Blackout

Maybe the critic who wrote (something like) '...written by the smartest kid in film school...' was right--you really need to pay attention to understand the game, the rules and the players.

And just when you believe you've figured it out, yikes, there are more twists.

Solid performances by all players, every one believable in their loss-of-memory-ness.

Several characters transformed with nice arcs that cross, mesh, repel and attract.

Smart clues dropped unexpectedly.

Plus, released to cable partners of IFC (at least in the NYC, NJ and Conn area) and is also available now with video-on-demand service. This makes this nice little film available to many, many more viewers, because the number of theatres listed across the US playing it numbers about one dozen.

A man wakes up in an abandoned warehouse. Groggily getting to his feet, he sees several other men, some laying prone, one hanging from handcuffs, one tied to a chair. The man has no recollection of who he is, how he got there, who the other men are, nothing. No recollection other than that he just woke up.

Unknown is a solid, twisty caper/thriller, about a kidnapping that somehow goes wrong; we pick up the action the same time that our protagonist (or is he?) does, so we have to piece things together with him. And, as it turns out, with the others in the warehouse, each of whom has suffered short-term memory loss. Who is "good," who is "bad," and where the heck are they? The man can't get out of the warehouse (there are bars on the windows, and the only door to the outside is electronically controlled), and they have limited means with which to defend themselves. But what if some of them are the ones against whom they should be defending? What then? One thing I liked about this movie, above all else, really, was that whatever did happen, it was neither blindly predictable nor completely implausible. No one trusts anyone, really, but no one completely mistrusts others, either.

Helping matters is the wonderful, flawless cast, including Jim Caviezel (as the initial waker-upper), Barry Pepper, Greg Kinnear, Joe Pantoliano, Jeremy Sisto, Chris Mulkey, and Peter Stormare. Everyone is dead on; there are no hams this time around. Everything just plain feels right, and what's more, not one character is Good or Bad. Sure, you wake up with Jim Caviezel, and you get the idea he's Good, but he doesn't always act Good. If that makes sense.

See, at no point did I feel I comfortably knew what the hey hey was going on. There were feints and double crosses, but not so haphazardly that they lose meaning. We've all seen movies like that, movies that are completely wrapped up in being clever and self-important, so they managed to write themselves into a corner and therefore make no freaking sense.

Unknown makes sense all along but still surprises, and that's saying something. A lot better than you might imagine it being, based on its title.

Five men wake-up in a chemical warehouse without memories. One man is handcuffed and bleeding with a shot on the chest; the other one is tied-up to a chair; the other one has the nose broken; and the other two are lying on the floor. They unravel that two of them have been kidnapped and the other three are bad guys, bur who is who? Meanwhile, the police force try to track the criminals that will catch the ransom and find where their hideout is.

"Unknown" is a surprisingly good thriller, with a dramatic and suspenseful story that uses elements of "Cube", "Memento", film-noir genre and many other movies ("Saw", "Reservoir Dogs" among others). The explanation for the lack of memory of the men is very reasonable, the acting is excellent and the final twist is totally unexpected. The character played by Jim Caviezel is very interesting and complex. My vote is seven.

Title (Brazil): "Os Desconhecidos" ("The Unknown")

I usually am disappointed in psychological thrillers - typically the twist at the end never lives up to the hype. It was a wonderful surprise that this one failed to let me down at the end. Although the film is slow at times, there are numerous twists and turns so you don't have to wait until the end for all of the excitement.

Unknown is a great movie that keeps the viewer trying to stay one step ahead through the collective confusion. Caviezel and Peppers gave strong and engaging performances. Kinnear skillfully draws both dislike and sympathy. Stormare is a great character actor and perfectly cast for the role.

I agree with other viewers the lighting was dim and depressing but I would give a good guess that this was intentional. Certainly the movie would not have "felt" the same otherwise.

While undeniably containing many similarities to Saw II and Reservoir Dogs, Unknown boasts a unique (if contrived) central idea that lacks the necessary anchoring in reality to make it believable. Five men, all of them battered to some degree, awake in an abandoned mine (or refinery) with no memory of who they are or how they got there. As the story unfolds, they discover that two of them are hostages, which means the other three are bad guys. Even worse, the bad guys' accomplices are returning from collecting the ransom money to put a hole in the hostage's heads.

It's an intriguing premise, and writer Matthew Waynee touches all bases while not quite managing to exploit the opportunity for suspense inherent in the plot. Despite its short length (85 minutes), the time doesn't pass that quickly, even though the film is never boring. Everyone is understandably stressed and shouts a lot and they're all generally unpleasant to one another, so we don't develop any particular attachment to their characters. Given this, and the fact that there are some glaring plot holes (these guys don't have wallets?) the film falls short of its potential by some distance.

The cast is surprisingly good for what looks like a low budget effort, and they all perform well, and the story will keep you watching to the end to find out just who is who but, ultimately, Waynee adds just one unnecessary twist too many, leaving the suspicion that he wants to show us how clever he is as much as he wants to tell us a story.