evident in these movies as well.

Lot of interesting scenes in this movie, as are other movies made by Toei at the time.

The movie is tame in violence and sexual contents compared to the movies of today (frontal nude was illegal in Japan at the time), but this was the cutting edge in the '70s Japan.

BTW, the girl that appears on the box of Pinky Violence Collection is Reiko Ooshida, and does not appear in this movie.

A good movie from the '70s Japan.

This lacks a little of the style of the other movies gathered within the Pinky Violence collection but if it's missing some of the street cool, it is certainly sexy action all the way. More of less restricted to within the confines of an all girl school we get one set of girls put in charge of another, with extreme torture considered a reasonable discipline. Then we get the 'baddies' released from detention to be improved at the school and they immediately take against the other girls. Even with all this there is more because the teachers are for ever being seduced or deciding to rape various girls who also now and again make sexual advances upon one another. The film begins with a murder, includes a hanging and ends in delirious mayhem. Not as story bound as some and containing more sex and violence than would seem possible. Well shot and with decent score too.

When three transfer students arrive at the Girls' Hope High School,they refuse to tolerate the routine abuse to which the majority of the students are subjected.A group of students known as the disciplinary committee administer the torture in the science lab.The transfer students played by Miki Sugimoto,Misuzu Ota and Seiko Saburi, resist the abuse and stage a coup with the other students.Matters turn personal when Miki Sugimoto's character Noriko finds out that the disciplinary committee is responsible for the murder of one of her closest friends."Terrifying Girls' High School:Lynch Law Classroom" is a well-made and visually impressive pinky violence flick with plenty of sex,bare breasts and blood.The use of colors is wonderful and the main theme of film is appropriately misogynistic.Check it out.