Sin City : J'ai tué pour elle

OK, maybe this movie isn't aimed at "mature" audiences, but for adults looking for a trashy good time at the movies then you won't get a movie any better than this. If you want to see unrelenting brutality & most of Eva Green you will get your money's worth & then some.

Green totally owns the "Dame" role that she was perfectly cast for. When her story ends the movie does drop off (fortunately her story is most of the movie).

The "Sin City look" is enhanced by 3D (I normally avoid 3D) & rates as one of the best uses of 3D I've ever seen. Fans (like me) of Miller's "A Dame To Kill For" comic book will be thrilled at it's obsessive loyalty to word & frame screen treatment. It looks fantastic! (Maybe, I mean to say that Green looks fantastic. It's both.) I don't get all the criticism of how this "look" has grown tiresome --not for me in 3D.

All the actors in big roles to small look like they are having a sinful amount of fun, but Joseph Gordon-Levitt is almost as strong as Green in a new role in one the new stories written for the movie. If you saw "Looper" (or "Inception") you already know that JGL can play a tough guy despite his physical size.

Make no mistake this movie is a feature length Roadrunner cartoon for adults --emphasis on "adults"--with all of the ridiculous action & over- the-top violence that only a cartoon can get away with because of the way it's rendered.(No kids, please: there is just enough gore that isn't so cartoonish to make it unfit for children.)

Like the first Sin City 9 years ago, this new Sin City is B-movie bliss. (I still don't like Jessica Alba as "Nancy".)

Nine years after visually reinventing and presenting a new form of filming, directors Robert Rodriguez and Frank Miller are reunited to adapt the graphic novel 'A Dame to Kill For' and also bringing elements of 'Just Another Saturday Night', a tale taken from Booze, Broads, & Bullets, sixth volume in the comic book series. Two stories are unpublished: 'The Long Bad Night' and 'Nancy's Last Dance'. Most of the cast returned to this sequence. Josh Brolin takes on the role of Dwight in Sin City 2, originally played by Clive Owen and Ava Lord, the title's Dame to Kill For - a role originally thought for Angelina Jolie - was played by Eva Green.

After the death of John Hartigan (Bruce Willis), Nancy Callahan (Jessica Alba) thinks only of revenge. She spends her nights dancing in the same bar, but now in the company of a bottle of drink, while taking courage to face the powerful Senator Roark (Powers Boothe). At the same time, Dwight (Josh Brolin) tries to help the enigmatic Ava (Eva Green) only to find himself betrayed once again by this fatal lady. Virtually destroyed, he will seek the help of Gail (Rosario Dawson) and his gang to face the beloved, while Nancy will have the support of Marv (Mickey Rourke).

Just as it was in the first film, this new journey through Sin City maintains the structure adopted in the comics and is composed of small stories that are told in parallel and without worrying about chronology - that is why Marv (Mickey Rourke) is there. return. The script seeks to divide the story again into three main plots, trying to maintain continuity with the events of the previous film. The big problem with this sequence is that the directors create an evident problem of rhythm, putting the climax practically in the middle of the work. The main narrative arc, which gives the film its name, is resolved quickly, when it could have been fragmented and interspersed with the other stories. The end result sounds like a great collection that does not necessarily follow a line of reasoning.

The short story that gives title to the film, 'The Dame to Kill For' is one of them and shows Dwight McCarthy who tries to forget his violent past, working as a private detective and leading a sober life. After saving the life of con artist Sally (Juno Temple) from being killed by businessman Joey (Ray Liotta), he receives a call from ex-lover Ava Lord, who had abandoned him four years earlier to be with a wealthy tycoon, Damian Lord (Marton Csokas). Ava Lord is a woman who, when she touches a man's heart, becomes her greatest desire. A predator that usually destroys lives, sometimes for power, sometimes for profit and sometimes for sport. Ava Lord knows this and uses her sex appeal to get everything she wants from men.

The directors and the beautiful Eva Green manage to impress the scenes with sensuality, a factor amplified by the plans in which we see her portrayed as a goddess surrounded by a whole mystical atmosphere. But there will certainly be a lot of people in the cinema who will see just one more macho movie there, wanting to boycott the work, after all, nowadays if any material produced does not fit the politically correct, that is, a censorship endorsed by the majority of the artistic class worldwide, it is doomed to fail, at least by critics. This segment is, without a doubt, the most involving plot of the work and manages to keep us immersed and curious waiting for its conclusion. It is interesting the mystery that was built at the beginning, in which we did not know whether Ava was telling the truth or not. Ava's nature is built slowly by the work and is revealed to be harmful with the passing of minutes. The controlled use of color is present in the eyes and lips of the seductress. Afterwards, the viewer is anxious for Dwight's revenge with the help of Gail (Rosario Dawson) and the Old Town prostitutes. We see a plethora of knives piercing brains, swords severing heads and a lot of digital blood in the best 'Sin City' style.

The segment 'The Long Bad Night' is one of the unpublished stories written by Miller especially for the film and that brings Johnny (Joseph Gordon-Levitt), a mysterious young man who decides to show his poker talent at a table full of influential and dangerous people . In this plot we learn that Johnny has a personal difference with Senator Roark (Powers Boothe). This plot proves to be very interesting, but its outcome leaves something to be desired, making us wonder why Miller simply does not use the original material, instead of creating this new arc that starts well, but fails for repetition in its closure.

'Nancy's Last Dance' shows Nancy Callahan suffering from deep depression over the death of John Hartigan, four years earlier. She is obsessed with getting revenge on Senator Roark, until with Marv's help, she invades the senator's house to kill him and to realize her revenge. Nancy's bow is interesting and is what closes the film, while still being interesting, even if predictable. Chosen to defend a plot of bitterness and revenge, all Jessica Alba can do is to force a face of suffering while babbling her dialogues. Still, we have excellent scenes in the mansion invasion and even in the final confrontation with Senator Roark.

Time was one of the great enemies of The Dame to Kill For. The sequel happened too late to accompany the commotion generated by the first film, and too soon we tried to use nostalgia to its advantage. In addition, Rank Miller's script is simply unable to fill all the stories with enough content. They are fast, empty and pale before the central plot. 'Sin City, A Dame to Kill For brings us everything we love about the first one as fun dialogues, full of catch phrases, neo-noir mixed with graphic violence. Everything follows the same pattern. It is more of the same, with the difference that in this case the narrative lacks rhythm, as previously said, and the three stories are connected in some way, but they seem to be stories played at random many times. There are also no memorable and shocking scenes as in the first, perhaps due to the public being more accustomed to this type of violence in other productions in recent years.

Obviously the technical part is once again impeccable, as well as the direction, but it no longer brings innovations. It is certainly a story that will please fans of comics, since again it is an almost literal transposition of the dialogues of comics to the cinema and fulfills its role of amusement. However, for the vast majority of the audience, those behind a consistent plot, characters with whom it is possible to root and get involved, the conclusion is somewhat frustrating. Either way, it's always great to walk the streets of Sin City and not know what to expect around every corner.

I got to see an advance screening last night. If you're a fan of the first Sin City, you won't be disappointed. It's more of the same, but that's a good thing: hyper-stylized visuals, intense violence, plenty of splattered blood. Film Noir cranked up to 11.

Jessica Alba doing her stripper grind? CHECK. Mickey Rourke causing much harm? CHECK. Josh Brolin is new to the franchise and he is GREAT! JGL is new to the franchise and he is GREAT! But the film really belongs to Powers Boothe. He is just pure evil. If you liked him as Cy Tolliver in Deadwood you'll love him in this.

The only drawback is that the original Miho (Asian female killer) was apparently pregnant at the time of the filming of the sequel, so they had to replace her. That's kind of a bummer.

Fans of the comic / graphic novel will be happy. Fans of Robert Rodriguez will be happy. GO!

Sin City was one of my favorite movies of the 2000s. A fun, creative film noir cartoon with unique visuals and a style all its own. The first problem you run into with this sequel is that it offers nothing new. It's a stylistic retread of the first movie, only less impressive. The visuals copy the first movie but somehow seem cheaper. The makeup effects aren't as good either, with Marv's jaw easily twice the size of the last movie. The action is weaker, with no memorable sequences and a final showdown that is derivative of the first movie. The other big problem is that the writing is very poor this time and the stories don't flow well together. The Dwight story is lame. The Johnny story is pointless. The Nancy story is impossible to take seriously, especially the ghost parts. Sadly, this movie is boring, listless, and disjointed. It's a movie that didn't need to be made. Still, it's always nice to see Eva Green naked. That's something that never gets old.

Visually is more of the same and that's good because Sin City visuals are amazing. When it comes to the story itself I personally didn't enjoyed it as much as the first movie especially that with Joseph Gordon-Levitt, that one seemed really pointless. The main story and the one that gives this movie his name was acceptable and the last story gave closure about a previous story. It lacks the brilliant narration of the characters thoughts that the first one had, this still has it but in a minor quantity and without the poetry that the first one had that should be also due to the change of writers because the overall writing in this one felt worst. The action scenes were good but again not as enjoyable as in the first movie and not as violent too. Not a bad movie by any means but when you have that first masterfully done Sin City to compare this doesn't feel as god as it could.