16 blocs

Certainly a decent cop - thriller; it's quite entertaining despite some actions sequences that are really unlikely (they could also be called brainless). In fact credulity is put to the test a lot of times, nevertheless "16 Blocks" is a kind of movie that makes you reflect on what you saw. Bruce Willis plays the unusual part of a broken down cop ready for both rehabilitation and retirement, weary of working and living as well; Bruce has never looked more unkempt and scruffy but his part his acting is really persuasive and cogent. The ending could (should) have been less predictable but the job is in my opinion well done.

The story premise is not a new one. We can see other works of action in between pickup and delivery of a suspect or a witness all the way from the 1990s in movies like Eraser (1996) and S.W.A.T (2003). But I like how the story unfolds and develops. It's quite predictable in the bigger picture level, yet it's execution details are nice enough. The action is not bad. I particularly like how Jack and Eddie can escape multiple standoffs even including one hostage situation. Bruce Willis can get his calm mode on for his character here, and Mos Deff really did a great job in giving a balance to a big name such as Willis. It's entertaining enough for me.

Bruce Willis doesn't exactly have to stretch himself here, in the role of Jack Mosley. Jack is an extremely weary, damaged veteran NYPD detective with a fondness for the bottle. One morning he receives a supposedly minor assignment: escort a witness named Eddie Bunker (Yasiin Bey, a.k.a. hip hop artist Mos Def) to a courthouse. But this turns out to be a nightmare, because this witness' testimony will help to put away some VERY dirty cops, and they will do ANYTHING to silence Bunker - and Mosley, if need be.

Recalling the 1977 Clint Eastwood vehicle "The Gauntlet" (to name just one possible influence), "16 Blocks" explores fairly familiar territory. Still, the idea of watching this seriously burnt-out cop begin to redeem himself makes it all pretty compelling. Richard Donner (in what was his last film for the past 13 years) guides it all in style, with top action scenes and good use of NYC locations. The film starts off in a rather low-key manner, then ratchets up the tension and quickens the pace as the first attempt is made on Bunkers' life. The chemistry between cop and witness is effective enough to carry the story through to its ultimate conclusion, especially as Mosley realizes that Bunker is really not a bad person, despite what his colleagues try to tell him. (It's worth noting that the naming of this character may be a deliberate nod to the real-life Eddie Bunker, who'd spent time in prison and turned his life around by becoming a novelist and screenwriter, and actor, in things like "Reservoir Dogs".)

When he actually gives a damn about a project, Willis can still deliver a riveting performance, as he does so here. Despite his flaws, Mosley comes off as an all-too-human protagonist, one with some rooting interest. Since it's Willis in the role, the viewer has no doubt that he's still capable of kicking some ass when necessary. As for Mos Def, his affected, nasal voice CAN grate on the nerves, as well as the characters' incessant chattiness, but the performance is basically sound. Familiar faces in supporting roles include the always great David Morse (as the ringleader of the crooked cops), David Zayas ('Dexter'), Casey Sander ('Grace Under Fire'), Cylk Cozart ("White Men Can't Jump"), Kim Chan ("Lethal Weapon 4"), and Donner's actor cousin Steve Kahan, whom action fans know as Captain Murphy in the "Lethal Weapon" franchise.

A good, enjoyable action-thriller overall, which finds all of its key participants in fine form. One memorable sequence has Jack and Eddie trapped on a bus and surrounded by the authorities.

Seven out of 10.

16 BLOCKS is a neat little Hollywood thriller that might not offer the bulldozing excitement of a DIE HARD movie or the fantastic stuntwork of a MISSION: IMPOSSIBLE flick, but which still generates plenty of suspense from its straightforward premise. It tells the story of a cop and a criminal, two men who have to cross New York before their deadline runs out. Of course, there's a lot more at stake than it first appears, and gradually director Richard Donner weaves a story of friendship, betrayal, skeletons in the closet and, above all else, the need to "do the right thing". It's a story that's character-focused throughout, with the emphasis on the developing relationship between Bruce Willis' detective and Mos Def's criminal. Some might find this emphasis off putting, but I for one thoroughly enjoyed it.

Bruce Willis is much as we met him in DIE HARD WITH A VENGEANCE (and indeed there are many parallels and references to that movie in this one); he's washed up, past his glory, except here he's even worse, saddled with a paunch and a gammy leg. Once the bullets start flying, Bruce's character takes a turn for the better and he becomes the everyday hero we all know and love him for. I was prepared to dislike Mos Def's high-talking criminal but, surprisingly enough, he's one of the best things in the film, and he really makes the criminal character his own, adding warmth to the feature. David Morse, off our screens for too long, is as great as ever as the corrupt cop who becomes the nemesis of the heroes.

While the film is not action-focused, there are some highly impressive set-pieces which strive for realism – the stand-out scene being the bus hostage rescue, of course. Elsewhere, the layer of gritty realism – no pyrotechnics here – and the endless cops-vs-robbers stealthy sneaking around generate plenty of tension and also excitement. My only real complaint is with the ending, which could have been handled a little better, but then it chooses emotion over action and it's a character-focused finale rather than one with big bangs. I remember a few years back when the film S.W.A.T. attempted a similar storyline; the difference is, that film was a piece of crap, and this one is rather good.

The film concerns an experienced but tiring cop named Jack (Bruce Willis) about his retirement . The aging detective is assigned the last mission , transporting sixteen blocks away a foul-mouthed delinquent , from the precinct until the court . He is aware that the African-American young named Eddie Buken (Mos Def) is allegedly to testify against NYPD agents . He made a covenant with the D.A. office for identifying corrupt detectives at courthouse . Meantime , along the way , they're attacked by vicious gunfighters and pursued by all N.Y.C policemen and they find themselves under siege into a bus and surrounded by the SWAT . Then , they team up to flee , trying to get out towards the trial building .

The movie displays suspense , action ,thriller and is very entertaining . The film's writer, Richard Wenk, has reported that he originally conceived of the project with himself as writer and director and, before shopping it around to anyone else, first approached Richard Donner because they had a struck up a good relationship when Donner really liked his rewrite of a script for Lethal weapon 4 (1998) , even though that script was not used . It's a special buddy movie between a dreary , boozy cop magnificently played by Bruce Willis and a fast-talking prisoner well acted by Mos Def , detaching an agreeable chemistry . Although the film is principally interpreted by two main actors also contains exceptional performances by its entire secondary cast , especially by David Morse and Jenna Stern . Living musical score adjusted appropriately to the action by Klaus Badelt and adequate cinematography by Glen McPherson . The movie produced by Milennium (Trevor Short ,Boaz Davidson , Danny Lerner) usually producers of low-medium budget but here was lavishly filmed . The motion picture was professionally directed by the veteran Richard Donner . He's an action cinema specialist with numerous titles (Assassin , Conspiracy theory , Timeline , Lethal Weapon I..). Rating : Better than average . It's a must see for Bruce Willis fans in spite of his characterization as an old man .