IMDb RATING
6.2/10
2.9K
YOUR RATING
A thirty-something southern woman searches for love, despite the burdens she carries with her.A thirty-something southern woman searches for love, despite the burdens she carries with her.A thirty-something southern woman searches for love, despite the burdens she carries with her.
- Awards
- 2 wins & 1 nomination total
Christine Renee Ward
- Sue
- (as Christy Ward)
Nancy Wilder
- Michelle
- (as Nancy Ellen Mills)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There are no true jerks in this film, and that's at odds with reality, but otherwise this is an incredibly affecting film about an ordinary woman on the attractive side who frequents the local tavern looking for a quick tumble and one too many drinks. I've somehow met women like this though I'm not sure when and where. But Ashley Judd is so completely convincing and skilled at bringing this woman's story to the screen that I was completely won over. My wife likes her movies, but I've always found them a bit off the mark whenever I've seen one. In this film Joey Lauren Adams has done a truly worthwhile bit of directing and writing in shining a light on a small town story. The audience at Roger Ebert's Overlooked Film Festival where I just saw it on the big screen seemed as appreciative as I was. She was heartily applauded when she came on to describe how this little gem was put together, and I, for one, was glad she was there to gather in the public appreciation. But I would have liked to have seen Ashley Judd too. Joey pointed out that she originally wanted to play the lead, but there's no question in my mind that no one could have nailed it like Ashley did. The supporting actors add spice and depth with quality and economy, but this is Ashley's show, and she does a wonderful job that's kicked her permanently up a few notches in my book. For once I sat through what I consider a chick flick and not only did I not fall asleep but felt truly entertained. Now that's a first, but let's not make a habit of it!
The DVD box promises us "the best performance of her career," and I'd agree with that 100%. Too bad this fine movie was saddled with a deadly non-commercial title, too bad the DVD is supposedly a "Blockbuster exclusive" which limits its availability. Too bad the summary on the box is dishonest; most likely just because some good movies are hard to describe.
JUDD plays a 30-something woman who often wakes up in a stranger's bed after several-too-many beers in a country music honky tonk. The story is about how she finds her way --- after a few stumbling blocks --- after her sister tells her that getting to know a guy such as his middle name and where he's from isn't so bad.
The marvel of the movie is a screenplay that follows her everyday life in a Southern town without ever resorting to anything but on-the-level events and interactions. Never boring, always involving, this is JUDD'S movie. She's on camera 99% of the running time. This is a brilliant portrait of a woman.
Lots of country music in the background. Good stuff, with lots of heart and sorrow; not the Kenney Chesney-like trash we hear on the radio these days with no tune and nothing lyrics; just loud. Old stuff, new stuff; but good stuff. Amen!
JUDD plays a 30-something woman who often wakes up in a stranger's bed after several-too-many beers in a country music honky tonk. The story is about how she finds her way --- after a few stumbling blocks --- after her sister tells her that getting to know a guy such as his middle name and where he's from isn't so bad.
The marvel of the movie is a screenplay that follows her everyday life in a Southern town without ever resorting to anything but on-the-level events and interactions. Never boring, always involving, this is JUDD'S movie. She's on camera 99% of the running time. This is a brilliant portrait of a woman.
Lots of country music in the background. Good stuff, with lots of heart and sorrow; not the Kenney Chesney-like trash we hear on the radio these days with no tune and nothing lyrics; just loud. Old stuff, new stuff; but good stuff. Amen!
Talented Joey Lauren Adams wrote and directed this marvelous slice-of-life about a hard, stubborn, unapologetic young woman's journey to finding some self-worth in her quietly turbulent existence; she attempts to get her head in a good place and make peace with the past, but learns it doesn't all come into play overnight. Ashley Judd is just wonderful in the lead: gritty, tremulous, tough, never dumbed-down, she evokes just the right touch of devil-may-care recklessness with a kind of horse-sense which should resonate with a lot of viewers. If you ever come across this theatrical film playing on the Lifetime network, don't be fooled into thinking it's a cable-quickie. Adams puts a lot of thought into her prose (sometimes too much, as the conversations have a tendency to have an already worked-out give and take). The film is flawed, certainly, yet its scattershot hopefulness permeates through, and the performances are rich and memorable. A rewarding character-study, and a small triumph for both creator Adams and star Judd, marking a welcome return to serious acting. *** from ****
I just saw the the movie yesterday at the Tower Theatre in Salt Lake City obviously during Sundance. The place was packed. The movie was 97 minutes which I thought was long. The movie kept my attention somewhat (wasn't dozing off) but it was just missing something. No high or low points in the movie. After listening to the Director and finding out that it it has taken 5 years to produce this movie I was shocked. Ashley Judd did an OK job of acting but this movie was about a lady drinker who loved to have sex with no relationship. Thats it. Nothing more. The country music in the movie was good. I would consider buying the soundtrack if there was one. Don't count on it, according to the director.
Saw this at the Chicago Film Festival and it was a great experience. The movie is a glimpse into the life and relationships of Lucy (Ashley Judd). I went in thinking it was going to be very intense and sad (especially after seeing some of the movie stills) and was very pleasantly surprised at the descriptive intense way the complex Lucy was portrayed and the light feel of the movie despite some very unhappy circumstances. I left the movie feeling like I got to know a good person and had some hope - but didn't see Hollywood clichés or forced happily ever afters.
The writer/director Joey Lauren Adams didn't take any shortcuts and quite happily didn't try to make a movie that appealed to everyone. This is a "real" southern town with "real" people. In the after movie question and answer session with Ms. Adams, she said it would be an interesting exercise to re-shoot the entire movie, keeping the dialog, with a man in the lead role. I keep going back to that . I'd love to hear/see/read the different reactions of critics and audiences to the male and female versions of "Lucy".
The writer/director Joey Lauren Adams didn't take any shortcuts and quite happily didn't try to make a movie that appealed to everyone. This is a "real" southern town with "real" people. In the after movie question and answer session with Ms. Adams, she said it would be an interesting exercise to re-shoot the entire movie, keeping the dialog, with a man in the lead role. I keep going back to that . I'd love to hear/see/read the different reactions of critics and audiences to the male and female versions of "Lucy".
Did you know
- TriviaWriter and Director Joey Lauren Adams wrote the part of Lucy for herself, but gave the part to Ashley Judd when she decided she would be unable to direct the film and star in it.
- GoofsKeys can be seen hanging in Lucy's refrigerator. They were left in the fridge by teamsters who wanted to remember to shut it off before leaving for the day.
- Quotes
Lucy Fowler: It's like grapefruit, right? It's real nice and stuff and people love it, but when they're done, what's left over is pretty ugly.
- SoundtracksKilling the Blues
Performed by The Malcolm Holcombe (as Malcolm Holcombe) Group
Written by Rowland Salley
Published by Batt and Beer Music (ASCAP)
Courtesy of Bloodshot Records, from the album "The Slaughter Rule"
- How long is Come Early Morning?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $119,452
- Opening weekend US & Canada
- $50,160
- Nov 12, 2006
- Gross worldwide
- $161,408
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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