Chaotique Ana

You know how sometimes a movie really reminds you of another movie you saw, not because of obvious reasons such as plot similarities, duplicated characters, suspiciously identical quotes etc. but because of another reason, a little less evident but existent nonetheless. I associate Chaotic Ana with "Stealing Beauty", a romantic drama by Bernardo Bertolucci that made Liv Tyler a household name. seemingly one has to be slightly hallucinated to associate Stealing Beauty with a fantasy/occult movie and like I said earlier, the reason is subtle but it still exists. Ana (the mind-blowingly beautiful Manuela Vellés in a good performance) is a painter who lives with her father in a cave (seriously, an actual cave) when one day, she is spotted by an artists' patron (Charlotte Rampling ) who immediately identifies her talent and asks her to join the artists greenhouse she runs in Madrid. Ana who is very close to her father is a little reluctant at first but ultimately decides to cultivate her passion for art, preferably in a modern day dwelling. Ana is acquainted with other artists that share her artistic vision and propensity to avoid coherent statements (I will elaborate about that later on) but one man draws her attention, Said (pronounced Sa-Id), an enigmatic painter who grew up in a rural area of a north African, trauma ridden, country. How he got from there to the artists' house is anyone's guess. Ana and Said fall in love and conduct a passionate and highly explicit romance. One day, though, Said disappears for no reason. At the same time, Ana discovers that her dreamless sleep and peculiar visions originate in a startling fact in her past. To avoid spoilers, I will not elaborate too much on that fact but like I stated earlier, this movie deals with the occult so if you hate the sixth sense because you're too old to believe in ghosts, this movie is probably not your cup of truffles-juice (no tea in this movie, it's way too normal to be consumed)

Ana, aided with the French patron and an American "occult professional" (Asier Newman Who unfortunately, struggled too much with his coarse Spanish to give a good performance), decides to search her destiny in light of these revelations. These revelations are abundant with cultural references, Flashbacks, scenery shots etc. but they all lack one crucial ingredient- sense.

Sense is usually a missing ingredient in the films that deal with the occult but the sense I refer to is not the fact oriented sense. It's the sense of the characters state of mind and disposition that makes them genuine. The endless theories about the nature of men and women might seem offensive to some or ridiculous to others but to me they seem the clear cut symptom of the film's artificiality. Hearing the characters lay out their philosophies, listening to them converse, and watching them react to certain situations, make you wonder in what bizarro world this code of conduct is considered common or even acceptable. And if that's not sufficient enough to depreciate the film's cinematic worth, the blunt and redundant sex scenes as well as the stereotypical background stories deteriorate the film to good guys/bad guys dichotomy usually common in Road runner cartoons. By "stereotypical stories" I mean the stories that are too clichéd and metaphorical to be authentic, for example: Said that was abducted from his family by soldiers, Ana's friend, Linda that was abandoned by her father, the encounter American official who "made" the war (no, I don't know what that means either) and the list goes on and on.

I feel a bit reluctant to criticize a film that was made from such a personal and painful viewpoint (the director made this movie in his deceased sister's memory and incorporated her paintings throughout the film). I can't think of a more difficult task to translate personal loss to the big screen. I have no knowledge or skill to determine whether the character of Ana is based on Hulio Medem's deceased sister but I can say with a great deal of confidence that the world depicted in this movie doesn't fit to the planet we all live in.

If you recall (which I doubt it), I mentioned that this film reminded me of Stealing beauty, Liv Tyler's big breakthrough. That film was highly acclaimed at the time so I rushed to see it and ended up bitterly disappointed. I believe that many critics who wrote in glowing terms of Stealing beauty's behalf, spent the movie mesmerized by Liv's infinite charm and sex appeal and overlooked the film's overall qualities. Manuela Vellés has the same undefinable quality and I can only assume her name will be known to many in the future.

Hopefully in more coherent films.

4 out of 10 in my FilmOmeter.

I saw this last month at the Palm Springs International Film Festival. The premise of this film was done before back in 1968 in the film Candy. You take a lovely nymph-like girl with a lot of hair and a beautiful body and build a series of disjointed, ridiculous sketch-like stories around her with the help of a big name actor or two and pretend it's a comedy. This film does the same except it pretends to be a drama. The films title character Ana (Manuela Vellés) is a gifted young artist living with her father Klaus (Matthias Habich) in a cave near Ibiza, Spain. Yes, they live in a cave but it's quite nice and richly appointed for a cave dwelling. Newcomer Vellés almost didn't have the role as it was originally attached to actress María Valverde who wisely bowed out and you can only imagine if it was her refusal to do a certain scene in this film. One day a wealthy art patron from France named Justine (veteran international talent Charlotte Rampling) discovers the artistic potential in Ana and wants to cultivate her talent by setting her up in her exclusive art colony she runs in Madrid. Ana meets Linda (Bebe Rebulleto) who becomes her best friend and Said (Nicolas Cazalé) who becomes her boyfriend. Ana discovers the doors to past lives through regressive hypnotism by an young American hypnotist named Michael (Asier Newman). The movie has you hooked for a while and you wonder where it's going to go but once she heads for New York it rapidly falls apart as a film trying to hard to be an art film with a political and social message. The film looks great with art direction by Montse Sanz and cinematography by Mario Montero and direction from the talented and celebrated, international film festival award winning Julio Medem. The film is dedicated to Medem's sister Ana Medem whose actual artwork are featured through the film. Her Picassoesque style painting were to be shown at an exhibit in Valencia when on her way there she was tragically killed in a car accident. I hate to be critical of a film dedicated to someone who represents such a personal loss to it's director but the story written by director Medem is so bad that I can't help it. Watching this film you realize that this guy knows how to make a film but you wonder why he didn't make one this time. It features some nudity and some prolonged unnecessary violence and I would give this a 5.5 out of 10 and not recommend it to a general audience.

Many people said that "Caotica Ana" had sunk in its own chaos. Well, I don't demand from films a straightforward narrative, I think that the stream of consciousness, the poetic, the surrealistic can be much more powerful, emotional, than a story told in conventional fashion. I've liked a lot "Lucia y el sexo" - It was so beautiful that it took my breath away, and when I tried to write about it in IMDb I just couldn't.

Now, "Caotica Ana" .... as a whole it's a mess. In his homage to his sister Ana, Julio Medem invokes the sea, the sun, reincarnation, the tragedy of Western Sahara etc... Many different ingredients were put into this soup, but in what concerns the taste... Some scenes are beautiful and moving, but other scenes feel like nothing. The film is like a mind game (from reason, through reason, to Emotion) - many situations and elements seem to have been arbitrarily inserted.

I don't care so much for logic and I was expecting with "Caotica Ana" an audio-visual-emotional trip (the beautiful Ana in different times and places, the sea, the sky. What could possibly go wrong?), but I was disappointed in this regard. Anyway "Caotica Ana" is a very personal film. It's different from anything you may find in your local DVD rental store. Give it a try if you want.

After the wonderful "Lovers of the Arctic Circle" and his masterpiece "Sex and Lucia" (the last almost seven years ago) my expectations on Julio Medem's follow up movie were very high and for that reason I rushed to see "CAOTIC ANA" at the Toronto Film Festival. To my disappointment, this movie is just as its title CAOTIC. A sad demonstration that some interesting or even original ideas by no means end up as a good movie.

Ana is a young painter living in IBIZA with his widow father. One day she meets Justine (the great Charlotte Rampling) who offers education and economic support to perfect her artistic skills if she moves to Madrid. Ana starts "feeling" the big city and the new life (it is a sensorial feeling; she is be far from shy or at least she has no problems in being nude for art's sake or to take a bath in the ocean or for many other reasons). One of her new "feelings" is Said; a young Arab and fellow student which Ana gets involved and obsessive in love (like Lucia in "Sex"). In short time, Ana starts having strange daydreams and seizures until a professional hypnotist finds out she had lived many previous lives and all of them ending with terrible deaths at a very young age (around 22 years old). This discovery plus something said by Ana (she speaks different languages while hypnotized) causes Said to run away without any explanation. In order find out what happened with Said she accepts being part of a hypnotic treatment, trying to investigate her previous lives (and deaths). The only condition, she does not want to remember anything about the session, unless is related to Said. Many more things occur and for reasons that do not make a lot of sense she ends up in USA where she is submitted to the last "session" to find out the truth. Even when the idea looks interesting; the unrealistic chain of events, many of them too forced, harms the narrative. No character in the movie (which includes very well known European actors like Rampling or Luis Homar) has any deep or definition. They are mostly pieces put there to generate a situation or a dialog; we do not get to properly know Ana since her only motivation seems to be finding Said; and even this mystery (which drives the movie ) is easily predictable. Medem (like Bergman in his own way) has a personal concept about love and human relations and all his movies make reference to the stupid choices and things people do and consequences in everybody's lives. He never really made a lineal or realistic story; just a chain of events aligned to show his theory. This concept worked fine in previous movies; because in some way everything (albeit not always logically) got connected and made sense; which is not the case here. Many ideas seem to be thrown in the mix (not all of them really good or original) but like water and oil did not blend at all. Cohesion is missing in many moments (like the missing reels in GRINDHOUSE). The perfect example is the scene with the USA government functionary; a scene many people will probably enjoy (aside for the disgusting) but has absolutely nothing to do with the rest of the movie. It is really sad because technically the movie is excellent; the paintings and the animations are outstanding, the locations are pure beauty but while Ana had many souls, this movie has none.

I have been lucky to see Julio Medem's films at several film festivals over the years and he always manages to captivate his audience. I was fortunate enough to attend the UK premiere of his new masterpiece Caotica Ana at the London Film Fstival recently. He is arguably one of Spain's all time most important film makers, for example Stanley Kubrick said that Medem's "The Red Squirrel" was one of his all time favourite films and Steven Spielberg offered Medem the chance to direct "Zorro", which he later turned down to spend more time developing his own movies.

Caotica Ana is one of Medem's best films to date, beautifully filmed, beautifully acted and with an intensely captivating story of reincarnation and never ending love. Manuela Velles as Ana is enchanting and lights up the screen, Charlotte Rampling turns in a good performance in her first ever Spanish speaking role, Bebe provides much laughter and Asier Newman is simply hypnotic, exuding vulnerability and charisma. Sequences are at times "Chaotic" as per the title but are necessary to build emotional attachment to the story. The change between chaos and calm being personified in many ways through Ana's final journey to New York by boat, travelling on stormy and more tranquil waters. Overall a must see movie, very different to anything you have ever seen before and a real homage to the importance of women in society throughout the ages.