In the Dark

Therefore, I can honestly say, this was TERRIBLE. Firstly, every other positive comment HAS to be made by the people involved with the production. 8.5 rating? Really? Secondly, I love "fake-umentaries", but this was just bad. The acting was terrible... below B-grade. The "great camera work" was... well, up there with the acting. I know they weren't going for "slick", but it was just bad. The production value was actually quite good, which just adds to the disappointing end result. I can never tire of the "faux-cumentary" genre, but it's only been done right a few times. I'll give the filmmakers the credit of coming up with a cool concept, actually getting it off the ground and distributed, but they failed at making anything remotely watchable. Better luck next time.

Count me as one who loves the whole documentary sub-genre of horror created by "Cannibal Holocaust" and made popular more recently by both "The Blair Witch Project" and "The Last Broadcast." Though not a huge explosion of these types of films have popped up, there is a handful out there, such as "Strawberry Estates," "The St. Francisville Experiment," and "The Collingswood Story." These films attempt to frighten the audience by giving them a unique perspective of witnessing the events of the plot unfold through the eyes of a character's own camera lense or, in some cases (such as here), a security camera. Additionally, these films often advertise themselves as being "real, authentic footage!" when in fact, any viewer with any brains knows differently. Often times, these films are able to create adequate suspense and uneasiness. Unfortunately, this is not one of those instances and is really a smear and insult to its much better predecessors.

"In the Dark" presents itself as "real" footage of the events that take place when a group of teenagers break into an abandoned, burned asylum, where years before, a few of them did *something* (raped?) to a female inmate that left her scarred after they started a fire to cover their crime. The footage is presented dually through the camera lense of one of the teens and through security cameras present in and outside the building. Why does a abandoned asylum that is barely standing because of fire damage need security cameras you ask? Well, you're guess is as good as mine and that is just one of many things wrong with this film. You see, viewers are to believe that the girl inmate who was picked on knows that these teens are in this abandoned asylum on Halloween night, is able to escape her current institution and come to seek her revenge. She is presented here are sorta of a cross between a possessed Linda Blair in "The Exorcist" and a zombie from the "Dawn of the Dead" remake, which is puzzling considering she is supposedly just a burn victim. Better (or worse) yet, she is able to smuggle of few other inmates out of her facility to help scare the crap out of the teens. You'd think, since money was invested to have working security cameras in the decrepit asylum, that the security would have been a hell of a lot better at the new one! Apparently not....apparently no security cameras at the new asylum captured a few of the inmates walking out to go wreak havoc next door.

The film's main flaw is the fact that is is extremely boring and filled with extremely bad actors who are portraying annoying characters we could give a crap less about. We are subjected to long scenes of one of the more annoying characters filming himself make rude comments and mock his equally annoying mother, and act like a total retard detailing his plan to sneak out while his mother is fast asleep behind him in the couch. This scene has to be seen to be believed and my jaw was dropped at the ridiculousness I was witnessing. Long scenes of virtually nothing happening are presented as apparently the director's idea of suspense; characters whine and fight with each other and sort of act scared, but for some reason never all just decide to group together and leave the place. After all, there was about 9 of them and only one "killer." Again, nothing about these characters is even remotely interesting and I really just wanted them all to die. The film also feels about 20 minutes too long and the pacing is just horrid. I really really had to stop my self from hitting the fast forward button on my DVD remote, or worse yet, just ejecting the damn thing altogether.

"The Blair Witch Project" worked because it felt real. The acting was superb and there was no ridiculous plot elements that felt fake. Everything the viewer saw and heard looked and felt authentic and it was scary as hell. This film feels fake. There is no suspense because some of the things that unfold (particularly the ending) are so implausible that it is an insult to viewers. I only hope that the filmmakers really did not expect people to believe this was "real" footage because they failed miserable. Avoid this borefest at all costs.

FrightMeter Grade: F

Shameless asrtoturfing in the comments section, obvious in the first quarter of the film, warranted an IMDb registration. Don't fall for it, 'In The Dark' is one of the most sloppily conceived, hackneyed and unintentionally incoherent films in a long while.

A group of wild teens break into an abandoned asylum on Halloween night to drink and get high and, their story told by the portable cameras left behind, come face to face with a 'presence' seeking revenge. In a vain attempt to relieve that mind numbing string of clichés the screenwriters employ an admittedly novel device, augmenting the shaky cams with scenes from the facility's security cameras. It's unconvincing and forced. All but one camera are so painfully and clearly positioned for the film instead of surveillance the main effect is annoyance. The characters never behave like people, befalling fates through a staggering display of stupidity and complete lack of sense for self preservation. Aware of a threat watching them from an asylum window as they party outside, the reaction is to run into the asylum. When one of them becomes too overwhelmed to cope, in this film's logic the thing to do is put her to bed in an isolated, unlocked and unguarded room away from the rest where she'll 'be safe'. Not that the viewer is given much reason to care. An all-purpose stream of overlapped yells too often substitutes for dialog - in this scene for fright, that one excess, the next one anger. Horror nor gore approaches that of Robocop 2 and the effects are... missing. The protagonists run around all film in freshly laundered pajamas grimacing.

It's not hard to find zero-budget independent horror films that deliver. This isn't one of them.

If you like lousy movies - and I mean real stinkers - then this is the flick for you. Yep, this film has it all - putrid directing, actors who wouldn't make the cut for a high school class play, inane writing, ridiculously inept special effects, and on and on. If these people were trying to make a terrible film, they exceeded beyond their wildest dreams.

As Val Lewton and Jacques Tourneur showed nearly 80 years ago, it's possible to make a great horror film with no special effects and virtually no budget. All the filmmaker has to do is find some reasonably creative way to imply what's lurking just outside the frame, and let the viewer's imagination take it from there. It is plain, however, that the geniuses behind this masterpiece never even heard of Lewton or Tourneur.

It's not surprising that the director of this mess - Mr. Marc Cinquanta - chose not to put his own name in the credits. However, the name he selected - "Slater Kane" - sounds like he was trying to channel a 1970s peep show producer. A person who can't even think up a decent stage name shouldn't be allowed anywhere near a camera, as this disaster of a film shows.

I also have to note that while most of the reviews for this movie are justifiably negative, a few try to make it sound like some great creative accomplishment. Having seen the film, I have no choice but to conclude that the director either asked his friends to write the reviews or posted them himself under phony names. Didn't doing that embarrass you, Marc?

There are so many horror flicks on the market these days one must be a discriminating fan. I got to see this gem at the Chicago Horror Film Festival and enjoyed the fresh approach. This is not your average hack 'em up slasher film. I'm sure other horror buffs out there will enjoy this one as much as I did.

I hope it comes out on DVD some day. It would be a great addition to my collection and I'd LOVE to share it with friends on Halloween! I love it when creeps get what they deserve and Lizzie in this film does an excellent job of dishing it out.

Go Lizzie!!!