Sheitan

Unaware that this is a French film, I liked the sound of the premise, so when I put the DVD on was (pleasantly) surprised that it was in French, makes an interesting differentiation from the usual U.S. films of the genre.

"Sheitan" begins similarly to "Wolf Creek" in terms of a group of young adults just doing ordinary things, before the terror is unleashed upon them, so for some time it does not seem as though you are watching a horror / thriller - even though you know you are.

The film switches between ordinary (men and women wanting to hook up with each other), to plan bizarre (the arrival and subsequent "adventures" in the small town) to the shocking (everything that follows). Seriously, some of it is so absurd and it feels totally original.

The acting is very good. Vincent Cassel is unrecognisable as the creepy Joseph. Hottie Oliver Bartelemy is terrific as Bart, Roxane Mesquida is great as Eve, as is Leila Bekhti as Yasmine, and Nico Le Phat Tan as Thai and Ladj Ly as Ladj.

Some of the phrases that the young adults say seem a bit strange, but I don't know if that is because of poor translation (I can't speak French), but it did become a bit distracting at some points. Overall though, an odd, disturbing and highly entertaining film.

Are you curious about the dark underbelly of the French country side? Vincent Cassel, once again proves his chameleon talents, from the hard-boiled skinhead (La Haine) to the sophisticated adult brat (Ocean's 12), by playing the role of an extremely disturbing and mysterious peasant. The rest of the cast is made up of brand-new, but highly talented actors. The decor is very carefully composed and you might find yourself looking around for extra creepy details.

The action opens in a nightclub, a normal enough setting for a holiday night, and the strange stifling atmosphere, which is truly the best element of the film, settles in right from the start. They decide to set off to one of the girl's country house for the night

The language itself is very funny, colourful, quick and witty.Expect to learn a good few french swear words and expressions.

It is a very interesting first film, filled with original shots and editing. Definitely worth a look.

Planing on visiting Paris? Be careful, the village in the film is only an hour away. Don't wander off...

French shocker Sheitan is, against all odds and expectations, some kind of demented - and utterly disreputable - masterpiece: the scariest, most uninhibited movie of the year, and also perhaps the funniest.

It's by some way the best picture I've seen since A History of Violence: I was really blown away by its punkish energy, unpredictability and confidence; most of all, I loved the way director Kim Chapiron (who I'd never heard of before) mixes horror and humour. So many movies try that balancing-act and come a cropper: Chapiron makes it look easy. She (or is it a he?) also puts the wildly overpraised Haut Tension and Calvaire very firmly in their place: Sheitan resembles both pictures in many ways, but is much their superior in terms of ambition, execution and sheer balls-to-the-wall chutzpah.

It's a picture I knew nothing about before arriving in Amsterdam (for the Fantastic Film Festival) and spotting it in the catalogue: the presence in the cast of Vincent Cassel and Monica Bellucci caught my eye, but I went in fearing the worst - anticipated a flashily hollow exercise in exploitational style a la Jan Kounen's dire Dobermann (Kounen is, as it turns out, thanked in the end credits), reckoned I might well exit after 30 minutes if it didn't grab my attention. New after five minutes I was going to be in my seat for the duration: hyperkinetic nightclub opening sets the tone/pace/look (much hand-held camera-work, rapidfire editing, up-close-and-personal shots of the youthful protagonists).

Main characters are three pals of varying degrees of boorishness: Olivier Barthelemy as knucklehead Bart, who rapidly gets into a daft dancefloor fight and is smashed over the head with a wine bottle; Ladj Ly and Nicolas Le Phat Tan as Thai - this latter pair relatively sensible and restrained in comparison with their lecherous, thuggish mate. When Bart is ejected from the premises, the trio head off (at reckless speed) in Ladj's car, along with barmaid Yasmine (Leila Bekhti) and another copine, Eve (Roxane Mesquida). After careering through the city streets, the five (accompanied by Bart's dog Tyson) head for the countryside and the farmhouse where Eve's parents supposedly reside. No sign of the folks: instead it's maniacally grinning farmhand/housekeeper Joseph (a near-unrecognisable Vincent Cassel) who provides an extremely hearty welcome. It doesn't take too long for all hell to break loose - perhaps literally, 'Sheitan' being the Persian word for Satan...

Like most of the best films, the less you know about Sheitan beforehand, the better: and any synopsis can't really hope to capture what makes the picture so exhilaratingly effective. Best seen in a crowded cinema - ideally after a drink or two - this is a genuinely disturbing, genuinely hilarious rock-the-house crowdpleaser. Too extreme and jittery for some, no doubt - but how terrific it is to stumble across a film bursting with so much wildness and life. A no-holds-barred rural Gothic: touches of Jeepers Creepers here and there, a bit of Cabin Fever - with Barthelemy's Bart a Gallic cousin of James DeBello's pricelessly doltish Bert from the latter.

And while Chapiron's direction and script (co-written with Christian Chapiron) are, of course, crucial, special mention must be made of Barthelemy, without whom Sheitan might not even work at all. His performance as the hapless Bart - whose sullen idiocy is punished in truly extravagant style - represents astonishing work. Bart is notably unintelligent, relentlessly unsympathetic: unredeemed and very probably unredeemable - a considerable challenge for any actor, never mind one making his first feature-film. But in Barthelemy's hands he becomes a compelling, utterly convincing three-dimensional creation - a startling intrusion of cloddish reality into what is otherwise a mind-bending journey into the surreal and the grotesque.

an excellent movie, but I think it has been misunderstood for the most part because it's full of references from ancient short movies from the collective kourtrajmé. IT has to be taken with second and maybe third degrees it's so funny and it's maybe vincent cassel's best performance. "on va aux grottes chaudes" will become cult. thank you Kim for that refreshing movie, I know you will be great in the future. kourtrajmé is an idea which didn't exist in France and allows to discover an other facet of french humour. It's a friends movie but you can see all the fun of this movie. it's so easy to criticize an original movie when you can't understand it. I think the world wasn't ready for Sheitan but I hope it will be soon because it's a pearl.

I saw Sheitan at the Melbourne International Film Festival and thoroughly enjoyed 26 year old Kim Chapitan's directorial debut.

Sheitan, meaning Satan in Persian, follows a group of 4 French kids on a roadtrip to an exotic vixen's country retreat on Christmas Eve. Upon arrival we greet the intoxicating local family who are a 'banjo shy of a Cahulawassee River ride', Deliverance style.

The buildup of tension is the film's greatest asset as we fall for the motley locals before all hell breaks loose in diabolical circumstances. There's enough lashings of nudity to titillate and a fantastic scene involving a placenta and the best use of SFX for a long time.

Great acting for a horror movie, including a superb performance by Vincent Cassell who proves he's as good as he is in front of the camera as he is behind it, a breathtaking performance by Roxane Mesquida and a blink and you'll miss it cameo by Monica Bellucci.

The art direction/ set design was perfect, the Provincial French manor where the kids end up is as beautiful as it is haunting. If clowns don't scare the hell out of me, dolls do, and Sheitan certainly pushes the right buttons whilst not resorting to 'Chucky' style offerings. A beautiful soundmix accompanies the pictures providing some of the best sound effects work seen for a fair while.

For a directorial debut, Chapiron is streets ahead of Eli Roth, again proving that the best horror directors aren't in Hollywood. As part of the emerging French group Kourtajme', Chapiron has greatly learned from some of his more famous contemporaries, namely Cassel.

So kudos to you Mr Chapiron. A few editing flaws stop me giving a higher score but a good 8 for a debut film is nothing to sneeze at, and announce yourself on the horror stage as a star of the future.