Post apocalyptic Frankenstein-ish fantasyPost apocalyptic Frankenstein-ish fantasyPost apocalyptic Frankenstein-ish fantasy
- Awards
- 1 win & 1 nomination total
- Thug #1
- (as John Elmanahi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
All is well until Walter and his "twin" fall in love with the same woman, named Julia (Robbie Shapiro). Julia prefers one over the other, leading to betrayal and disaster.
PUZZLEHEAD is a well-made film about identity and what it means to be human. So, don't expect laser battles or explosions, just intriguing science fiction...
Despite all the above praise, I have to mention one thing that led to my average vote. Why no one has commented on this before me, I have absolutely no idea. The acting is atrocious; and there's just no way of getting around it. It's partly because of the mood the director wanted for his movie, but no one in this movie is even close to pulling it off. Even playing the robot, which in the beginning of its creation shouldn't require much skill, they completely miss the mark. In fact, if the story wasn't so genius, and the setting so beautifully laid out, not to mention some of the very artistic filming - I would probably have stopped watching the movie altogether.
I very much liked this small scale and moody sci-fi picture. It's well acted, has an intelligent screenplay and lots of atmosphere. The writer-director never makes the mistake of trying to make his low budget film bigger than it it is, thus keeping it believable.
I was interested by a comment someone else posted - "I don't understand how tripe like this can still be churned out in the 21st century with over 100 years of film history behind us.."
It's almost like they are saying movies started off terrible and amateurish and have somehow gone on an evolutionary journey to being better. I don't see that with Hollywood at all, it seems to me as though intelligent movies like this one are a rarity whereas in the past plot was something writers worked at because flashy effects and exploding cars were harder to come by.
"NO movie studio should back things like this." The person adds. Sadly, most studios won't so you have almost got your wish there. It's a shame though because films with an actual story to tell like this one will stay with you a lot longer than that exploding car scene. Each to his own though, I think this is a work of genius but I know a lot of people will disagree simply because it is slow and thoughtful. I personally found the implications quite scary, more so than a CGI monster popping out and a blaring noise to inform the viewer when to jump which is what passes for horror these days.
Did you know
- Quotes
[first lines]
Puzzlehead: The Anti-Federalists and the Luddites forced the closure of all biomechanical laboratories and began replacing them with fertility clinics. Funding ceased for everything not directly related to re-population. Quite ironic now that I think about it. Walter managed to salvage most of the equipment that wasn't nailed down. The most important of which was D-I-amdac, a brain scanner, which he used to scan his own brain to provide the blueprint for the neuro-net map of my artificially intelligent mind.
Walter: [upstairs preparing a meal]
Puzzlehead: During the initial burn-in, programming 24-hours a day for several days at a time,
[groans and cries over intercom]
Puzzlehead: it was painful. I would get exhausted. But he was impatient and wanted to give me all the information he thought most relevant to my primary human development.
Walter: [leaning over him on the gurney] There there my little Puzzlehead, you've made me very proud. Everything's going to be alright now. That's a good boy. You can rest now.
Puzzlehead: I became an interactive humanoid life form, with sensory faculties that enabled me to be a conscious being with emotions. Enormous cognitive capacity, and no sense of mortality. A robot, created in the image - or self-image - of Walter.
Details
Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 21m(81 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1