Midnight Movies: From the Margin to the Mainstreamo the Mainstream
Original title: Midnight Movies: From the Margin to the Mainstream
IMDb RATING
7.3/10
1.7K
YOUR RATING
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
- Director
- Writers
- Stars
Alejandro Jodorowsky
- Self
- (as Alexandro Jodorowsky)
Robert Shaye
- Self
- (as Bob Shaye)
George A. Romero
- Self
- (as George Romero)
Jim Sharman
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I watched this film the other night on TV- it's based on a book of the same name (the authors appear in the film as well)- and it did its job perfectly. It kept me interested by films I've seen and loved, heard of, or got introduced to during the program. And, the history itself behind the actual movie-going experience of the 'midnight movies' of the late 60's and 70's makes for fascinated viewing. We get interviews from filmmakers (John Waters, George Romero, Alejandro Jodorowsky, David Lynch, among several others) who go over the legends of their big 'cult' films, which either were made specifically for it, or just happened that way.
One of the things I love about documentaries about movies, like the Martin Scorsese documentaries on American and Italian movies or Decade Under the Influence, is that there's a new awareness to material that I've never seen before. Most of the films selected here I have seen, but the ones that I didn't not only were impressive on their own, but gave me the feeling "I have to check these out, if I can find them." The most prominent one for me, which served as the sort of birthplace of the "midnight movie", is El Topo, Jodorowsky's madness of a film, that goes all out to do everything in its power to offend and act violent, nutty, obscene, while still maintaining a deranged sense of humor. It became a huge success as the first "midnight movie" that attracted a mass (or cult) of young people (almost all pot smokers, even in the theaters). Other films like Pink Flamingos and The Harder They Come looked equally interesting (and funny) to see. And getting some more back-stories on Night of the Living Dead, Eraserhead, and even The Rocky Horror Picture Show (which I was never much a fan of) kept me glued to the TV even in the later hours of night.
For a movie buff this is a must-see to catch, another of the "good old days" kind of documentaries where one feels as much excitement and historical interest as slight sadness. There are still theaters around the country that have midnight showings of movies, almost by demand 'cultish', but the whole mystique and pandemonium around it- the kind of excitement that in its own realm was stronger as for the big Hollywood films- is gone.
One of the things I love about documentaries about movies, like the Martin Scorsese documentaries on American and Italian movies or Decade Under the Influence, is that there's a new awareness to material that I've never seen before. Most of the films selected here I have seen, but the ones that I didn't not only were impressive on their own, but gave me the feeling "I have to check these out, if I can find them." The most prominent one for me, which served as the sort of birthplace of the "midnight movie", is El Topo, Jodorowsky's madness of a film, that goes all out to do everything in its power to offend and act violent, nutty, obscene, while still maintaining a deranged sense of humor. It became a huge success as the first "midnight movie" that attracted a mass (or cult) of young people (almost all pot smokers, even in the theaters). Other films like Pink Flamingos and The Harder They Come looked equally interesting (and funny) to see. And getting some more back-stories on Night of the Living Dead, Eraserhead, and even The Rocky Horror Picture Show (which I was never much a fan of) kept me glued to the TV even in the later hours of night.
For a movie buff this is a must-see to catch, another of the "good old days" kind of documentaries where one feels as much excitement and historical interest as slight sadness. There are still theaters around the country that have midnight showings of movies, almost by demand 'cultish', but the whole mystique and pandemonium around it- the kind of excitement that in its own realm was stronger as for the big Hollywood films- is gone.
10preppy-3
Absorbing documentary about midnight movies--how they started, why they existed and did so well and what killed them. It deals with six key movies--El Topo; Night of the Living Dead; The Harder They Come; Pink Flamingoes; Rocky Horror Picture Show and Eraserhead. They interview the directors and distributors of all six films and they discuss how they got them out and the reactions of critics and audiences. It also explains why these movies were only successful as midnight movies (Rocky Horror was a disaster when it came out as a regular movie).
I'm old enough to remember midnight movies and how much fun they were. They're gone forever but this wonderful documentary brought it all back to me. Also there's a HUGE amount of footage from each film. Highly recommended.
I'm old enough to remember midnight movies and how much fun they were. They're gone forever but this wonderful documentary brought it all back to me. Also there's a HUGE amount of footage from each film. Highly recommended.
The collection of films gathered in this documentary is centered around the cult of the midnight movies, a series of films in the 70s which were not only experimental in form and shocking in content, but also presented a different type of viewing experience in the decade between the flower power 60s and the electronic explosion of the 80s. All these films became cult objects and enjoyed success which was not necessarily, or not only commercial, but also focused on a type of non-mainstream audience. The films themselves were very unequal judged on the art scale, with three of the six being important films, to be remembered in any history of the moving pictures art, and the other three closer to the trash pan. It is however interesting to see the authors of the movies looking back to the time of the making and the critics trying to put them in perspective. At the end it is not so much the documentary material that stays with the viewer but the reflection process that makes us think about the relationship between art, viewing conditions, experiment and success.
Midnight Movies: From the Margin to the Mainstream (2005)
*** 1/2 (out of 4)
Highly entertaining documentary that traces the start and end of the midnight movie. El Topo, The Rocky Horror Picture Show, Night of the Living Dead, Pink Flamingos and Eraserhead are discussed by critics, their filmmakers and those who made them famous. The documentary does a great job at showing the appeal of these films and why they've lived on for so many years after, for the most part, they couldn't even get into theaters early on. George Romeo, David Lynch, John Waters and even Roger Ebert are all interviewed as well as others.
*** 1/2 (out of 4)
Highly entertaining documentary that traces the start and end of the midnight movie. El Topo, The Rocky Horror Picture Show, Night of the Living Dead, Pink Flamingos and Eraserhead are discussed by critics, their filmmakers and those who made them famous. The documentary does a great job at showing the appeal of these films and why they've lived on for so many years after, for the most part, they couldn't even get into theaters early on. George Romeo, David Lynch, John Waters and even Roger Ebert are all interviewed as well as others.
This is a well-constructed movie that is entertaining, informative and at times disturbing.
We have seen or heard of all six movies: El Topo, Night of the Living Dead, Pink Flamingos, The Harder They Come, The Rocky Horror Picture Show and Eraserhead. It would be worth an entire movie just to see the clips, but these are presented one at a time, each movie given the full treatment of talking heads and loads of footage.
The interviewees are shown historically and recently. The film moves along quickly, giving a good sense of the film, its production, distribution and the culture it blossomed in.
It's a must-see for any film fan.
We have seen or heard of all six movies: El Topo, Night of the Living Dead, Pink Flamingos, The Harder They Come, The Rocky Horror Picture Show and Eraserhead. It would be worth an entire movie just to see the clips, but these are presented one at a time, each movie given the full treatment of talking heads and loads of footage.
The interviewees are shown historically and recently. The film moves along quickly, giving a good sense of the film, its production, distribution and the culture it blossomed in.
It's a must-see for any film fan.
Did you know
- Quotes
John Waters: [about Pink Flamingos] I was high when I wrote it. I was not high when I made it.
- ConnectionsFeatures Freaks, la monstrueuse parade (1932)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Midnight Movies: From the Margin to the Mainstream
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$671,000 (estimated)
- Gross worldwide
- $2,143
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By what name was Midnight Movies: From the Margin to the Mainstreamo the Mainstream (2005) officially released in India in English?
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