Jumeogi unda

This is a emotional and uplifting film that revolves around two characters. They both have separate stories but they come down to one goal at the end. And both fighting for different reasons. One of the main aspect that stands out about this movie is how it shows the two protagonist being pitiful and despicable. And as the movie progresses you get to know more about both characters and they become likable or at least sort of understandable of why they are the way they are. One main gripe I have is how the movie moves along in a way where the relationships and bonding isn't really clarified sometimes, it just happens. Which makes it seem like the movie is missing few scenes or just not well developed. Also if there was at least some connection between the two characters besides them both hitting rock bottom it would have been better. Especially when they both face each other in the ring. What is really hard to watch is how you care for both characters one maybe slightly more than the other...But the point is you want both of them to win, but only one can come out winning.

7.5/10

Another day, another Corean film, but another good one. This one is a boxing movie. But it's not really a boxing movie in the sense that Rocky is a boxing movie. It's rather a drama foremost, about down-and-out losers and their sad pathetic lives, and then a boxing movie: boxing being the means by which they can lift themselves out of their conditions.

The two characters are quite different in some sense, one being a former silver medal winning Asian Games champion with no job and on the brink of losing his marriage and family and the other being a troubled street youth with a compassionate family. At some point, both characters lose out and find their hope in boxing, whether on the streets as a human sandbag or in the prison gym. And then a greater hope is found.

Of course, unlike a typical boxing movie, you have two protagonists and when their paths cross, you don't know who to root for. Both are sad sacks and hard to love people, but have enough humanity still in them that you can't help but wish for them to make it in the end. But... the movie brings up the strange conflict of... who? All the same, that sort of conflict is fairly realistic in any one vs. one story when you think about it. There's hardly a truly villainous villain like the villain of Rocky IV.

The film is shot in two different styles, for each characters stories, although they're tied together well by overarching style elements and the characters are fairly well developed and superbly acted. I will admit that the younger character's story is a little incredulous sometimes and a small bit contrived for extra sympathy, but the movie is generally so watchable overall that I was able to ignore it. With mostly solid writing, great acting, excellent direction and high production value, I'd have to say that Crying Fist has turned out to be one of my favorite boxing films and possibly even sports film. Which isn't to say it's one of my favorite films.

Some of the contrivances are still glaring, and it's hard to fully ignore, but all the same, this is a solid effort and a film that I could recommend highly. Good stuff! 8/10.

Boxing is used in this movie as the main plot, but this is not a Rocky episode and the protagonists do not fight for glory, fame or wealth. The climax match is just for the domestic rookie contest title and even a win would not improve the life of either Kang or Ryu that much. Boxing has long been dying as a professional sports anyway, at least in Korea.

So what these two main characters fight for? They are just trying to regain the minimum dignity as a human being, the last desperate effort to climb up from the deepest bottom of their existence. Therefore, you know, sometimes who wins is not so important.

This film was not a big hit when it was released to Korean theaters, and no wonder it was as the majority of movie consumers are happy youngsters.

Many of them think this is just another tear-jerking melodrama. It is not, I guarantee, but you would not be able to appreciate the real thing unless you have once gone through your own hell in the life. I cried with Ryu at the end of the movie, I felt his sorrow and happiness so real just as they were mine, it was mentally painful.

My main reason to seek this move out was to see Min-sik Choi, but I also shared an equal interest in what the director and his brother had to offer as well. I think we all had our share of boxing movies dealing with a man overcoming the obstacles and reaching his triumph in front of a massive crowd, with his face swelled up and bloody, looking for someone to share his happiness with. Then you had the bad guy conveniently set up in the opposite corner with redundant reactions and a task to come off as inhuman as possible throughout the film. This movie is no such travesty of epic proportions. It is so much more.

I don't want to dive too deeply into the plot, but in short the story deals with two men of different ages. Choi plays an Asian Games silver medalist whose health and family is in a downward spiral and Ryoo Seung-beom plays a careless young man with crime chasing tendencies and a small family that stands behind him no matter what.

With such premises set up both characters not only offer great acting, (notable Ryoo Seung-beom, who is barely recognizable) but they relentlessly take turns in shredding any hopes of achieving a better life or even surviving the one they already have. In certain cases their judgment is at fault and at other instances their luck just simply runs out. Ultimately the audience is left to cheer for these two characters, but since the film stands at over 2 hours it makes it pretty hard for you to somber over one guy more than the other.

Now the boxing itself is done pretty neatly, although for a silver medalist Choi's character had a rather amateurish fighting style, which could have been excused for number of reasons. Still it isn't even a complaint, as the boxing was booked sufficiently and to a minimum since the film's number one priority was to plunge you into the lives of these characters before the big showdown.

I guess it's safe to call this a "feel bad" movie, but one with an unorthodox resolution at last, which wasn't as much about guessing, but more about conjugating and accepting. In the end it was another great getaway cinematic experience from Korea, which I find very rewarding when knowing just where to look. Definite recommendation, Ryoo Seung-beom breathed a new life not only into his future career but made his past work seem more subtly meaningful than it actually was.

One of the great qualities about many Korean filmmakers is their ability to reinvent Hollywood genres. Drawing upon the intellectual and moral sensibilities of their own culture, they transform genres that in America traditionally consist of incredibly simple-minded narratives into something far more human, complex and literary. In the film "Crying Fist," it is the boxing movie genre that is wonderfully reinvented. Rather than presenting the audience with gratuitous action scenes involving a hero and a villain--as American audiences are so used to seeing--"Crying Fist" carefully and sympathetically develops the lives of both fighters. In the end, we are left with not only empathy for both fighters but a thoughtful drama that seeks to deepen our insight into the human condition.