IMDb RATING
6.2/10
2.9K
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A thirty-something southern woman searches for love, despite the burdens she carries with her.A thirty-something southern woman searches for love, despite the burdens she carries with her.A thirty-something southern woman searches for love, despite the burdens she carries with her.
- Awards
- 2 wins & 1 nomination total
Christine Renee Ward
- Sue
- (as Christy Ward)
Nancy Wilder
- Michelle
- (as Nancy Ellen Mills)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Ashley Judd gives a remarkable performance in this film but there are lots of other reasons to see it. Indeed, the music is very good, and there is a CD soundtrack (I checked Amazon as soon as I came home).
There are many painful moments as an extended and frayed family tries to talk to each other, or avoid it. It's about being stuck in old patterns and being clueless about making changes, no matter how old the people are.
I know one reason the film got local buzz is because it was filmed here, but as someone who hasn't lived in AR long, I was just an average movie goer looking to see Judd in something that was not a highly charged thriller. Ruby in Paradise (1993) was the first time I ever saw her, and that film about how to survive when no matter what you do doesn't seem enough, showed her talent. Come Early Morning evoked the same feelings.
The whole project seems a labor of love, love of real people living ordinary lives and doing the best they can.
There are many painful moments as an extended and frayed family tries to talk to each other, or avoid it. It's about being stuck in old patterns and being clueless about making changes, no matter how old the people are.
I know one reason the film got local buzz is because it was filmed here, but as someone who hasn't lived in AR long, I was just an average movie goer looking to see Judd in something that was not a highly charged thriller. Ruby in Paradise (1993) was the first time I ever saw her, and that film about how to survive when no matter what you do doesn't seem enough, showed her talent. Come Early Morning evoked the same feelings.
The whole project seems a labor of love, love of real people living ordinary lives and doing the best they can.
Talented Joey Lauren Adams wrote and directed this marvelous slice-of-life about a hard, stubborn, unapologetic young woman's journey to finding some self-worth in her quietly turbulent existence; she attempts to get her head in a good place and make peace with the past, but learns it doesn't all come into play overnight. Ashley Judd is just wonderful in the lead: gritty, tremulous, tough, never dumbed-down, she evokes just the right touch of devil-may-care recklessness with a kind of horse-sense which should resonate with a lot of viewers. If you ever come across this theatrical film playing on the Lifetime network, don't be fooled into thinking it's a cable-quickie. Adams puts a lot of thought into her prose (sometimes too much, as the conversations have a tendency to have an already worked-out give and take). The film is flawed, certainly, yet its scattershot hopefulness permeates through, and the performances are rich and memorable. A rewarding character-study, and a small triumph for both creator Adams and star Judd, marking a welcome return to serious acting. *** from ****
COME EARLY MORNING is not only a marvelous Joey Lauren Adams film, but is something which an audience can empathize with in watching the sun's rays fall upon Ashley Judd as she wakes up next to a man that she has long forgotten from the night before. With early morning, the film is about facing your demons and the truth about yourself and your past.
Ms. Judd nails her character to a "T" and the supporting cast is really wonderful in bringing out her past and more importantly, about what she has attempted to accomplish in her young life in a male world. The film is painful, and yet also joyous, in watching the journey which Judd has taken in gaining self worth, and happiness. The last scene is rich and memorable for a film heavy with pathos, pain and anger.
COME EARLY MORNING brings Ashley Judd front and center in her career as an important and talented actress in American cinema.
Ms. Judd nails her character to a "T" and the supporting cast is really wonderful in bringing out her past and more importantly, about what she has attempted to accomplish in her young life in a male world. The film is painful, and yet also joyous, in watching the journey which Judd has taken in gaining self worth, and happiness. The last scene is rich and memorable for a film heavy with pathos, pain and anger.
COME EARLY MORNING brings Ashley Judd front and center in her career as an important and talented actress in American cinema.
The DVD box promises us "the best performance of her career," and I'd agree with that 100%. Too bad this fine movie was saddled with a deadly non-commercial title, too bad the DVD is supposedly a "Blockbuster exclusive" which limits its availability. Too bad the summary on the box is dishonest; most likely just because some good movies are hard to describe.
JUDD plays a 30-something woman who often wakes up in a stranger's bed after several-too-many beers in a country music honky tonk. The story is about how she finds her way --- after a few stumbling blocks --- after her sister tells her that getting to know a guy such as his middle name and where he's from isn't so bad.
The marvel of the movie is a screenplay that follows her everyday life in a Southern town without ever resorting to anything but on-the-level events and interactions. Never boring, always involving, this is JUDD'S movie. She's on camera 99% of the running time. This is a brilliant portrait of a woman.
Lots of country music in the background. Good stuff, with lots of heart and sorrow; not the Kenney Chesney-like trash we hear on the radio these days with no tune and nothing lyrics; just loud. Old stuff, new stuff; but good stuff. Amen!
JUDD plays a 30-something woman who often wakes up in a stranger's bed after several-too-many beers in a country music honky tonk. The story is about how she finds her way --- after a few stumbling blocks --- after her sister tells her that getting to know a guy such as his middle name and where he's from isn't so bad.
The marvel of the movie is a screenplay that follows her everyday life in a Southern town without ever resorting to anything but on-the-level events and interactions. Never boring, always involving, this is JUDD'S movie. She's on camera 99% of the running time. This is a brilliant portrait of a woman.
Lots of country music in the background. Good stuff, with lots of heart and sorrow; not the Kenney Chesney-like trash we hear on the radio these days with no tune and nothing lyrics; just loud. Old stuff, new stuff; but good stuff. Amen!
I just saw the the movie yesterday at the Tower Theatre in Salt Lake City obviously during Sundance. The place was packed. The movie was 97 minutes which I thought was long. The movie kept my attention somewhat (wasn't dozing off) but it was just missing something. No high or low points in the movie. After listening to the Director and finding out that it it has taken 5 years to produce this movie I was shocked. Ashley Judd did an OK job of acting but this movie was about a lady drinker who loved to have sex with no relationship. Thats it. Nothing more. The country music in the movie was good. I would consider buying the soundtrack if there was one. Don't count on it, according to the director.
Did you know
- TriviaWriter and Director Joey Lauren Adams wrote the part of Lucy for herself, but gave the part to Ashley Judd when she decided she would be unable to direct the film and star in it.
- GoofsKeys can be seen hanging in Lucy's refrigerator. They were left in the fridge by teamsters who wanted to remember to shut it off before leaving for the day.
- Quotes
Lucy Fowler: It's like grapefruit, right? It's real nice and stuff and people love it, but when they're done, what's left over is pretty ugly.
- SoundtracksKilling the Blues
Performed by The Malcolm Holcombe (as Malcolm Holcombe) Group
Written by Rowland Salley
Published by Batt and Beer Music (ASCAP)
Courtesy of Bloodshot Records, from the album "The Slaughter Rule"
- How long is Come Early Morning?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $119,452
- Opening weekend US & Canada
- $50,160
- Nov 12, 2006
- Gross worldwide
- $161,408
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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