Four Minutes

Obviously, this is a sports movie so its going to be predictable. I really enjoyed this movie because the individual aspect of track and field makes it extremely hard to make an effective movie about it.

Roger Bannister's breaking four minutes for the first time is probably the single greatest event in track history. It was a huge mental barrier which stood for nearly 20 years as something man couldn't break. Al though this movie didn't perhaps focus on that as much as it could, it still got that point across well. It was also very good at showing the world of sport back then - very white, gentile, amateur and elite, especially in Britain. And Roger Bannister was someone who personified all of it. That was shown well in Four Minutes, with him struggling to choose between medicine and running. The only real discrepancy I noticed was that they changed who was coaching him (it was in reality Franz Stampfl, an Austrian).

Overall, this was a well-done movie which really covered all the bases in terms of the story of Roger Bannister. It showed who he was, what he was up against, and how he pulled it off.

The movie depicts reasonably accurate the event(s) leading to this achievement. Considering the passage of 50 plus years, the producers have accomplished a creditable job in their production. It should be emphasized that the part played by Christopher Plummer is pure fiction, but for entertainment purposes, understandable. Present generations should not be too critical. The event was of great significance at the time. I am happy that it has been recorded for present generations information, and to honor the participants. I was particularly impressed by the imaginative use of the location facilities in Toronto in depicting the Oxford and Princetown locale(s) The cast selection was also impressive.

I was very familiar with the 1988 version (The Four Minute Mile) before seeing this newer one.

This film is less true to history, most seriously in replacing the real coach, Franz Stampfl, with the shadowy imitation one portrayed by Christopher Plummer. It also brings in Roger's future wife long before he really met her, in a crass attempt to add love interest. In addition, it somewhat misrepresents the weather problems on 6 May 1954 (see below).

This newer version also omits any depiction of Landy and Santee's efforts and turns Roger's important and illustrious friends and helpers (Chris Chataway, Chris Brasher and Norris McWhirter -- see their entries in Wikipedia) into mere cyphers.

These are serious omissions. On the other hand, this 2005 version has a much, much better Roger Bannister, which counts for a lot, given that he is the main character in the story. Jamie MacLachlan is believable as an athlete and does a great job in showing Bannister's combination of brilliance, modesty and stubbornness. He also convincingly embodies the post-war period in which the events take place (despite the garish American ties he is given to wear).

This version also does moderately well at recreating the Iffley Road track in Oxford where the key event was run. The fact that the tower of Iffley Church in the background is clearly made of something akin to cardboard is not too detrimental. Anyone who has heard Norris McWhirter speak about that day -- the overseas channel BBC Prime has shown a clip of this hundreds of times -- knows that the main problem on 6 May 1954 was the wind -- and not so much the rain, as shown here. Roger decided to run when the flag on top of Iffley Church went limp, showing that the wind had dropped. Here, the film-makers have carefully provided the church and the flag, but the latter sadly continues to flutter merrily the whole time.

There are other minor blunders, such as the wrong kind of telephones and the phrase "Get the hell out of here" ludicrously put into the mouth of a crusty old Oxford professor, but I can forgive these.

It is well worth seeing -- but try to catch the other version, too.

A film with a lot of heart and fun for everyone! When someone achieves what seems to be the impossible, (Everest, the Moon, Four Minutes,) it opens the door for all of us, and that's it's appeal. Great performances, music and photography as well. Great stuff! I am a mile runner and found the races accurate and an inspiration. The four minute barrier was clearly a physiological brick wall and Bannister the doctor who ran for fun sets about examining the limits of human endurance. There aren't enough movies that celebrate human achievement, so congratulations to ESPN for backing this project. I wonder why it was left to an American network to celebrate the achievements of a British athlete?

I rather enjoyed this biopic (at least up until his sub-4 minute mile triumph) of the great English athlete Roger Bannister. While athletics is more difficult than most other sports to make exciting, I thought the director did a good job employing a variety of shots to convey the excitement of the races, in particular his historic run of 6th May 1954, although one senses the omission of his pivotal failure at the 1952 Olympics was likely due to budgetary constraints, with the race instead being played out on radio - possibly archive footage could have been utilised.

The concentration on Bannister's running exploits in an already shortish running-time means the characterisations are a little light, but Jamie McLachlan, besides his strong physical resemblance to Bannister, seems to catch the spirit of an initially single-minded loner who relents on himself to make friends with his co-athletes, the two Christophers Brasher and Chataway, fall for two girls in the film and most importantly accept the coaching and encouragement of aged, retired, wheelchair-bound coach, Archie Mason well played by Christopher Plummer, although I was disappointed to learn that this was an invented character, presumably for dramatic purposes, Bannister's real coach being a perfectly healthy Austrian.

Perhaps this production treats its subject too reverently and is likewise light on characterisation. I noticed that the source book entwined Bannister's ultimate achievement with Hillary's conquering of Everest, which would explain his numerous references but for me distracted from the story here.

Evocation of place and period (the rarified atmosphere of Oxford), although you'd never know the country at large was still on rations, while there's an attractive background score skilfully interwoven into the action. The acting is good too, especially Plummer who cleverly restrains himself from hamming it up and the recreation of the famous record- breaking race is rendered convincingly.

I found this on the whole a refreshing watch, no intruding profanity, sex or violence and certainly on a level with say, "Chariots Of Fire" in terms of entertainment.