Jumeogi unda

When i started watching this film i didn't have any expectations ... because i didn't have a clue what the film was about. So it could have been turned out pretty nasty; but luckily it did't! It was a really nice experience.

The first obvious thing i noticed was the professional work of the DP/director. This film is beautiful shot; lightning, camera etc. Sound and music were fine, but weren't very special but rather very solid. The second thing is the surprising good acting of the entire cast. There weren't any awkward moments. Everything felt very natural. And this is very important for the entire film because so much of the atmosphere depends on the performance of the lead protagonists. If they fail, the whole film might collapse.

A friend of mine said "crying fist" would be the Korean equivalent of Rocky. Well, i don't agree with this. The story of "crying fist" has much more content and value; discussing, for example, the issues and problems of people who lost their status in society is important and worthwhile. And, in this case, also very moving.

If you are interested don't hesitate! I really can recommend this one!

I love Korean movies and have been a fight fan most of my life, so maybe I'm an easy mark here. Nevertheless, I believe this film is an outstanding study of two very opposite boxers. One a washed-up 43 year old Olympic Silver Medalist who gets beaten up for money on the streets, the other a teenage thug who ends up in juvenile detention after a mugging. The two stories don't cross until the final bout.

In the process, both evolve from being unpleasant jerks, who disrespect their families, to being... average. Characters, fighting, story-lines, etc. are very realistic. Thought you won't fall in love with either boxer, you'll probably wish both could win the big fight.

Movie may seem a bit slow and slightly long at 135 minutes but I think it's worth it so I recommend it highly, especially to fans of boxing and Korean film.

This is a emotional and uplifting film that revolves around two characters. They both have separate stories but they come down to one goal at the end. And both fighting for different reasons. One of the main aspect that stands out about this movie is how it shows the two protagonist being pitiful and despicable. And as the movie progresses you get to know more about both characters and they become likable or at least sort of understandable of why they are the way they are. One main gripe I have is how the movie moves along in a way where the relationships and bonding isn't really clarified sometimes, it just happens. Which makes it seem like the movie is missing few scenes or just not well developed. Also if there was at least some connection between the two characters besides them both hitting rock bottom it would have been better. Especially when they both face each other in the ring. What is really hard to watch is how you care for both characters one maybe slightly more than the other...But the point is you want both of them to win, but only one can come out winning.

7.5/10

Ryoo Seung-Wan is one of South Korea's more interesting directors, if only for the fact that each of his 4 feature films has been very different to the others, though all have an element of action/violence. Last year's Urban Martial Arts Fantasy ARAHAN was an eminently watchable commercial film that deserved a worldwide release on the scale of KUNG FU HUSTLE in my opinion, but was denied it. 2005's CRYING FIST is about as different as a film can be, and is much more suited to the art-house circuits than the multiplexes. We'll see if it gets even that :) Basically, CRYING FIST is a Boxing Film. One might argue that there have been entirely too many boxing films already, as the sport has always been a favourite for underdog stories - the visuals of a boxing match being particularly evocative for a tale of triumph over adversity, I guess. Since there have been so many boxing films, including some that are good to great, it's pretty easy for a new one to be dismissed as formulaic, clichéd and entirely redundant in the grand of scheme of things - because they usually are. CRYING FIST escapes this fate because it's a boxing film with a difference! It's not a big difference by any measure, but it's enough to make the film a worthwhile entry in the genre.

CRYING FIST follows too mostly independent stories, both revolving around underdogs and boxing. CHOI Min-Sik is an ex-boxer who had some moderate success in his youth, but at 40 years old finds himself penniless and generally under-qualified, with his home life in such a mess that he's sleeping on the streets before the film has run too long. To try to make enough money to eat he sets up a "business" on the streets where people can pay to use him as a human punch-bag.

RYOO Seung-Bum (the director's brother) plays a young thug with a tendency to violence and anti-social behaviour that quickly lands him in prison. The prison has its own boxing team, and RYOO is encouraged to join, to channel his aggression and learn self-control, to make himself a better man and all that.

CRYING FIST presumably derives its name from the fact it's a bit depressing, and may produce a liquid response from the viewer in places. It focuses heavily on the characters, who are pretty crappy people in many respects, but hurting enough that the audience can't help feel sympathy for them, even care for them. CHOI Min-Sik has already proved that he can make just about any character come to life and make the audience care for them, but it's quite a surprise that RYOO Seung-Bum was able to achieve the same effect, since he was mostly annoying in ARAHAN and is generally listed as the reason people didn't like the film (wrong people, obviously). He's still not up to Choi Min-Sik's level of acting, but so few people in the world are that it's a little cruel to have to compare them.

The visual style of CRYING FIST is entirely different to that of ARAHAN, closer to NO BLOOD NO TEARS but still different. The film uses a lot of rapid exposure film, creating that stroboscopic effect during fast movement and simply being left to overexpose in other scenes, meaning the visuals are generally quite intense. Colour is used sparingly, appropriate for a film that's much more gritty and downbeat than the lurid ARAHAN.

Writing and direction is top-notch, and the film generally feels very maturely and expertly directed. It does perhaps veer a little too close to cliché towards the end, particularly an extended training montage that was just too ROCKY IV to be taken seriously (a shame RYOO couldn't find a newer way to show it). That misstep is pretty much the only one in the film though, with other scenes being quite inspired.

Of course there's some actual boxing in the ring in the film, and these scenes are shot very powerfully and realistically - completely opposite in style to the fights in ARAHAN. The fights are mostly filmed in extended takes which leave no doubt that the actors are doing the fighting themselves, absolutely no stunt doubles or clever editing. If it weren't for the way the camera moves around the ring and between the cameras I'd say the fights were unchoreographed, so convincing do they look. The actors must have undertaken a lot of training to learn how to box, and their stamina and resilience is a credit to them. I wasn't always sure the bloody bruises on their faces were done with makeup! Although CRYING FIST is arguably the "better" film, I didn't enjoy it is as much as ARAHAN for the simple reason that it's not as much FUN. But then it's not meant to be, and there'd be something wrong if it was. It's not as easy a watch as ARAHAN and probably doesn't have the same (potential) universal appeal, but it has much more "substance" and is likely to make a deeper impression on those who find what they're looking for in it.

So, if you're looking for a boxing film that might just make you cry, CRYING FIST comes highly recommended. At the very least it proves that the RYOO brothers deserve close attention in future, if only to see which direction they go in with their next film.

One of the great qualities about many Korean filmmakers is their ability to reinvent Hollywood genres. Drawing upon the intellectual and moral sensibilities of their own culture, they transform genres that in America traditionally consist of incredibly simple-minded narratives into something far more human, complex and literary. In the film "Crying Fist," it is the boxing movie genre that is wonderfully reinvented. Rather than presenting the audience with gratuitous action scenes involving a hero and a villain--as American audiences are so used to seeing--"Crying Fist" carefully and sympathetically develops the lives of both fighters. In the end, we are left with not only empathy for both fighters but a thoughtful drama that seeks to deepen our insight into the human condition.